Landscape 2024
*200 copies limited edition* After a careful evaluation of numerous international proposals, Landscape 2024 announces the official selection of the ten finalist works in the SoundArt category. Curated by the Zeugma Collective and now in its fourth edition, the project has established itself as a reference point for sound artists and video artists exploring the concept of landscape through sound and image.
This year's selection stands out for its diversity, featuring works ranging from experiment…
Desert Smell
*200 copies limited edition* "Desert Smell", a precious collaborative album by Fabio Orsi and Massimo Amato, is fundamentally centred on suffused and dreamy ambient atmospheres, with inserts of ethereal female voice, suspended notes of reverberated piano, echoes in reverse, breaths of synthetic woodwinds, floating and enveloping pads, fragments of abstract sounds, sequencer phrases sometimes kept soberly in the background, and sometimes reminding of cosmic memories brought more energetically to …
Fans For Fans
*200 copies limited edition* A 'monolithic' experiment in extremely minimal non-music constructed in two long parts. If the first part is dominated by a background based on a single sound rich in harmonics that oscillates on its own wave-like vibrations, resting on a substrate of what can be at the same time a synthetic pink noise or the real 'capture' of a natural quasi-silence, in the second part a few sounds of a more overtly electric/electronic matrix, a tangle of faint high-pitched looped e…
Archivio II
*200 copies limited edition* This compelling new compilation CD encapsulates a unique period of sonic exploration by Pragma, one of the many visionary projects of sound artist TeZ. This archive brings together 11 immersive tracks created between 2018 and 2020, capturing the essence of Pragma’s distinctive sound.The collection features six previously unreleased compositions alongside five tracks originally published on compilations by and courtesy of the esteemed Silent Records label. These recor…
Notturni
*200 copies limited edition* "Notturni", Germinal's second album, deepens and pays tribute to more distinctly dark ambient influences while maintaining a firm focus on compositional minimalism. Forgotten loops and samples, buried melodies, rattling refractions and mysterious litanies delineate misty country settings and dreamy urban situations, which can be traced back to a minimum denominator: nocturnal landscaping.
Behind Your Very Eyes
2003 release ** "A collaboration between Colin Potter (Nurse With Wound) and Paul Bradley (another Preston-based composer, who manipulates sound with his computer in a most un-computer like way). Over 68 minutes the four tracks visit different soundscapes, exploring organic and electronic sources, sometimes peaceful, sometimes unsettling.."
Pittsburgh, Pennsylvania
2009 release (RARE) ** "The world of harsh noise has a small number of truly classic, genre-defining records: The New Blockaders "Changes Les Blockeurs", Merzbow "Material Action 2", The Haters "In the Shade of Fire", Controlled Bleeding "Knees and Bones"... and this. Macronympha's 1995 LP "Pittsburgh, Pennsylvania" was first released by the German label Praxis Dr. Bearmann and had a huge impact on the next generation of noisers. This record is loud and ugly, relentlessly negative with savage ta…
Faint At The Loudest Hour
2001 release ** "Faint at the Loudest Hour is the astonishing solo debut by guitarist Alexander Turnquist, part of a young generation of guitar players who have taken their incredible virtuosity and turned it into something actually worth listening to. Like James Blackshaw, Jack Rose, Glenn Jones, etc, this could roughly be described as "raga" guitar, with its long, modal compositions and hypnotic overtone play. Unlike most of his peers, Alex employs a variety of extended techniques ala Hans Rei…
Twin Souls
2001 release ** "Twin Souls is a collection of electroacoustic compositions that incorporate texts which deal with various gender issues. Some, but not all, refer to same sex relationships; others leave the identity of “the other” to the listener’s interpretation. In all cases I have gravitated toward lyric poetry that expresses the human desire for this other being, whether a “mirror image,” an idealized partner, or a complementary “opposite.” In the first two works, the instrument itself is pe…
Breathing
2025 stock ** "Hild Sofie Tafjord has re-written the sonic possibilities of the French horn and established herself as one of Norway's most arresting musicians. Pushing the limits of her instrument for years, whether acoustically or electronically, she has made her mark as composer, performer and improviser. Her signature is present in her group-playing in Spunk, Lemur, and Zeitkratzer, but here she takes front row in this solo work. Breathing -- her long-awaited second solo album -- is devoted …
Reciprocess + / vs. 02
2003 release ** "Microsounds, in which every single and minute tone has found it's place, which nevertheless sound warm and human. Or, even more true, electronic sounds with a gargantuan dynamic that help hyperspeeded cyberfreaks to come down and drift in an ocean of sound. What a beautiful thought. Austria melancholic, warm atmosphere and sometimes reminds me of works by Pole, Rhythm and Sound (and other Basic Channel related stuff), and the laptop compositions of Fennesz, Oval or Pimmon."
Métro Pré Saint-Gervais
2025 stock ** "On July 10th 2001, Guionnet (alto sax), Warburton (violin) and La Casa (microphones) explored the acoustics of the Pré Saint Gervais Metro station in Paris, riding the elevators, taking the stairs, experimenting real-time music in daily life. A reference, between site-specific improvisation and sound art."
Christ Knows
2006 release ** ""Cold Spring are very proud to re-issue the legendary LP released by Broken Flag in 1986, now for the first time on CD. Formed in October 1984 from the ashes of Ramleh. The membership was shifting, though focused around two members (Gary Mundy and Matthew Frith) and included contributions from several friends around the world. Featuring Tim Gane (Stereolab), Paul Lemos (Controlled Bleeding) and Pacific 231. This completely remastered disc features the complete 'Christ Knows' LP…
Azimuth
Azimuth is the first full-length collaboration from Tyresta (aka Chicago-based Nick Turner) and cellist Simon McCorry (Gloucestershire, UK), featuring a quintet of impressionistic arrangements that combine swells of harmonic guitar with delicately composed strings and accents of modular synth. The resulting formations convey both the acoustic resonance of chamber music, and the experimental wash and warmth of shoegaze, making for a unique creation that is equal parts meditative and narrative.
“S…
The Inward Rising
2010 release ** “Stian Skagen (b.1980) aka [concept.virus] is one of the leading Scandinavian sound artists and has toured and recorded with acts such as Årabrot, Ryfylke and Nernes/Skagen, his work has been exhibited and performed several places around the world. The music presented on this release was made for the sound installation The Inward Rising by Skagen and fellow artist Monica Winther. The installation was presented at the Henie Onstad Art Centre from the 20th of November until 14th o…
In The Shelter Of Chaos
2000 release (light storage wear) ** "Chaos As Shelter, from Israel, is one of those bands that don't really need to be presented. He has fastly become a big name in the ambient industrial world thanks to a handful of releases on various labels around the world."
Contemptus Mundi
2008 release ** "UK Dark Ambient / Fortean Electronics act Satori - Neil Chaney (Pessary) and Justin Mitchell (Cold Spring boss). This is a collaboration between Satori and Magus Peter H Gilmore, High Priest of the Church Of Satan. Satori provide their trademark deep, underground, pounding electronics, here with a ritualistic dark soundtrack atmosphere, while Gilmore bestows a seething tirade against the weakness of the modern world! Two 20+ minute tracks, the 2nd being a deeper, instrumental mi…
88 Enemies
1997 release ** ""88 Enemies is a potentially infinite series of compositions which sound almost like contemporary piano music. These first eight parts, conceived as a self-contained cycle, were composed and recorded between October 1996 and June 1997. Apart from the radio in part 5, the only sound used is the Proteus grand piano. I've used filters and effects to transform this basic sound in some of the pieces, and multiple sequencers to transform the playing. The title of the series describes …
Crumble
2025 stock ** “‘Crumble’ is full of dramatic turns, immersive drones, glitchy electronics and intimate gestures. The long form piece was made by having violin player Anne Bakker and vocalist Edita Karkoschka improvise on an electronic track, and using these recordings (and added electronics and field recordings) to sculpt a 34 minute piece..”