Silence in that Time
**300 copies** A new work by David Jackman (Organum), The follow up to last year’s critically acclaimed album Herbstonne, Silence in that Time is a direct offshot of the former album, adding more sounds to the overall sound palette. Recorded at RMS Studios South London in 2019, the single 42 min. long track stands as another distinctively beautiful and haunting work in the artist’s discography. Artwork by Jonathan Coleclough.Excellent artwork by Jonathan Coleclough.
"David Jackman’s latest see…
Farol
**200 copies** "Farol is the sound portrait of a monumental architecture : the 25 Abril bridge in Lisbon. The 25 Abril bridge is a symbol for the Portuguese capital. Visible to tens kilometers around, it serves as a visual and noisy landmark. As we come closer, the buzz becomes stronger until it gets blatant, like the light from a lighthouse which becomes blinding when the coast is near. Farol est le portrait sonore d’une architecture monumentale. Ce field recording nous emmène au cœur du pont d…
Woodland Sigil
**200 copies** "During the summer of 2017 my girlfriend and I drove through the heart of Sweden. For the first time ever on a holiday, I took my hand-held recorder with me to record some of the sounds Sweden had to offer. In the course of 2 weeks we saw many beautiful vistas, viking graves and ancient woods and it’s no surprise that I made a lot of recordings at those most beautiful locations.For nearly a year, these recordings were collecting digital dust on my hard drive. I just listened to th…
Being There
**170 copies** "This album is a field recording. It’s a field recording of me recording music. It’s a recording of my room and the street outside. One track was recorded in the morning during a holiday, the other on a weekday afternoon. In a way, all of my albums since Ghosts are field recordings. Most of them weren’t planned to be, but I don’t really have a choice. I’ve been recording onto a Zoom digital recorder since I moved here. Sometimes I try to eliminate the outside noise, but my apartme…
Something Veiled
**175 copies** "This work consists of recorded materials at ‘Abukuma’ and ‘Irimizu’ limestone caves on Abukuma highland, Fukushima. Water is plentiful there, and we can see a long waterfall near our route in Irimizu limestone cave. Both caves are developed and open for public as tourist spots, however, there are some areas that require a guide to enter, and some others prohibited. And also, they are still under survey and possibilities are pointed out that deeper spaces than the deepest spots we…
Mountains and Waters
**200 copies** "Mountains and Waters is an elegy to the Holocene epoch and to the quiet places that have been lost. The Holocene reaches back some 11,700 years when the last of the glacial cycles began to fade and the planet began to warm again. Since that time as we know, humans have dominated the landscape leaving very few places unchanged in some aspect. There is still debate as to when the Anthropocene began among the scientific community and no official epoch has been established. The recor…
Tombland
**200 copies** "Tombland at night or day, at certain times, feels like a ghost-town. One moment I am swept up by the passing traffic, in another I have turned into a side street and there is nothing but a throbbing stillness that meanders through the cobblestones. Here, there is the blend of old and modern; traffic noise, people with chaotic lives, cobbled paths, vintage shops, forgotten history to some. There are moments even in the most chaotic of places where there is a quietude, a tranquilit…
Reclaim
**150 copies** "Reclaim brings to mind two classic pop songs: Joni Mitchell’s “Big Yellow Taxi” (1970) and Talking Heads’ “Nothing But Flowers” (1988). In the first, “they paved paradise and put up a parking lot.” In the second, “this used to be real estate, now it’s only fields and trees.” Nature has a way of reclaiming her own, which is the point of the new album by Kevin Wilkinson, who goes by the unwieldy moniker of brb>voicecoil.In Wilkinson’s words, “10 years ago I walked through crops,…
Bourdon du Kinzie
**200 copies** "Bourdon du Kinzie (N° 3 from N° 1), 48°08’33” N 122°45’39” W is a recording of an acoustic space, recorded on a January afternoon within adjoined bunkers, inside of a defunct munitions battery near Port Townsend, WA. The acoustics within the site are very active, with long reverb decay times, so any sound that takes place within or outside of the space gets temporarily trapped inside, such that numerous sources interact with, dominate, and submit to one another. There were a few …
Our Seasons Reverse
**200 copies** "For my collaborative piece Our Seasons Reverse I used recordings captured in Waziers, Saint Nazaire, Calais, Lille, Roubaix, Paris, London between 2017 and 2018. These recordings compiled a number of events that included museum visits, various walks by the sea, in the forest, under the rain, in the wind. I also play some organ parts. The link between all was the natural elements which are unleashed, all that could express that the climate is disrupting, that our seasons reverse, …
![In[Core]Wat[t]](https://cdn.soundohm.com/data/products/037/ondurenas.jpg.500.jpg)
In[Core]Wat[t]
**200 copies** "For the past three years, living in Cambodia gave me the opportunity to visit traditional Buddhist Temples across different areas of the country. These edifices are dedicated to spiritual practices, studies ,worship and serve as moral and cultural hub for the Khmer People. I‘ve realized a series of recordings inside and around the enclosure of Pagodas in various provinces separate geographically. During an unique passage, I spent a brief time to capture the singularity and atmosp…
Ondureñas
**200 copies** "In darkness, with the shadows of the forest, bite of the plant is the tear. Intimate inner worlds and the surrounding materiality dance in unison. They snake through realities at the speed of blood. Blood is the vine. Vine bites the flesh and atomic particles flow. Pulses emerge within this motionless journey. They give life to it. They are its spark and the vehicle. By inversion of scales they also are the outcome. Sound, sounds from the many layers of the thickness of reality f…
Sound Diary of Quiet Pedestrians
**200 copies** "This project represents a distillation of our field recording and life adventures during the course of 5 years that we have known each other. Over those years, we’ve spent countless hours on field recording missions, recording sessions, concerts, and touring together. With this in mind, we decided to narrow our focus for this project. Initially seeking out sound environments in and around in East Vancouver, we became focused on large transportation hubs such as shipping yards and…
Imbrication
**150 copies** "The Verde River Valley is located in central Arizona, in a transition zone between low desert to the south and high mountains to the north. It has been my home for the past 17 years. Walking though the uninhabited areas outside of town, one encounters a wide variety of plant life: cactus as well as pine trees, creosote and crucifixion thorn, winterfat, mullein, snakeweed, hackberry, yucca and agave. There is also a plethora of debris from hundreds of years of human presence. Scat…
In Aulis
**200 copies** "The Lithuanian-based composer made a pilgrimage to the Ancient Greek temple of Artemis in Aulis, Greece and this is what ensued. At first the extremely faintly audible granular rumble may have you immediately popping on a pair of headphones, but at about two minutes into this 43 minute singular composition a layer of drone accompanying a tectonic flicker starts to make its presence. Slow-going the constant jetstream wall becomes the canvas for manipulations that emulate opening a…
Ramshead
**200 copies** "The basis of these pieces were field recordings made in the Kosciuszko National Park during summer. This national park covers alpine and sub-alpine areas, and as such provides an unusual environment within the typical low lying bushland and desert of greater Australia. It covers the highest peaks on the continent, and as such is a diverse environment that covers everything from heavily wooded valleys and riverways, through to rugged grasslands high above the treeline. There is a …
The Pool
**200 copies** "In the mountains near my home here in Tucson, Arizona is a place of many memories and emotions for me. Coming upon it years ago, I instantly felt a connection to the spirit of this place. To see the changes through the years as been a gift despite the grueling 12 mile ascent from the desert floor with way too much recording gear in my pack. It can be extremely quiet there at times despite the air traffic which is inevitable being so close to a major metropolitan area. The work co…
Ten Years Under the Earth
**200 copies** "Louisville, Kentucky, sits along the banks of the Ohio River, where the river cuts through the limestone and begins to drop away toward the Mississippi. The hills that rise above that river are honeycombed with caves. It was in one of those caves on the outskirts of the city that Ten Years Under the Earth was recorded.In March 2016, Tim Barnes invited Haptic to come down from Chicago to perform with him at Dreamland, the performance arts space that he curated in Louisville. We we…
eMERgences
**200 copies** "An exploration of sound, from near and far / From concrete to abstract, being attentive, focused and patient… / Living each moment / A bird in the sky, an insect on my camera case / The sun appears and disappears with the clouds / A global vision from the tiny and distant / Just to hear…" - Ludovic Medery, 9 June 2015"One can tell what this disc is about by focusing on the capital letters. eMERgences is about the sea. In a piece of semantic irony, the artist’s last name also cr…
Holme
**200 copies** "The field recordings of Holme were made from Jan/Feb of 2016. Due to being on a very tight budget all these sounds were recorded onto a Tascam DR-05, a portable, lightweight, handheld device, and then arranged with computer software. I wanted to retain the original sound as much as possible, while still manipulating it in some way. I also did not want these recordings to be ‘normal’ recordings of wind, sea, etc, I needed to put my mark on it. The longish drones heard throughout t…