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At the dawn of the 1980’s, a few years before her now legendary LP, Through The Looking Glass, took form, a young percussionist playing with the Berlin Philharmonic, Midori Takada, found her creative ambitions looking further afield. Her ideas brought her home to Japan, then peculating with new notions of what avant-garde and experimental music could be, to form The Mkwaju Ensemble with fellow percussionist Junko Arase and Yoji Sadanari. The project quickly recorded two astounding LPs in 1981 – …
Double LP version. Bureau B present a reissue of Heldon's third album Third (It's Always Rock 'N' Roll), originally released on Disjuncta in 1975. Third album from the French space-rock electro combo masterminded by Richard Pinhas. Heldon's darkest work lays another stone in their sonic mosaic: synths, drones, fuzz, and trippy improvisations. There's something wicked happening on Heldon's third album It's Always Rock And Roll. Richard Pinhas's essential attack of searing guitar and space-bound s…
LP version. Bureau B present a reissue of Heldon's fourth album Agneta Nilsson, originally released on Urus Records in 1976. Agneta Nilsson opens with a mind-paralyzing track that proves stillness can have a pulse. "Perspective I" spends ten minutes poring through tectonic layers of heavy sound, piling everything so thick that the song becomes like quicksand for your brain. It's one of the most daunting works in the Heldon catalog, made all the more impressive by how simple it is. It's just soun…
Edition of 300. 'L'etat intermediaire' (the intermediate state) began amidst the ending points of 'A Paper Doll's Whisper of Spring' (FP 022 : recorded 2012) and further inspired by some live performances in Leuven and London using mostly acoustical instrumentation. 'L'etat intermediare' collects 10 pieces by Andrew Chalk & Jean Noël Rebilly recorded over four years and into a narrative of personal journeys using some collected sounds, clarinets, string and keyboardinstruments. “Dreaming when …
Edition of 300. Heroin In Tahiti is a duo from Rome, Italy hailing from the Roma Est scene, a sort of local community based in the crumbling and deteriorated neighborhoods which were already eternalized by Pasolini and Neorealist Cinema (think of Pasolini, De Sica, Visconti, etc.) The duo plays a variety of cheap guitars, analog synths, drum machines, and pedals, achieving a dirtiness which is tragically lo-fi and out-of-time at the same time: a "Spaghetti Wasteland", as they call it. In 2012 th…
Next One's Called could be seen as the missing link between Slaughter in a Tiny Place (SR 298CD/LP, 2010) and 1982's Europa (SR 372LP) -- the third and final LP report from Pseudocode. All songs here are previously unreleased; Recorded and mixed between 1980 and 1981. Pseudocode were a Belgian electronic improvised music band, active from 1980 to 1982. Featuring Xavier Ess (Thrills), Guy-Marc Hinant, and Alain Neffe (Insane Music, Bene Geserit), the material on Next One's Called sees Pseudocode …
So Sweet! Edition of 400, with a full-colour sleeve and insert. It’s taken 14 years for these extravagant Icelandic artist troubadours to follow up their last (untitled) album. (At least they managed to give this one a name ; imagine what else they’d be capable of if we’ d waited another five years. ) Beach Jolanda transposes their classic calipso - beach - bar - laptop - organ g ibberish to the unmanned terrain of public lavatories in the dead of night. But i t wouldn’t be a party without guest…
Edition of 300, with a full-colour sleeve and insert. Two side-long mental bar crawls with these distinguished minds. Payment in kind, please! And definitely no cards; this is not Copenhagen. Burping the blues, straining for Schnapps, sweating for extra ice. Make mine a double!Sigtryggur Berg Sigmarsson (b. 1977) is an Icelandic musician and sound artist, founding member of Stilluppsteypa. Sigmarrson was born in Akureyri, Iceland and studied sound art at the Fachhochschule in Hannover, Germany f…
Outstanding! Long understood as the realm of advanced composition, plumbed only by a small handful of adventurous listeners, the spirit which began the history of tape music and musique concrète, is too often overshadowed and lost. This incredible movement, kick-started by Halim El-Dabh, Pierre Schaeffer, and Pierre Henry, shortly after magnetic tape became widely available following the Second World War, was quickly adopted by many of the most noted composers of the day, from Messiaen and Boul…
Colin Potter is a sound engineer and musician currently based in London. He has worked within the fields of electronic and experimental music for over 35 years, collaborating with the likes of Current 93, The Hafler Trio, Organum, Andrew Chalk, and most notably as a key part of Nurse With Wound alongside Steven Stapleton. He started the esteemed ICR (Integrated Circuit Recordings) label in 1981 releasing a clutch of wonderful home recordings of his own, over half a dozen small run cassette only …
Vis-Viva is the surprise of movement, the wonder that leads to imagine new possible configurations of the present, objects created with materials not yet invented move in aseptic and virtual spaces without respecting the normal laws of physics. Used for the first description of kinetic energyinelastic collisions the historical term Vis-Viva titles second OOH-sounds release from Voronoi, a work inspired by post humanism literature, experimental observation and speculative evolutionism where…
Not long after recording her 10th album, Ruins, Grouper (Liz Harris) traveled to Wyoming to work on art and record music. She found herself drawn towards the pairing of skeletal piano phrasing with spare, rich bursts of vocal harmony. A series of stark songs emerged, minimal and vulnerable, woven with emotive silences. Inspired by the idea that something is missing or cold, the pieces float and fade like vignettes, implying as much as they reveal. She describes them as small texts hanging in spa…
Pionneering production from the Düsseldorf mid 80s electronic underground world. Transferred for the first ever time from the original cassette to vinyl and CD. Konrad Kraft (Detlef Funder) is one of the still overlooked producers of Düsseldorfs fertile electronic music scene. Arctica was originally released on Cassette on Funder's imprint SDV Tonträger in 1987 in a handmade edition of about 50 copies only. Reduced to its essential musical elements, Arctica certainly contains some of the most un…
Shunter, the new album by the Berlin-based duo Driftmachine, is their most ambitious work to date. Although instantly recognizable, featuring their trademark Kosmische and Avant-garde sounds, it also presents a new journey into abstract and hallucinatory worlds. Filled with eerie textures, their electronic visions are darker and more vaporous than ever.Driftmachine's fourth album (also the fourth one for Umor Rex) offers a new perspective on their ample sound spectrum and systemic narratives. Sh…
Khayal Kuno represents one of several detours that Fosil Sangiran (Matt Shoemaker) undertook over his career. Instead of the long-now drone mutations, Shoemaker turns his attention to an interplay between warbling cassettes and primitive rhythm-box sequencing. The minimal, proto-techno explorations suitably evolve slowly out an initial dispersion bloom from swarms of cassette splutter and insect mimesis. Cast within his slinkies-as-spring-reverb contraptions that provided a signature Kirlian glo…
Recorded during a vacation on the big island, Hawaiki Tapes is somewhat of an anomaly in the M. Geddes Gengras music - A series of short, improvised sequences voiced by a small plastic digital synthesizer, minimally processed in real time & jacked straight into a handheld recorder. It was made at night, on a little hotel room desk. The internal sequencer of the volca greatly influenced the pieces, since it only goes so slow and is limited in it’s voicing. It was windy and cold for most of the tr…
Pasar Fosil is classic Fosil Sangiran (Matt Shoemaker). At the core to this album is an ur-drone sculpted from electro-acoustics, analog synthesis, and most probably a radically altered field recording here or there. All of these accretions of sustained tone organize themselves with a rhizomatic logic of recombinant twists, folds, and mutations. Elegant harmonics with golden, clarion hues set the stage to this album, but Shoemaker would never allow for any his compositions to merely stand as pol…
Emotional Rescue begins the first in a series of reissues looking at the music of guitarist Carl Weingarten and his Multiphase Records label, starting at his highly sought after collaborate album with Walter Whitney, Dreaming In Colors. With an early interest in photography and Super 8 film leading to a degree in cinema production, Weingarten’s other, self-taught, love was the slide guitar. Taking its blues roots and merging them with his visual arts background created a unique “painting in soun…
**Last copies. Newly remastered from the original tapes for optimal sound. Limited edition of 500 copies** Another incredible treasure from the vaults of Cologne radio, recorded in February 22/23rd, 1975. Unreleased sessions, carefully remastered, in this duo improvisation Riley's organ intersections just define the geometry of the hyper-dimensional space where Don Cherry's outwordly trumpet lives. Mantric and evocative, we could go on and on listening to the very same track all day long, it cou…
**Die cut cover, limited color edition** From their beginnings in 1992, Cologne native Jan St. Werner and Dusseldorfer Andi Toma have consistently challenged electronic music's paradigm in often surprising and always intriguing ways. Idiology is the duo's seventh album and is no exception to this rule, as Mouse on Mars surround themselves with strings, woodwinds, brass and the band's own heavily modified fleet of machines in the St. Martin's Tonstudio. Fans should once again brace themselves for…