Electronic Tricks
L’Illustration Musicale - more commonly known as simply “IM” - was a Parisian production library active during the early to mid 70s, during which they issued a couple-dozen titles by the cream of the crop: Eddie Warner, Johnny Hawksworth, Bernard “Black Devil” Fevre, Jacky Giordano, and the two guilty parties concerned here - Peter Bonello - aka Georges Teperino, aka Nino Nardini - & Roger Roger - his actual, real name, aka Cecil Leuter, Eric Swan, aka Archie Gun. An honest-to-goodness “Split;”…
Musica Elettronica 1
Here’s something of a Holy Grail amongst the “Electronic Library” spec; Romolo Grano’s 1973 Joker-label “Musica Elettronica 1,” touted as no less than an all-encompassing “New Dimension in Sound, Electronically Tested in Sound Laboratory,” The polar opposite of “Groovy” libraries by the likes of Cecil Leuter, Georges Teperino, and Giampero Boneschi, this sits comfortably alongside the dark, brooding minimal electronics of Giorgio “Zanagoria” Carnini & Giuliano Sorgini’s work, offering up a sele…
IPEM 1963-73
Easily the most elusive of the three “I.P.E.M.” (Institute for Psychoacoustics and Electronic Music) titles released by Alpha Brussels (you want to do this? alright, here we go - this one, CP 138, was the first to be released, SP-6015, 1973 - followed by CP 085, “I.P.E.M. (aka “Harry Sparnaay • Lucien Goethals • Louis De Meester”)”, SP-6028, 1975 - then, finally CP 053, “Elektronische Produktie van I.P.E.M. (aka “Muziek in Vlaanderen”), DBM-N 257, 1978) - this collection of pieces by Karel Goey…
Live Electronic
After a long winter-hiatus, Creel Pone returns anew in fine form w /a reproduction of this 1979 Hungaroton-label burner, covering a series of "Live Electronic" pieces composed by Laszlo Dubrovay during the mid-late 70s. After an extended "Modern Composition" -leaning ensemble-bleep venture - i.e. heavily filtered / ring-modulated piano, strings, cimbalom, and percussion playing in a sparse, pointillist manner - the album progresses into deeper waters, first with a sorted piano / synthesizer due…
Elektronische Musik, Konkret - Instrumental - Vokal
1982 compilation of late 70s & early 80s "Konkret - Instrumental - Vokal" work composed at the Studio für Elektronische Musik der Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart. Includes pieces by Jürgen Bäuninger (incredible transformations of “Tam Tam”, or gong smash / grabbings,) Klaus Fessman (re-pitched string grabs, Partch-like prepared piano & deep ominous bass cloudings, cut with random bleep,) Ulrich Süsse (tongue-in-cheek narrations jump-cut at a rapid pace analog za…
Organum Quadruplum
Here’s a special one: the 1974 “Edizioni Musicali e Discografiche Pubbliart” - essentially, a private imprint - issue of Vittorio Gelmetti’s electronic music, including the extended 1969 piece “L'Opera Abbandonata,” composed at the Studio Eksperymentalne of the Polish radio in Krakow with Bohdan Mazurek - an incredible 23-minute collage of radio static & plundered audio material - plus the 1967 "Organum Quadruplum” - oddly, a “Live Recording” - chair-shuffles & stifled coughs dot the transcripti…
Dimensione Sogno
Despite being something of a self-professed “Enthusiast” of exactly this kind of thing - privately-released LPs of minimal, experimental electronic music from the 1970s - I had literally never heard head nor hide of the storied Italian actor - he was in Roger Vadim’s wonderful Barbarella, Tinto Brass’ Attraction, and Vittorio de Sica’s Sunflower, something of a holy trifecta right there - Umberto di Grazia’s lone musical outing, featuring a series of minimal, experimental electronic etudes real…
Íslensk Raftónlist / Electronic Music From Iceland
Ah, yes ; here's Mr. P.C. C.P.'s treatment of the other known Icelandic Early Electronic music LP - the first, while not really Icelandic in the sense that it was composed @ UCSD :: Thorkell Sigurbjrnsson's "La Jolla Good Friday;" Creel Pone #52 - but then again these two pieces were composed in Holland and Sweden, respectively. Despite that each side-length piece - composed, respectively, by Llárus Halldór Grímsson & Thorsteinn Hauksson - was composed at the dawn of the 1980s, the music here ha…
Prismes
Previously, Mr. P.C. C.P. had the wise idea to replicate the two “Corticalart” Pierre Henry titles, considered by many as the most wild & woolly amongst the French Musique Concrète master’s vast discography. Personally, I’ve long been puzzled by the “Corticalart III” title ; was there a “Corticalart II” that we somehow missed? Lo and behold, here it is, in the form of a “Second” concert utilizing the system, again done in collaboration with Bernard Bonnier, assembled at the Studio Apsome then pr…
Elektronische Musik
Mr. P.C. C.P.’s handling of this 1981 “Private-Press” (c/o the Internationales Musikstudio - aka the Nürnberg vinyl pressing plant) abstract-synth stunner, comprised of three pieces composed during the mid 70s & early 80s by “Elektronische Musik im Unterricht” & “Musik aus Strom : Eine Einfuhrung in die Elektronische Musik” author & instrument designer (famously, he built the prototype of the “Synthi E” variant for EMS-Steinberg ... but a trail of custom-built analog designs like the “Doppelring…
SMI, Sozialistische Musiker Initiative
Creel Pone here resuming the regular one-a-week schedule for the next few weeks / months, starting off here with easily the noisiest entrant since Pierre Henry’s “Mise en Musique” - possibly even moreso! - a split LP of Socialist Text-Sound & Musique Concrète works by composers Max Keller and Martin Schwarzenlander. The A-side piece, Keller’s “Sicher Sein...” interjects continuous, ululated German / Austrian texts with jabs of random, synthesized noise, sample-and-hold bleeping, and piercing hig…
Discurso aos Objectos #2
Two incredible, light-speed Musique Concrète pieces from the Brazilian composer & Grupo Um member Lelo Nazario. The first, “Discurso Aos Objectos #2” managing to shove in pretty much the entire universe of sound (loud, destruction-oriented sections of recorded action - spoken / shouted proclamations in “7 linguagens diferentes” - little blasts of instrumental & site-specific sonorities - short. automated “pure” electronic & synthesizer blurst - into a relatively short 8 minutes. Then, the second…
Fugue of Light
Here the “Italian Invasion” finally grinds to a halt with this, the lone outing from the virtually un-google-able composer Vittorio Marino. Amidst the absolutely spot-on Engrish depictions of possible placement / use - “The machine finds the place to discuss with the man; the rhytm (sic), by creating repeating and obsessive vibrations, akin to the assembly line,” “Beam of Light, which notwithstanding its very speedy run, does keep its substance as a light vibration,” “The machines do modulate a …
Inventions For Radio: The Dreams
One of the coolest compositions we've ever heard from Delia Derbyshire – a special set of electronic compositions based around dreams, with lots of tape work and electronics from Delia, plus loads of eerie recitations as well! Each track features someone describing a dream – at a level that would be spooky enough on its own – but then the voice is often manipulated slightly, sometimes repeated – and mixed with the kind of dark, moody elements we love in some of Derbyshire's more instrume…
72219
Sebastiano Carghini is an italian musician. His research include use the modular synth and recordings physical objects. His complex sound constructions is made of apparently random tweaks, which took high-pitch morse flutters down to a deep static hum, or aero-drone to surging thrum, constructed a subtly balanced and finely nuanced web of sound that was utterly enthralling, drawing musical order from potential chaos. Don't miss it
RotationalRationalSpeed
Sharp and fast composition of mechanical devices and unstable rhythms for dc motors controlled through arduino. Sebastiano Carghini (b. 1987) is an italian musician. His research include use the modular synth and recordings physical objects.
Elite Excel
The first taster of Stellar Om Source’s upcoming LP for RVNG Intl., Joy One Mile, ‘Elite Excel’ comes backed with a fantastically brooding remix from Kassem Mosse. Christine Gualdi’s vision of electronic music has expanded since we last checked in; tantric analogue drone sequences have given way to more rugged future-city constructions inspired by her investigation of the roots of New York electro and Detroit techno. ‘Elite Excel’ begins in a nocturnal cruise mode reminiscent of early Carl Craig…
Joy One Mile
Eagerly anticipated full-length on RVNG Intl. from Christelle Gualdi's Stellar Om Source, marking a significant departure from the no-age synthcraft she's long been known for and has showcased on numerous self-released CDRs and sides for the likes of Olde English Spelling Bee and Big Love. Joy One Mile began life when Gualdi acquired a mint Roland TB-303 and began experimenting with it; over the course of a year's gigging, she perfected seven compositions which she then laid down live, without o…
The Wind Collector
*5 very last copies just found by chance - original Divergo LP edition* As we’re becoming steadily aware, Gigi Masin and his mates made some truly beautiful music in the late ‘80s which is only just properly coming to light in recent years. Blessed with an almost ineffable air of sophistication and a sort of Venetian play-of-light, their music had existed quietly on the fringes, minding its own business until Music From Memory illuminated their work with 2014’s gorgeous Talk To The Sea com…
Barons Court
2015 release. "Barons Court" is the debut full length album by Canadian electroacoustic composer Sarah Davachi, following short run releases on Important Records’ Cassauna imprint and Full Spectrum. Trained at Mills College, Davachi’s work marries an academic approach to synthesis and live instrumentation with a preternatural attunement to timbre, pacing, and atmosphere. While the record employs a number of vintage and legendary synthesizers, including Buchla’s 200 and Music Easel, an EMS …