Soulignement_
Adrian Moore’s works from 2019 to 2024: five wt_ pieces each built from one source (a ceramic pot, a bird whistle, a wine glass, metal sheets, voices) with the same Pure Data toolkit, plus two Sheffield-area site pieces on industrial noise and change. CD-R.
Interruptions
Five stereo acousmatic works by Manuella Blackburn from 2018 to 2023, made from household sounds, plastic waste and microplastics, a rotary landline and the factory samples and fan noise of a Fairlight CMI. CD-R.
L’Ombre du Pont
Eleven fixed-media works by Elsa Justel from 1995 to 2021, several of them homages built from the sounds of Ferrari, Parmegiani, Bayle, Dhomont, Ferreyra and Vande Gorne, alongside a COVID divertimento and a dialogue with pianist Ana Foutel. CD-R.
Promenades
Seven works by Gilles Gobeil from 1990 to 2020 on the theme of the stroll, from Chris Marker's La Jetée and Kubrick's 2001 with Yves Charuest's saxophone to Folkmar Hein's Berlin forest walks and the trio Déviation(s). CD-R.
Écraser l’Autre
Six 7.1-channel acousmatic pieces made by Dominique Bassal between 2018 and 2021, each tied to a historical episode of persecution, from Saint Bartholomew's Day to Deir Yassin, and built with production techniques borrowed from commercial music. CD-R.
Radiolaria
An eight-part cycle by Ana Dall’Ara-Majek built entirely from Buchla 200 improvisations recorded at EMS Stockholm in 2022, each piece giving a sound colour to one species of plankton, from radiolarian skeletons to diatom blooms seen from space. CD-R.
Contemplations
Emma Margetson's Contemplations: nine acousmatic works from 2014 to 2022 on the passing of time, from a ticking metronome and a suspended cymbal to a bicycle in Hamburg’s Elbe tunnel and chalk on paper after a Wyndham Lewis sketch. CD-R.
Lointain Intérieur
Four acousmatic works by the Belgian composer Ingrid Drese from 2013 to 2020, after Henri Michaux, Rilke and Jung, including Treize virgule huit, a history of the universe made with the astrophysicist Marc Moniez for Ina-GRM. CD-R.
Histoires de Soldats
Two documentary works by John Young built on soldiers' voices: a First World War veteran recalling the angel at Mons at 101, and the composer's father, a New Zealand gunner, on his war in Italy, where he met Young's mother. CD-R.
Espaces Lointains
Six works by John Young from 2017 to 2023, from New York subway preachers and Oberlin crickets to Mahler’s composing hut and a setting of Simon Perril’s poem after Lévi-Strauss, including the Klang ! and Akousmatique prize winners. CD-R.
IV
Christian Bouchard’s fourth album, five works from 2013 to 2022 that alternate abstract pieces with Montréal soundscapes: eight-track recordings from his car with police radio, a collective 15-minute recording, Canadian bird songs and a bank of oscillators.
Limaçon
Five works by Léa Boudreau from 2017 to 2022: a sonic portrait of Alzheimer's, a bestiary of species adapted to life after the Anthropocene, and four machines to save the world imagined by Montréal schoolchildren.
Hymnes sans Paroles
Six acousmatic works by Adam Stanović from 2017 to 2022, from the Ohio wind whistling through a studio window to midnight recordings in Hong Kong for the GRM commission Goodnight, Tin Hau, and a homage to Dale Jonathan Perkins.
Docu-Fictions
Yves Daoust's documentary fictions from 1995 to 2021: Lily, built on a courtesan's confidences, in acousmatic and violin-accordion versions, a Chopin-based Impromptu 2, and Calme chaos, recorded at its 2012 premiere by the Nouvel ensemble moderne.
Fulgurances
Six works by the Montréal composer Vanessa Massera from 2015 to 2018, made in Sheffield, Estonia and Sweden: English bonfire nights, an abandoned factory with accordionist Tuulikki Bartosik, the Stockholms Saxofonkvartett, and her grandmother’s memories of the Resistance.
Remembering Japan
Hans Tutschku’s hour-long five-part cycle from 2016-22, built from recordings of daily life, ceremonies, nature and improvisations gathered during three months in Japan in 2014, composed for 16 channels and heard here in stereo.
Bruit Noir
Three works by Åke Parmerud from 2013 to 2021: Louder Than Life, a five-movement memorial to composer Anders Blomqvist, Raw, made only from the unprocessed output of one unruly software synth, and Dark Matter, built from the electromagnetic fields of household devices.
Lames de Fond
Four works from 2012 to 2021 by Martin Bédard, two of them co-written with the flutist Marie-Hélène Breault, from the honey metaphor of Honey to a recomposed flute warm-up and Replica, built from her old recordings.
Mue
Sophie Delafontaine’s second album, a triptych from 2020 to 2026 on matrescence: waiting to conceive, childbirth rendered through Jean-François Laporte’s air-driven Babel Table, and the split self of the months after birth. CD-R.
![Tati au Miel [50]](https://cdn.soundohm.com/data/products/2026-10/tati-au-miel-50-cd-bianco-jpg.jpg.500.jpg)
Tati au Miel [50]
Thirty-four minutes of original demos by Tati au Miel, textured and distorted, in the SINK [50] series of mixes issued on 50 CDs.