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*50 copies limited edition* Indefinite Boundary is pleased to offer Automation & Torso, the debut release by Twin Terminals – the first in a new and highly fruitful collaborative endeavour from vocalist/chaos-poet Ryan-Lewis Walker (Manchester, UK) and multi-instrumentalist/producer Niikkolahs (Tokyo, JP). Cutting across ten tracks, lyrically the album is jammed with a caustic action painting of hallucinatory soap operas deep fried into states of fragmentary exposure. While undertaking personal …
*100 copies limited edition* "Meldrop tells of the place I call home, my dogs, the forest and the lives within. It speaks of birth, life, and the end of it. It speaks of a realm where even death becomes solely a matter of sound and scent".
The debut album by Iuga emerges as a deeply immersive work of cinematic ambient music, entirely created through analog and modular synthesizers. Built around dense textures, slow-moving tensions and emotionally charged atmospheres, the album explores the psych…
On Archives, Italian industrial pioneer Maurizio Bianchi (M.B.) assembles a stark dossier of early cassette‑era works, exposing the bare circuitry of his noise archaeology: corroded drones, medical‑grade pulses and desolate tape decay stripped of any human consolation.
On My Degeneration: Electronics 1974-1983, Pascal Comelade emerges not as the toy‑instrument miniaturist of later years but as a solitary electronics alchemist, charting a decade of raw, laboratory‑grade synth experiments that stretch from kosmische drift to fractured proto‑industrial pulse.
*200 copies limited edition* "Nusa" is the last part of a trilogy started in 2020 with Masao Yamamoto and Akira Uchida. A project that began with light (“Sasanami”, 2020), moved through darkness (“Kurayami”, 2023), and returned to the ambivalence of the two (“Nusa”, 2026), which ultimately sustain and complement one another in all their variations and complementarities. Both in terms of tones and in the humanity that runs through us in these times of such stark contrast. For this last part of th…
Los Angeles musician Cate Kennan’s self-produced second full-length unfolds with the poetry and immateriality of its title: Shadows. 10 vignettes of keys, strings, reverb, and voice, the songs sway and lope between dream and lullaby, rose-colored but remote. The album was inspired by the dislocation Kennan felt upon returning, after several years away, to the rustic neighborhood northwest of L.A. where she’d grown up: “Wandering through a place where my life once existed but where everything had…
Originally released in 2008 on Ezekiel Honig’s own Anticipate Recordings, Surfaces of a Broken Marching Band finds the artist refining a compositional language rooted in the methodologies of musique concrete, ambient, and beat research. Working from a palette of environmental recordings, instrumental fragments, and soft electronic treatments, Honig pushes the source material into an array of sympathetic forms ranging from pillow-soft, lowercase ambient to diffuse downtempo and minimal house. For…
Shape of the Moon is the California based duo of Benjamin Burke and Bear Glass that explores existential headspaces beyond mundane frames of thought. Following streams of consciousness that contemplate the stardust that forms us to the very first human sound that reverberated through a cave, Shape of the Moon intertwines language and music into ambient dream-weaving narratives. When the land is laid bare forms a collection of recordings composed of Burke reciting his introspective poems and Glas…
Pure Motorised Instinct drives over to Dark Entries with At Last I’m Leaving the Earth, an LP of industrial-tinged ambient and new age. When legendary industrial outfit Nagamatzu went dormant in 1991, band member Stephen Jarvis moved forward with Pure Motorised Instinct, a name he pulled from a line in George Romero’s Dawn of the Dead. Throughout two cassette albums - 1991’s Between Intimacy and Elsewhere, and 1993’s Everything Is True - Jarvis pushed the Nagamatzu spirit in new directions.
At L…
One of 12k’s most endearing artists is back with a new album. From Argentina, Federico Durand presents La Manzana Mágica, an album in signature Federico style inspired by his collection of Cinderlla stamps, in a way only Federico could do. Named after the folk-tale heroine, Cinderellas, throughout the last century, were considered inferior to official postage stamps, but became a sought-after collector’s item. There are some pieces whose origin, circulation context, or illustrator’s name are unk…
*100 copies limited edition* Yama is the Hindu god of Death and Justice, and is responsible for the dispensation of law and punishment of sinners. Yama is also one of the oldest deities in the pantheon and some of his earliest appearances are found in the Rigveda.
Thomas Carney, also active as Giugno and as sound technician mixing and mastering in an audio spectrum going from techno to hardcore punk, delivers here seven delicate blossoms recorded while traveling Europe and in NYC. Fragmentary poetry, with a firm, translucent style, drawing a faint but significant line of demarcation from his previous releases on No Rent and Trust Collective.
On Duo, Bugge Wesseltoft and Henrik Schwarz erase the line between jazz club and club culture, weaving live piano and deep house sensibilities into a remastered, 180g hymn to groove, melody and open‑ended improvisation.
The next solo Project by Eric Van Wonterghem. This venture delves into the realm of experimental electronic music, featuring an combination of digitakt/korgms20 and effect pedals generating drones and feedback loops. Ambient industrial sound & visual art composition, brutalists industrial design of the future in sci-fi landscapes on Prodam youtube.
*2026 stock* The album features a mesmerizing live recording of Absolute Body Control captured at the historic Altes Stadtbad in Leipzig, Germany during the E‑Festival. Showcasing 11 standout tracks from the band's remarkable catalogue, the release delivers raw energy, atmospheric synth textures, and a powerful, intimate performance that highlights their signature blend of cold-wave minimalism and dark electronic intensity. Remastered for clarity, the recording preserves the venue's cavernous ac…
On New Year’s Day this year I set off from my home in Loughborough Junction to undertake a rather idiosyncratic journey. For a long time now I have wanted to try and trace a vertical trajectory in London – and New Year's Day with its connotations of renewal and starting-over seemed just the time to attempt to flee upwards, if you will. The spine of this album is that journey from roughly minus 20 metres below sea level to 240 metres above on that cold, short wintry day. It was a quiet day, by Lo…
*2013 release, 2026 stock* Dive into the experimental sounds of Wormhole, the 2013 electronic album by Oshima Teruyuki and Sakaguchi Mitsuhisa. Recorded at Fool On The Hill Studio, this CD release blends glitchy textures, ambient pulses, and deep sonic layers. You can download or listen online to tracks like "Quark 1" and "Quark 3," each offering a journey through digital landscapes. With a 5.0 rating, Wormhole is praised for its immersive and innovative approach to electronic music. Fans of uni…
On Closed For The Festival, MIDI Janitor turns childhood memories of a Donegal Christian commune into warped, luminous hauntology: junkyard beats, dream‑logic electronics and uncanny “thin places” where pastoral bliss slips into quietly sinister wonder.
*300 copies limited edition* There is a particular kind of strangeness that arrives on long drives across Europe. Flat light, service stations and fields stretching endlessly past the window. It might look mundane at first glance, but becomes faintly surreal when the tiredness of touring blurs the edges of everything. That feeling became the quiet engine behind Driving Through Belgium, the debut solo album from Anton Pearson, best known as one of the guitarists in respected post-punk outfit Squi…