Electronissimo Avantgardissimo
**sold out at source, last copies** Edition of 250 copies. Recorded during a long weekend session at the laboratory of the Department of Electronics of Tampere University of Technology (TTKK) in August 1973. The whole work was done by using tape recorders, three signal generators, one digital noise generator, two microphones and a number of self made (analog) electronic circuits and different combinations of all these elements. All the ideas in these recordings, the producing, recording and mixi…
Make Mine, Macaw
We should be grateful to live in the same era as Spencer Clark; in a time when we hear that there’s nothing new to be done or discovered, his musical career has shown that there are myriad worlds available to be found. Earlier this century he created a sound phantasy with Skaters and after that he pursued a new alchemy under various aliases (Charles Berlitz, Fourth World Magazine, Monopoly Child, Typhonian Highlife, etc.) and projects (like Egyptian Sports Network, Tarzana or The Temple Defector…
Stridulations
For stridulations, Pali Meursault confronts recorded and performed sounds, composition and improvisation: field- recordings of animal communication (insects, birds and bats recorded in France, Japan and South America over almost ten years) mix and dialog with the ‘sonification’ of fluorescents tubes. Orthoptera, hemiptera and chiroptera recorded in Japan, France and Brazil between 2007 and 2016. Electromagnetic fields of prepared fluorescent tubes sonified with pick-up coils and process…
I Was Crossing A Bridge
2021 repress. On the leading edge of NYC’s underground music scene, Vito Ricci produced only a handful of self-released cassettes and one LP between 1983-1985 with most of his work being recorded for experimental theatre and performance art pieces. Taking their label name from Vito Ricci’s only LP, Music From Memory brings together a compilation of works by one of the unsung heroes of New York’s downtown music scene. Starting out as a percussionist, Ricci’s early musical journey led him to im…
Maroon
**Edition of 500 numbered copies. Housed in hand-printed, laser-cut and sewed 1mm thick cardboard covers. All produced and assembled by hand in a pure DIY spirit.Shipping this week** Separated from both its reputation and its sleeve art, the music of Muslimgauze explores the relationship of visual sensations -- space, color, depth, illusion -- to the listening experience. The music on Maroon is dub-like inspired techno music, laidback with voices appearing randomly in the mix. The thick drums an…
Live Blood
**warehouse find, last copies, originally this LP was available only as a part of 4LP boxet Musick For Liberation And Ecstasy** and unavailable as stand alone release** Formed in Japan after the collapse of the noisy, SPK-ish White Hospital — the other half of which, Jun Konagaya, went on to continue as Grim — Vasilisk consisted of Tomo Kuwabara and Yukio Nagoshi, with other members (including longtime fixture of the Japanese underground, drummer Tatsuya Yoshida) joining in from time to time. L…
Mexico Magico Cosmico, en el ombligo de la Luna
**Official audiophile reissue. Replica original artwork, including the insert with listening instructions, in Spanish and English** Originally recorded in Mexico, 1981, it offers a mescaline-sharp vision of deep grooving "cosmic ethnography" combining pre-Colombian percussion and wind instruments with electric guitar, tape delay and synths in free-roaming and extended suites. Luis Pérez was born in Mexico City on July 11, 1951. From 1971 onwards he dedicated much of his time to the research of t…
Selected Works
Since the 2015 issue of Rex Ilusivii’s In The Moon Cage and right up to the recent pressing of Suba’s Wayang, a whole wave of new listeners, us included, have been wowed by his imaginative electronic microcosm, and this new collection perfectly spills into ever more esoteric and experimental realms. Make sure to check for the kinky downstroke of Facedance and the 4th world dimensions of Niagara / Spomenici for something close to Conny Plank’s work on Les Vampyrettes, and definitely Fortirer et R…
Pier & Loft
2018 repress. Gorgeous and essential archive material from this master of mood. The latest unearthing on Chee Shimizu's 17853 - previously only available on a very limited Japanese cassette back early 80s. The late Hiroshi Yoshimura, a pioneer of Japanese ambient music. Yoshimura was involved in a wide range of fields, such as sound design for public installations, graphic design, visual poetry, free improvised performance (using his own body) and inventing his own instruments, right up until he…
Chamber and Field Works 2015 - 2017
Bruno Duplant’s Chamber and Field Works is a double album that elegantly straddles the boundaries between composed and environmental sound. On disc one, the Suidobashi Chamber Ensemble brings to life three works composed between 2015 and 2017: “all that I learned and then forgot,” “where our dreams get lost,” and “a place of possibilities.” Duplant’s music here is characterized by extended tones, elongated melodies, and the intricate balancing of classical instruments - string, wind, and subtle …
Do Nothing
Do Nothing distills the philosophy and craft of Clara de Asís into a series of luminous solo statements realized for acoustic guitar and percussion. Each piece - “Do Nothing,” “Know Nothing,” “Nothing lasts I,” “Say Nothing,” “Nothing lasts II,” and “Be Nothing” - explores a different approach to sparseness and resonance, with de Asís charting a path that is precise yet open to surprise. Repetition, ringing harmonics, subtle percussive gestures, and the careful arrangement of silence define the …
Personal Computer
34th anniversary edition, originally release in 1984 by Durium Records. Mannequin Records present a reissue of Personal Computer from the avant-garde Italian-born producer Doris Norton, release in a trilogy with Norton Computer For Peace (1983) and Artificial Intelligence (1985). Apple's first music "endorsement" and Roland affiliate, Doris Norton is one of the most important women pioneer in the use of synths and in the early electro/computer music. Norton is the wife of Antonio Bartoccetti, pr…
Norton Computer For Peace
35th anniversary edition. Mannequin Records present a reissue of Doris Norton's Norton Computer For Peace, or Nortoncomputerforpeace, originally released on Durium Records in 1983. This is a part of a trilogy of reissues from the avant-garde Italian-born producer, released alongside Personal Computer (MNQ 120LP, 1984) and Artificial Intelligence (1985). Apple's first music "endorsement" and Roland affiliate, Doris Norton is one of the most important women pioneer in the use of synths and in the …
Cave Vaults of the Moon
Joanne Forman's Cave Vaults of the Moon created in 1987 for an exhibit of sculptures in Taos, New Mexico is a mesmerizing score for voice, Ensoniq Mirage, Juno 106, flute, guitar and effects. The playful extra-terrestrial recording wafted through the exhibit every day for its duration and then lay dormant for nearly 30 years. Unearthed now, Cave Vaults of the Moon sounds prescient and timeless, as if Pep Llopis and Iasos scored a Wicker Man remake set on Mars. Restored, remastered and cut using…
Music Of The Five Elements
Brandon Hocura’s Séance Centre pull out Sam McLellan’s sublime 1982 new age opus Music Of The Five Elements for this invaluable first vinyl reissue. Music is the healing force of the universe. It’s an ancient idea bandied about by Pythagoras and Plato. In the last century, music as medication has been explored by musicians as diverse as Albert Ayler, Spacemen 3 and Pauline Oliveros. Nowhere did this concept gain more traction than in the so-called realm of New Age Music, an entire movement of sy…
Canaxis 5
Exact LP repro edition. A few months after the foundation of Can, Holger Czukay recorded his first solo album ‘Canaxis’, in conjunction with producer/engineer Rolf Dammers, this album was assembled from thousands of snippets recorded from short wave radio, a long standing obsession of Czukay's which he also incorporated into some of Can's later albums. A refugee during the Second World War, Holger Czukay famously studied with Karlheinz Stockhausen in the early ‘60s. That direct exposure to the c…
A Page To A Corner (Ep)
**Edition of 200** The unfathomable quantity of Pan Daijing meets Werner Dafeldecker’s mercurial sound art on this surprise, limited edition 7" pressing.
Leading on from her heavily arresting Lack album for the PAN label, A Page To A Corner is Daijing's first collaborative release. The title track is a lethargically hypnagogic thing, with Daijing lamenting an unseen force, bound into a mesh of monotone drones and keening strings to ultimately quease-inducing effect.
On the B-side, Daughters…
Sterile Hand
Juan Mendez, aka Silent Servant, finds his ideal EBM vocal foil in Ori Ofir under their Sterile Hand moniker. The duo's first vinyl round for Not Waving's Ecstatic label is a dark and sleazy run of deviant industrial techno and pugilistic EBM cuts made over the last year. Following Silent Servant's killer split 12" with Not Waving and Pye Corner Audio in 2017, and two fierce 12"s with Marcel Dettmann and Phase Fatale in 2018, the L.A.-based artist behind Sandwell District and Jealous God is a…
Kantamoinen
Kantamoinen is perhaps the most intimately beautiful yet little known LP in MIka Vainio's Ø canon, bridging the gap between his classic ‘90s minimal techno productions - compiled in the vital Metri and Olento collections - and the project’s subsequent turn to more ambient, kosmic and dub wise dimensions in the coolly brilliant Oleva and Konstellaatio albums.
Upon original release it was an immediate favourite of ours - a go-to disc for hazy daydreaming and post-club head salvage alike, dr…
Deproduction EP2
Presenting vinyl versions of the bonus reworks to his 43 minute Deproduction album track Admit It’s Killing You (And Leave), the A-side includes Terre Thaemliz's haunting 14 minute Piano Solo, where he drops the unsettling backdrop of samples to leave the keys suspended in reflective space, reverberating in plangent overtones which take on a starker effect if you care to play it at 33rpm.
The B-side is Sprinkles’ uncanny, brilliant Dead End house mix, a more percussive adjunct to the House A…