Art Of Field Recording Volume II
Subtitled: Fifty Years of Traditional American Music Documented by Art Rosenbaum. This is volume 2 of Dust-to-Digital's robust and highly-acclaimed Art of Field Recording series, assembled by esteemed archivist Art Rosenbaum. This impressive 4CD set includes ballads, blues, spirituals, work songs and slave songs, religious singing and other traditional folk music from Georgia, Arkansas, Texas, Florida and elsewhere. Housed in a 10"x10"x10" color cardboard box containing a 96-page perfect-bound b…
When Loud Weather Buffeted Naoshima
A beautiful composition from David that was commissioned as an installation piece by the Naoshima Fukutake Art Museum Foundation on the island of Naoshima, Japan as part of the NAOSHIMA STANDARD 2 exhibition which ran from Oct 2006 to April 2007.
Recordings 1969-1988
Faitiche is ten years old. October 2008 saw the release of Ursula Bogner - Recordings 1969-1988, for which the label was created. While working as a pharmacist, Ursula Bogner experimented with electronic music, undiscovered, for over three decades. When Jan Jelinek first heard Bogner's work in 2008, he was enthusiastic. The resulting album, compiled by Jelinek from Bogner's extensive oeuvre, is being reissued in a remastered version to mark the label's tenth anniversary. This new version also in…
Dream Theory in Malaya: Fourth World Volume Two
RESTOCKED Seminal 1981 recordings; Mati Klarwein cover. Personnel includes: Jon Hassell (trumpet, pottery drums); Michael Brook (bass); Walter DeMaria (drums); Brian Eno (drums, bowl gongs, bells); Miguel Frasconi (bowl gongs); Daniel Lanois (mix). Volume One of Jon Hassell and Brian Eno's 'Fourth World' report remains a classic recording of electronic, mutant gamelan and exotic indigenous musics that truly bridges many worlds. Dream Theory In Malaya picks up right where its predecessor left off…
Springfield
Seven track mid-length CD, all tracks previously unreleased. Includes a new DFA remix. Before Homer (Simpson) there was Arthur Russell and his vision of a utilitarian and common social oasis. There appears to be in every state of the union a Springfield -- be it county, city or street. Arthur imagined that his music could be universally accepted in each and every one of them. Springfield is one of the last compositions Arthur Russell wrote in his all too short lifetime. Arthur recorded over four…
Sound-field for rattle harp
restocked, REDUCED PRICE - Comes in an LP-style sleeve with a 16-page booklet. A single, hour-long work. Recorded on January 18, 2001 in Udine, the Red Room [Sound-source: Rattle-harp (drift metal, string, wire, bells, bone, wood)]. Treated & composed on February 9-12, 2002 in Udine, the Black Room. All photos have been taken at Caneo natural reserve, Fossalon di Grado, Isonzo River Mouth, Friuli-Venezia Giulia, Italy, 0 m. asl. The very occasional faint crackles are digital faults from the orig…
Pieces From The Cloudland Ballroom
Crucial reissues of the first two Anthony Moore solo albums from 1971/72. Originally issued by German Polydor (part of the same program that gave us the first Faust recordings), these were briefly reissued on CD by Japanese Polydor in 1995, but were instantly deleted. So now they are commonly available for the first time, the only negative being that Blueprint's packaging is quite generic & uninspired, with no credits and only tiny new liner notes from Mr. Moore which detail the compositional in…
Criss X Cross
this legendary album was recorded in 1979 and has been the stuff of legend ever since, so it is great to finally hear it in all it’s glory. A crucial, early concert that was beautifully recorded live in the Sorbonne Cathedral of Paris in 1979 and remains one of the most brilliant examples of Gibson's unique and hypnotic solo performances. I must say there is an element to this music which sounds beautifully theatrical, like the most wonderful, mysterious piece of theatre you could ever wish to s…
The Black And White Album
Zebra is manned by Roel Meelkop and Frans de Waard, two people with whom I have already a friendship that originates from the early 80s. Structurally the music is much more complex than the 2.5 minute ditties that top the charts. The compositions last more than 5 minutes and together they form one mix. A mega mix, one would say in terms of the 80s and 90s. So, Zebra usues many parts and aspects of that era but certainly does not imitate it. More still, it reminds a bit of the symphonic rock of t…
Loop End
Limited edition of 150 copies. Martin Luiten and Frans de Waard are both from Nijmegen and both part of the same musical 'scene' - if there is such a thing. They played together in 2003 when their bands Girlfriends and Beequeen played a collaborative concert, and the two met on the sunday afternoon improvisation concerts. Yet its not been until this year that they decided to work together, Martin on guitar and electronics and Frans picking the sound up with his laptop. Extremely fruitful session…
Electronics
Presenting a second volume of collaborative works between European avant garde ensemble Zeitkratzer and modern electronic composers. Terre Thaemlitz developed the present pieces for and with Zeitkratzer. The starting points were Thaemlitz' releases Means From An End and Couture Cosmetique, which show him as an electroacoustic composer with an amazing sensibility for sound and harsh cutting techniques. This is especially evident on "Sloppy 42nds," and moreover, Thaemlitz' filtering techniques are…
SOUND 1
As the title well underlines, "Sound 1" electronic sonority is a starting point in Charlemagne Palestine researches for the Golden Sonority. Previously unpublished, this radical and foundamental work has now been released on LP record in collaboration with the New Media Dept of Centre Pompidou (National Museum of Modern Art) in Paris for the first "Ouvres sonores" event, December 15th, 2008. Charlemagne Palesitne started to dream of an expressive continuous evermoving everchanging sound form; an…
Pandamoniahbleeummm!!!!
Volume 2, "Pandamoniahbleeummm!!!!" marks the encounter with Charlemagne Palestine, pionneer of strumming music and piano maximalism, in the St. Eustache Church in Paris, known for its world famous church organ. The following battle, in form of a long incantatory improvisation, Charlemagne Palestine playing the church organ and GOL doing the electronics, bass, guitar, and the flutes part, combines many attributes of a pagan ritual.GOL was formed in 1988 in Paris by Jean-Marcel Busson, Frédéric R…
Red Mecca
It's a taught, dense, horrific slab lacking a lull. Dashes of Richard H. Kirk's synthesizer are welded to Chris Watson's tape effects for singed lashes of white noise, best heard on the lurching 'Sly Doubt' and the jolting 'Spread the Virus.' Throughout, Mallinder's sinister jibber jabbering punctuates the high-pitched menace. The record contains all the characteristics that have made the Sheffield group such an influential entity when it comes to electronic music.
Un Peu De Neige Salie
Guenter's assiduous compositions favor extremely subtle variances in electro-acoustic crackle, subsonic rumble, and subliminal frequencies exploring the limits of the audible spectrum through invisible digital edits. The title of his landmark debut album, released in 1994 and reissued through Table of the Elements in 1996, translates as "a little dirty snow," an apt description for Guenter's naturally impressionistic minimalism. UN PEU DE NEIGE SALIE opens with "Untitled I/92," a degenerating ma…
in C
Features three Terry Riley pieces: "In C", "In DO(M)", "In Moscow". "In April 2000 the American composer and performer on the keyboard Terry Riley performed in Moscow: one evening at Moscow Conservatory's Rachmaninoff Hall, which was the closing evening of the SKIF #4 (the Sergey Kuryokhin International Festival), and in two days at a large-scale concert at the Cultural Center 'DOM', which was the opening concert of the 13th 'Alternativa' festival of contemporary music. At the opening concert of…
At Last A New Dawn
Following on from 2004's Yellow Horizon, At Last A New Dawn comes as a momentous deployment of Peter Wright's adventurous, emotionally resonant electroacoustic music. This double disc set offers an extensive portrait of Wright's work, opening up with the threatening hum of 'Urban Wolves', a piece that escalates in intensity, slowly fleshing out what began as an oddly hollow-sounding sonic husk, only to segue into the unnerving noise and field recording melange 'Death Ships Approaching', a piece …
Playthroughs
The source material for every piece on Playthroughs is guitar: acoustic, electric or otherwise. From Sept. 2001 to April 2002 Keith Fullerton Whitman transformed those guitar pieces via laptop computer into the tracks on Playthroughs. Whitman has used ring modulators, granular shuffling algorithms, delays and spectral effects in a process that owes a lot to Terry Riley's Time Lag Accumulator and Steve Riech's 'Piano Phases.' Technology and Whitman's careful selection of notes combine to create s…
Lisbon
Lisbon is a new CD EP by Keith Fullerton Whitman, a document of his live shows after an extensive performance schedule in 2005 in the wake of the acclaimed Multiples CD. As Whitman describes it: 'This recording, captured to hard disk on stage at Galeria Zé Dos Bois on October 4th 2005, is... a single lilting piece of static sine-tone harmonics, squared-off electric guitar haze, clangorous room-tone eruptions, and high-end synth freakouts....'
I Love My Organ
The bulk of the material on Tom Recchion's second album for Birdman was recorded just after the completion of Chaotica in the mid-'80s, and sounds like a natural continuation of that record (despite the absence of any Esquivel). Recchion is assisted on some tracks by noted musician, composer, author, journalist for The Wire, and music curator David Toop (himself a collaborator with Eno, Jon Hassell, John Zorn, Talvin Singh, Adrian Sherwood, and Scanner). Recchion labored on I Love My Organ for y…