Early Dutch Electronic Music from Philips
One of the most essential collections of early electronic music ever compiled!! Raymond Scott's 'Manhattan Research Inc' boxset from 2000 is one of the finest reissues to have appeared in the last ten years. This new set from Basta is the unofficial follow up, easily their most perfectly realised project to date consisting of 4 cd's, seven booklets, posters, stickers, transcriptions and a time chart all contained within a high gloss stiff card box. It focuses on the early electronic music works …
OVERHEARD AND RENDERED
Field recordings... With Maggi Payne, Pali Meursault, Christophe Havard, Perri Lynch, Emmanuel Mieville.
Oto No Hajimari Wo Motomete 4: Shigeru Sato Work
These pieces were recorded between 1963 and 1973 at the NHK electronic music studio, Tokyo. Includes 12-page booklet with liner notes in Japanese. This version was withdrawn from sale due to objections from Takeisha Kosugi. His track was then replaced by one by Michael Ranta, and the album was re-released under a different catalog number.
1. “Divertimento” Keitaro Miho This is a live performance of live percussion instruments and electronically produced percussion instruments. Until then, …
Oto No Hajimari Wo Motomete 3: Shigeru Sato Work
The 3rd issue of early Japanese electronic music made by NHK (Nippon Housou Kyoukai : National Broadcasting association) electronic music studio. Engineer Satou assisted many electronic works of avant-garde composers. Contents : Makoto Moroi 'Shosange' (1967), Minao Shibata 'Display '70' (1969), Toshiro Mayuzumi 'Mandara with source of Voice and Electric sound' (1969), Joji Yuasa 'Voices Coming' (1969), Makoto Shinohara 'Broadcasting' (1973)
1. “Small Confession” Makoto Moroi The works ar…
Oto No Hajimari Wo Motomete 2: Shigeru Sato Work
Early Japanese electronic music made by NHK electronic music studio. Engineer Satou assisted many electronic works of avant-garde composers. The following works (except Yuji Takahashi) had released in 1967 and 1969 on LP (Victor VX-52, VX-99), and they are very rare now.' Contents : Yuji Takahashi "Phonogene" (1961), "Yori-Aki MatsudairaTrangent '64" (1964), Minao Shibata "Improvisation for the electronic sound" (1966), Joji Yuasa "IKON on the source of White Noise" (1965), Toshiro Mayuzumi "Cam…
Oto No Hajimari Wo Motomete 1: Hiroshi Siotani work
Hiroshi Shiotani was an engineer of NHK (Nippon Housou Kyoukai: National Broadcasting association) electronic music studio, and then he cooperated with some avant-garde composers of Japan. This CD get Shiotani's works together, and released several years ago as a memorial of him when he died. It was repressed 500 copies by a private studio. All tracks are legendary early electronic works of Toshiro Matuzumi and Makoto Moroi. These works had originally released in '50s-'60s, but we have not been …
On Isolation
The concepts of isolation – in social, geographic and virtual settings have spawned various creative investigations over the centuries. Guided by the philosophical premise of social theorists such as Zygmunt Bauman, Room40 and the University Of Tasmania collaborated in the curation of a series of sound artworks, found sound pieces and musical interjections spurred on by the notion of ‘isolation’. The results of the contributions vary widely but all meditate on the states of being alone or in sit…
LIGHT
4 new tracks from the 3 audio artists (Hazard, Fennesz, Biosphere) who make up the forthcoming Touch Tour [UK, May 2001]. All are exclusive tracks recorded specifically for this CD, released for the tour. Taking the everyday world as source material and inspiration, the three international collaborations between electronic sound artists and visual artists present a vivid introduction to the work of Touch, the ground-breaking audio-visual label, in its twentieth year. Hazard's compositions evoke …
Incidental Amplifications
For most of us, our every waking moment (and even those where we are unconscious) is surrounded by sound. From the obnoxiously pitched alarm tone that raises us from slumber to the muted sounds of night-time traffic that merge with natural nocturnal transmissions; there is always sound. As a society we have increasingly sought to augment and indeed control the environments around us. All manner of tools have been utilised in this ongoing war against the unfamiliar, the unexpected and the "undesi…
IMEB OPUS 30 1970-1983 / Vol 2 1984-1999
colossal 6-disc set of obscure early concrète music: a lovely anthology celebrating the 30 years anniversary of Institut international de musique électroacoustique de Bourges (IMEB), formerly Groupe de musique électroacoustique de Bourges (GMEB). Realized between 1970-83 and 1984-1999
From A To Z
From A to Z offers ten enticing selections of compelling, engaging electroacoustic music. It's a specially priced compilation that's an excellent introduction to the Starkland label. The diverse music ranges from Tod Dockstader's powerful musique concrète to the digitally sampled bovine vocalizing in Phillip Bimstein's udderly charming portrait of a Utah farmer. The CD opens with three excerpts from Starkland's two Dockstader "organized sound" CDs, widely praised in over 25 highly positive revie…
ELECTRO-ACOUSTIC MUSIC FROM SWEDEN
Electroacoustic musics from Sweden. Bengt Hambraeus, Jan W. Morthenson, Sten Hanson, Ake Hodell, Sven-Erik Bck, Lars-Gunnar Bodin, Rune Lindblad, Tamás Ungvary, Bengt Emil Johnson, Akos Rózmann, Pr Lindgren, Rolf Enström, Ake Parmerud, Anders Blomqvist, Tommy Zwedberg.
CULTURES ÉLECTRONIQUES 18
Bourges 2005 , Concours international de Musiques et d'Art sonore Electroacoustique
CULTURES ÉLECTRONIQUES 17
30e Concours International de musique et d'Art Sonore Electroacoustiques, Bourges 2003. With Maurio Mary 'Signes émergents', Laurent Soulié 'Ecorde de lune' for tape and instruments (TM+), Ambrose Field 'One hell of a place to lose a cow', Gerald Eckert 'Offen - fin des terres' for tape and instruments (Aventure). Free with this audio CD, a CDrom around the festival Synthèse 2003.
Compromize
Ten years ago the Wahrnehmungen label from Mainz, Germany, founded by the group PD was renamed Selektion (and PD changed to P16.D4). In 1984 artists joined Selektion to form a new kind of artistic project for music (S.B.O.T.H.I., SLP) as well as for visual arts. In this very recording, almost all members have, in various combinations, made their approach to an organization of sound. It is the state of things of Selektion's audio productions. Selektion are: M. Caspers, G. Lörcher, H. Maus, J. Pen…
COLOGNE - WDR Acousmatrix 6
Sixth volume in the Acousmatrix series. "Incredible sampling of lesser-known, but more than equally-important recordings of Herbert Eimert, Robert Beyer, Karel Goeyvaerts, Paul Gredinger, Gottfried Michael Koenig, Henri Pousseur, Bengt Hambraeus, Franco Evangelisti, Gyorgy Ligeti, Gieselher Klebe, Herbert Brun." All recordings from 1952-58
Archives Grm
For the 30th birthday of INA, the GRM has decided to present in this CD box some of his archives. INA - GRM (Institut National de l'Audiovisuel - Groupe de Recherches Musicales) in Paris, France, is the pioneering organisation of electroacoustics, acousmatics and musique concrète, with a history going back many decades, as active today as ever, recording and releasing a long string of historically important, but also new and innovative, electracoustic works, while also engaging in research into …
An Anthology Of Noise & Electronic Music Vol 4
Sub Rosa presents the fourth volume of the highly-acclaimed and successful Anthology of Noise & Electronic Music series. This installment promises to be the pivoting axis in the seven volume set, with 75% rare tracks and music never before heard. In the previous three anthologies, Sub Rosa outlined the historical sites at the advent of concrete and electronic music: Pierre Schaeffer's workshop studio (Vol. 1), the Princeton Electronic Music Center in Columbia, New York (Vol. 2), and the WDR…
An Anthology Of Noise & Electronic Music vol. 2
The story continues with volume 2, featuring slow explorations of the past and the present. Given the present system of production, there are reasons, some of them identifiable, why only a few names emerge in each period. There may also be a preference for concentrating information rather than letting it pile up in disordered fashion. Over the past 40 years, the same ten electronic music composers get mentioned again and again (including in music dictionaries and histories). Yet behind the…
An Anthology Of Noise & Electronic Music - Vol 1
Subtitled: First A-Chronology 1921-2001. At last, the Sub Rosa label re-issues the highly-acclaimed Anthology Of Noise & Electronic Music collection. Containing early and contemporary classics as well as pieces that had never been heard before. Volume 1 begins in the 1920s with the Russolo brothers, and examines each decade in turn -- Varèse, Cage, Schaeffer, Xenakis, the great pioneers crafting the first traces of a music that was markedly revolutionary: electronic music, created from no…