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original, long time deleted edition of 500 copies, a static massive drone work, with a repetitive material that evolves/distortes/returns one piece uses an orchestral source that is looped etc etc and another is a fairly simple synth pattern that changes over time
The music contained in this awesome CD could be defined as an outsider's version of electro-acoustic composition, using improvisation & field recordings as the main material to build the pieces with. The point of departure for making the whole song cycle was the conscious misunderstanding of language; coming from the idea that you can never say exactly the same thing in a different language (so 'i love you' means something else then 'je t'aime'). 'Stots' and all the song titles are in a secret…
A further step out in Birchville Cat Motel's ruminations on time space distortion featuring the additional mystikal talents of fellow gravity destroyer, Matthew Bower (Hototogisu-Sunroof!), Seventh Ruined Hex presents like a lonesome planet, occassionally struck with super-sized fragments of space detritus, but for the most part just hangs around, spinning on its axis and doing fuck-all. Strangely emotive for 'a buncha noise'. Like the deepest love, its warm yet tenuous, and filled with the ever…
Sub Rosa presents the fifth volume of the highly-acclaimed and successful Anthology of Noise & Electronic Music series. This installment highlights pieces illustrating a technique (Claude Ballif's "Points, Mouvements"), a country ("Shur, Op. 15" by Alireza Mashayekhi), a studio (Helmut Lachenmann at the IPEM), and historic (François Bernard Mâche's "Prélude"), and radical ("Spectrum Ripper" by Masonna/Yamazaki "Maso" Takushi) works that have ripped apart ancient definitions. All this organized …
Valley of fire contains three brand new finely crafted songs on side one, and on side two, a twenty minute classic psychedelic, dirt road journey. The record represents two equally facinating aspects of jomf sonwriting, and musical arrangement. Over the years, jackie-o motherfucker have spent equal time writing and arranging classic American folk and blues, and long, free-form compositions, drawing comparisons to 1960's and 70's ensembles like Ash Ra Temple, Amon Dull... Valley of fire begins wi…
America Mystica is a collection of four live recordings, made under varied circumstances, ranging from the quiet and comfortable setting of the WFMU free form radio recording studio, to the live theatre environment at the cube cinema in Bristol, England, where the group was recorded in concert performance. The line-up includes Montreal musicians Fluffy Erskine and David Bryant, as well as long time JOMF members T. Greenwood and Brooke Crouser. Also appearing on these recordings are Jeff Mooridia…
“Why don't you go down, old Hannah/Don't you rise no more”, era il canto che gli schiavi neri intonavano nelle piantagioni, supplicando il sole cocente (Old Hannah) di non levarsi più. I Jackie-O Motherfucker riadattarono questo traditional ai tempi di Fig. 5 e ora dopo sette anni da quel disco, si ripresentano con un nuovo lavoro completamente costruito sulla figura del Sacred Harp Singing, una primordiale forma di gospel a cappella. Viste queste premesse, Flags of the Sacred Harp, si ma…
This vinyl only release by Ora features two hauntingly atmospheric tracks from their rare "New Movements In G" release (150 copies) originally released on Darren Tate's own Gnome Records label in 1998, and were not included on the two Ora retrospective CD compilations "Final" and "After The Rainfall" (both on Colin Potter's own ICR label). For these recordings Ora were: Darren Tate, Colin Potter, Lol Coxhill, Daisuke Suzuki on the A-Side 'The Sun Sheds A Golden Tear', and Darren Tate & Colin Pot…
Aawesome “industrial” saw-blade, this one representing the Icelandic scene. Hafler Trio, now residing in Iceland, offers this new track exclusively for this release, which is more ambient than their older releases. Stilluppsteypa, natives of Iceland, give us a more experimental track, which by the way was produced by Andrew McKenzie of The Hafler Trio. White vinyl, released on September 20th, 1996 in an edition of 500.
rare early original tape - first pressing - by EG live performance at Rome University in the 24th of March of 1986. This was organized by Saverio Evangelista, who later would become an official member of EG, in the context of a congress that analized the relationship of industrial architecture and esthetics, with the repetitive patterns of industrial music.
Rare original, limited edition of 333 handnumbered copies ( + a 8-page printed booklet) Recorded, manipulated and constructed at the GOD facility, Reykjavík, Iceland, up to and including January 1995. The Hafler Trio were assisted in no small measure by: Dr. Kurt Euler, Jochen Schwarz, Erla Þórarinsdóttir, Dame Madden of Galicia, C.M. Von Hausswolff, Sólveig, Jóhann Jóhannson and precious few others. Eternal love and respect are due. Concept partially provided by David Jackman. Title by Brian Gy…
Rare original, limited edition of 333 handnumbered copies ( + a 8-page printed booklet) Recorded, manipulated and constructed at the GOD facility, Reykjavík, Iceland, up to and including January 1995. The Hafler Trio were assisted in no small measure by: Dr. Kurt Euler, Jochen Schwarz, Erla Þórarinsdóttir, Dame Madden of Galicia, C.M. Von Hausswolff, Sólveig, Jóhann Jóhannson and precious few others. Eternal love and respect are due. Concept partially provided by David Jackman. Title by Brian Gy…
Rare original, limited edition of 333 handnumbered copies ( + a 8-page printed booklet) Recorded, manipulated and constructed at the GOD facility, Reykjavík, Iceland, up to and including January 1995. The Hafler Trio were assisted in no small measure by: Dr. Kurt Euler, Jochen Schwarz, Erla Þórarinsdóttir, Dame Madden of Galicia, C.M. Von Hausswolff, Sólveig, Jóhann Jóhannson and precious few others. Eternal love and respect are due. Concept partially provided by David Jackman. Title by Brian Gy…
Rare original, limited edition of 333 handnumbered copies ( + a 8-page printed booklet) Recorded, manipulated and constructed at the GOD facility, Reykjavík, Iceland, up to and including January 1995. The Hafler Trio were assisted in no small measure by: Dr. Kurt Euler, Jochen Schwarz, Erla Þórarinsdóttir, Dame Madden of Galicia, C.M. Von Hausswolff, Sólveig, Jóhann Jóhannson and precious few others. Eternal love and respect are due. Concept partially provided by David Jackman. Title by Brian Gy…
Rare original, limited edition of 333 handnumbered copies ( + a 8-page printed booklet) Recorded, manipulated and constructed at the GOD facility, Reykjavík, Iceland, up to and including January 1995. The Hafler Trio were assisted in no small measure by: Dr. Kurt Euler, Jochen Schwarz, Erla Þórarinsdóttir, Dame Madden of Galicia, C.M. Von Hausswolff, Sólveig, Jóhann Jóhannson and precious few others. Eternal love and respect are due. Concept partially provided by David Jackman. Title by Brian Gy…
Recorded, manipulated and constructed at the GOD facility, Reykjavík, Iceland, up to and including January 1995. The Hafler Trio were assisted in no small measure by: Dr. Kurt Euler, Jochen Schwarz, Erla Þórarinsdóttir, Dame Madden of Galicia, C.M. Von Hausswolff, Sólveig, Jóhann Jóhannson and precious few others. Eternal love and respect are due. Concept partially provided by David Jackman. Title by Brian Gysin. Sleeve and book design by A.M.McKenzie for Suitcase Studios.
Rare original, limited edition of 333 handnumbered copies. Comes with an 8-page printed booklet. Recorded, manipulated and constructed at the GOD facility, Reykjavík, Iceland, up to and including January 1995. The Hafler Trio were assisted in no small measure by: Dr. Kurt Euler, Jochen Schwarz, Erla Þórarinsdóttir, Dame Madden of Galicia, C.M. Von Hausswolff, Sólveig, Jóhann Jóhannson and precious few others. Eternal love and respect are due. Concept partially provided by David Jackman. Title by…
Rare original copy of this early ultra limited edition in bookstyle packaging. All material present generated between 1985 and 1987. Intoutof is a series of finely woven drone environments incorporating location recordings by Ward Phillips. The section titles imply some sort of alchemic process, with the grinding sounds of "Initiation" evolving into the brighter tones and birdsong of "Ascent," before the hard discords of "Purgatory No 1 & 2."