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Christopher Roberts's Trios for Deep Voices, a five-movement work scored for the unusual ensemble of three double basses, is a sort of musical evocation—sometimes directly, sometimes indirectly—of the sounds and life that composer Roberts experienced…
Nakadai, which KPFA Folio/Other Minds Radio called “one of the most explosive LPs of the ’80s,” is a set of five works that offer a catalog of musical “waves”—from ripples to tsunamis. It features Smith playing pedal steel guitar solo, overdubbed, an…
As it casually explores the trombone’s timbres, The Webster Cycles is at times lush, at times stark. Mobile-like in the way that phrases and individual notes drift in and out and twist as if blown by the wind, it is something of a musical conundrum: …
Magazine, 64 pages A4 format (Italian Language), with overviews, artciles and interviews on Bbz Bz Ueu, Luminance Ratio, Saba Saba, Martello, Ludmilla Spleen, Giorgio Salomon / Acrobati Liquidi, Giovanni Lami, The Star Pillow, Patrizia Oliva, The Bar…
The four pieces that make up this CD—Dark Waves, Among Red Mountains, Qilyuan, and Red Arc/Blue Veil—are for various combinations of one or two pianos, percussion, and electronics. Each piece is built from a complex, polyrhythmic layering of voices t…
Charlemagne Palestine's A Sweet Quasimodo Between Black Vampire Butterflies For Maybeck is a piece for two pianos played simultaneously in a tremolo style that Palestine calls “strumming,” a technique that has defined his piano music since the late ’…
This CD is made up of three compositions: Sevan, The Tubes, and Coimbra 4, Mundi Theatre.Sevan is built from a recording of Armenian musician Parik Nazarian’s vocalizations in massive pipes near the shore of Lake Sevan, Armenia. It explores resonance…
Chas Smith is one of the most unique musicians working today. He has created his own musical world—complete with its own instruments and “language.” It is a world of expansive musical tapestries and carefully sculpted textures that never sit absolute…
Daniel Lentz writes about the album, On The Leopard Altar:“The form and flow of Is It Love? is determined by that of the text/lyric. Unlike much of my music-with-text work, it does not use an additive process. Rather, it uses a subtractive one. The v…
Notes on Other Music is a 112 page A5 perfect bound book published on the occasion of the Fourth Edition Festival for Other Music in Stockholm. The book collects photographs, essays, interviews and conversations relating to the festival programme sin…
JimFox's Descansos, Past, written in April 2004 in memory of composer-performer John Kuhlman, who died a few years earlier, was premiered in Los Angeles (by the same musicians who are heard on the present CD), June 2004, as part of a series of concer…
In three connected sections, Rick Cox's Fade offers a series of harmonic “moments” of various densities and complexities and timbres and lengths. Throughout the work, these moments, like elements in a mobile, are in a constant state of changing persp…
Kyle Gann's Long Night is exquisitely drifting, ever-unfolding music for three pianos that sometimes play independently and at other times in synchronization with one another. Gann calls this “the most successful piece from my early, Brian-Eno-influe…
Edition of 200. 550 pages, LP size. Top Ten: 2008-2018 is the second volume in James Hoff’s Top Ten series. In almost every issue since April 1998, Artforum has asked an individual from the art world to compile a top ten list of their favorite recent…
Edition of 200. 440 pages, LP size. Top Ten: 1998–2008 is a new edition of the long-out-of-print publication by James Hoff. In almost every issue since April 1998, Artforum has asked an individual from the art world to compile a top ten list of their…
Steve Peters's from Shelter is music written in 1997 for choreographer Lane Lucas’s dance/theater work Shelter, which deals with “the concept of metamorphosis, and the way connections between people can bring us to a greater awareness of our place in…
Michael Jon Fink's A Temperament for Angels (written in 1989 and fully revised for this recording in 2003) combines equal measures of beauty and grit in a powerful, kaleidoscopic, elusively shaped textural music that is compelling from its first quie…
Frequently shifting focus as its harmonies melt one into another, this swirling piece finds its wildly branching roots touching on many styles of music—from Delius and Debussy to bop to techno. Los Tigres de Marte is sometimes lush and enveloping, so…
The quiet rumbling of trombones and the soft keening of strings haunt the piano’s slow stream of notes. A mosaic, a tapestry. Rich harmonies and simple triads come and go, like the ever-changing, yet ever-similar, landscapes one passes while driving …
Back by popular demand (and available for the first time on CD), this boxed set of three CDs collects all the music released on a popular series of 10-inch vinyl records that were put out by Cold Blue in the early 1980s. During the Cold Blue label’s …