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Bruno Tonisi's debut full-length, Sensational Conversations, presents itself as an artifact of impossible communication - a spectral dialogue between the Italian artist and legendary New York rapper Sensational that unfolds like an intercepted transmission from some parallel dimension. Released on lugar Alto, this singular work transforms what began as a gesture of contact into something far more enigmatic: a deconstructed hip-hop meditation that feels equal parts cosmic and street-level.
The al…
*300 copies limited edition* Drawing from field recordings collected during a trip to Japan, boring tables saturates sonic vignettes in sentimental key, replaying familiar traces of lived experience into something more abstract. The seven tracks on mathematical model 0010, Luca Quartarone's debut album, trail through evolving tonal expanses that envelop the environment in a perpetually expanding haze of serenity. Though sonic fragments hail from the everyday, the compositions themselves inevitab…
Orcutt Shelley Miller is an avant-rock trio comprised of three highly celebrated figures of experimental music: Bill Orcutt (Harry Pussy), Steve Shelley (Sonic Youth) and Ethan Miller (Howlin Rain, Comets On Fire). Their debut self-titled album will be released September 5th on Silver Current Records.
The Serpentine Similar, the seminal debut studio album from American experimental rock innovators Gastr del Sol, is now available on Drag City. Originally released in 1993 by TeenBeat Records and reissued by Drag City in 1997, this album marks a pivotal moment in experimental and post-rock music. Formed from the ashes of the post-hardcore band Bastro, Gastr del Sol features guitarist David Grubbs, bassist Bundy K. Brown, and additional percussion by John McEntire. Recorded in Chicago’s Experimen…
Drag City is proud to announce the reissue of “Crookt, Crackt, or Fly,” the groundbreaking album by avant-garde duo Gastr del Sol. Originally released in 1994, this record stands as a landmark in experimental and post-rock music, now remastered and available once again for a new generation of listeners.
Formed by David Grubbs and Jim O’Rourke, Gastr del Sol emerged from the fertile Chicago music scene of the early 1990s, pushing the boundaries of rock, folk, and modern composition. “Crookt, Crac…
Born at the end of 1984, Gerstein moved between filmic experimentalism and piano sonatas with background noise elements.In 1989, after the release of the cassette La Pomata Delle Femmine, the project seemed to have reached its end. However, Maurizio Pustianaz’s creation took a new direction, shifting toward a sound still open to experimentation but influenced by the more romantic atmospheres reminiscent of David Sylvian.
In 1991/92, the first embryonic versions of the tracks that would later ap…
2025 stock There’s a gulf of contrasts to be heard between Seefeel’s 1993 debut Quique and its 1995 follow-up Succour. Both are searching works in their own right, two shining examples of the fertile crossover of shoegaze and electronic, but it’s clear that, somewhere in the album-to-album transition, things got darker for the project.
A growing fascination with the dystopian ends of dub and ambient are thoroughly explored on the Starethrough EP, the first of Seefeel’s recordings for Warp, a spi…
2025 stock If Succour was Seefeel’s departure from the cul de sac of shoegaze music to wander through the desert of abstract electronics, 1996’s (Ch-Vox) which has been out of print since its original release is the sound of a group building a civilisation in the remotest spot, revelling in their sound far away from the rest of the world, their tones arriving to us like strange signals through the air. Singular as each of Seefeel’s LPs are, (Ch-Vox) could well be their definitive statement, a co…
2009 release ** "Tom Hamilton is unquestionably among the most inquisitive minds around. Local Customs explores some obscure notions about music theory and performance practice, leading to sound combinations that are at once unsettling and yet somehow familiar. One discovers that there is very little in Local Customs that follows from conventionally intentional music writing. It is perhaps better to regard it as a group of artifacts of little-known origins, modified through new transformations i…
Legendary 1976 Private Press Rarity Documents Oklahoma's most uncompromising Proto-Punk visionaries, this trio produced art-damaged outsider rock influenced by Stooges, Beefheart, and Velvet Underground
To Septiske Membraner by Cría Cuervos is a fluid mesh of musique concrète, water textures, and field recordings. Bubbling noise fluxes through submerged sonic layers, creating an immersive, decaying environment of shifting acoustic debris.
Sords by Meilt blends noise, musique concrète, and lofi tape textures into a gritty, abstract sound collage. Saturated loops, found sounds, and analog decay create a visceral, fragmented listening experience rooted in sonic experimentation.
A decaying transmission of lo-fi textures, fractured drones, and dark ambient noise. uœrhe crafts a sonic archive of entropy and memory—where time collapses into static, and history hums beneath layers of analog dust.
Recorded at Harmful Sound Studio, outside & at home 2020-2023.Field recordings, Roland D50, found & stolen sounds for tape, sampler and Dictaphone.For Riitta-Liisa Danielsbacka.
*2025 stock. 30 copies limited edition* Renowned experimental guitarist and avant-garde musician Eugene Chadbourne presents Milanesa / Astral Traveling, a bold new release available now via the German label Frei zum Abriss Kollektiv. This two-track album showcases Chadbourne’s signature blend of free improvisation, wit, and boundary-pushing soundscapes, further cementing his status as a true pioneer of the underground music scene.
Richard Hronský’s “Pohreb” uses intimate soundscapes—wood, radio, bird songs—to evoke childhood memories and the grief of loss, transforming personal audio diaries into a universal meditation on change, tradition, and time’s passage.
"If you think that the constellation of Nicholas Bussmann, Sven-Åke Johansson and Yan Jun is a sort of dream lineup, you are not far off the mark. The joint improvisations that you hear on tea time capture a sound that once came to Bussmann in a dream and that he made a reality with the help of his fellow musicians. The trio recorded the five pieces across two days at Johansson’s SÅJ studio with engineer Andrew Levine, working with Bussmann’s curious piano robot while Johansson was on percussion…