La ruota della vita
The final recordings of Antonio Infantino, made months before his death in 2018. Twenty-one tracks captured live, with no overdubs or post-production: voice, drum and the circling pulse of Lucanian tarantism, from the Beat poet who rebuilt the trance music of Basilicata into a songbook of his own.
Victorialand
*2026 stock* Released in April 1986, Victorialand finds Cocteau Twins creating a world of extraordinary delicacy and atmosphere. Built around Elizabeth Fraser’s otherworldly vocals and Robin Guthrie’s shimmering guitar textures, the album floats free of conventional rock rhythms, inviting listeners into a landscape shaped by sound, silence and feeling.
Recorded by Fraser and Guthrie as a duo, Victorialand takes a more spacious, restrained path than the band’s earlier work. Its nine tracks unfold…
The Desert Is An Endless Sea
*100 copies limited edition* Recorded on April 7, 2025 at Studio H in Beijing. Mix, mastering, recording and cover design by Jason Kahn. Many thanks to Zhu Wenbo and Yan Jun for all their work in making my tour through China and this recording possible.
Form Destroyer
Skullflower's 1989 Broken Flag debut, the birth of British drone-noise-metal, back on vinyl for the first time in over thirty years, with Matthew Bower, Stuart Dennison, Stefan Jaworzyn and Stephen Thrower.
Code
Cabaret Voltaire's 1987 album, co-produced with Adrian Sherwood: the turn to synth-pop and mechanistic funk, remastered from the original tapes by Denis Blackham and back on Mute.
Obsidian Shaking Codex
The 1993 RRRecords session, the heaviest Skullflower record of the first decade: Matthew Bower, Stuart Dennison and Russell Smith in five long pieces of droning, chaotic dissonance.
Iglu
Carl Ludwig Hübsch (voice, tuba) and Ignaz Schick (sampler, turntables) between abstracted song, sound poetry, noise improvisation and radio play, from sessions in Cologne and at Morphine Raum in Berlin.
Roman Ruins
Alvin Curran conducts the Iato Orchestra, thirty musicians with voice, reeds, brass, strings, harp, accordion, guitars, vibraphone, basses, two drummers and four electronics players.
Self Embalmed
Wolf Eyes' first full-length as the core duo of Nate Young and John Olson since 2023: twelve tracks of warped kicks, skittering drum synth, narcotized vocals and Olson's homemade reeds.
Variance / Duo
Two unreleased late works by Pierre Henry for his centenary: Variance (2005), a fugal homage to Luc Ferrari, and Duo (2003), a gestural rhapsody for feedback and piano dedicated to Maurice Béjart. Licensed from Studio Son/Ré.
Motorcycles and Cherry Wind
Isik Kural’s Motorcycles and Cherry Wind is a sonic travelogue of stories waiting and wanting to be told, of seekers passing through a loop of time as they become witnesses to the glories of the ancient ruins. The album holds sounds of timeless quality—like inherited folklore, draped with secondhand nostalgia—taking the shape of whoever is eager enough to claim it as their own. Rich and full of character like the dusty mystery of an archeological site, Kural whispers to the living and the long g…
Strewn with Crimson
Wil Bolton’s forthcoming album, Strewn with Crimson, is an evocative sonic portrait of East London’s Lea Valley. Shaped by the region's wetlands, marshes, and industrial edgelands, the project weaves together site-specific field recordings, found objects, modular synthesis, and processed acoustic instruments. The album’s title draws inspiration from the wild poppy and herb-robert flowers growing across derelict Victorian filter beds, symbolising a complex landscape where rich biodiversity and ec…
Genius Loci
On his debut album, Genius Loci, London-based producer Pavel Doronin combines modular electronics with theremin, saxophone and a rich array of field recordings, mapping out a psychogeography that criss-crosses from the Bavarian banks of the Danube to the Irish Sea and back again.
Doronin's breadcrumb trail suggests an urban drift from tennis court to medieval gate, eroded signs and municipal heraldry caught in relief like hallucinatory wax rubbings. Soaring melodies (courtesy of guests Grégoire …
Outside the Lines, Vol. 8
“…pretty wild… with aspects of surrealism… a strange sort of pathos… a kind of absurdity… a kind of muted spectacularism…” — Neil Luck
Nonclassical presents the latest instalment of the Outside the Lines-compilation series, co-curated with artist and composer Neil Luck, out on limited edition cassette and digital on 23rd October. Outside the Lines Vol. 8 brings together a seemingly disparate group of UK-based artists working in the gaps between composition, spoken word, performance art and elect…
The New Blockaders (LP)
Impossibly rare original copy of one of the most sought-after artifacts of the early experimental DIY/noise scene, self-released in 1982 in an edition of 100 copies with die-cut generic cardboard sleeve and xeroxed insert. Total nihilist and anti-everything noise and now history. A once-in-a-lifetime chance to get a copy.
Changez Les Blockeurs (CD)
Rare 1995 first-ever CD re-issue on Urthona in an edition of 750 copies of the most classic album of nihilist noise originally released in 1982.
Live At Morden Tower Newcastle-Upon-Tyne (tape)
Ultra-rare American edition with different cover produced by Aeon in 1984 of the first self-published cassette album of a 1983 live nihilist noisefest in collaboration with Sir Ashleigh Grove (Metgumbnerbone), with hand-painted labels and xerox of the original cover.
Seinsart (CD)
2000 first-ever CD re-issue on Siren Records in an edition of 200 numbered copies of the first self-published cassette album of a 1983 live nihilist noisefest in collaboration with Sir Ashleigh Grove (Metgumbnerbone).
The New Vortex Blockaders Campaign (LP)
1998 first vinyl re-issue in an edition of 200 copies with unique sleeves hand-made with fragments of vinyl records of the 1984 ultra-limited noise-fest cassette. With insert.
The Final Recordings (LP)
Rare original and sole edition of the collaboration with Andrew Chalk released by Christoph Heeman's Dom Bartwuchs in an edition of 300 copies in 1990.