blue/dense
this piece uses 17 tones in whole-numbered proportions to a virtual fundamental of G'' (25Hz). the piece is a kind of analysis of the overtone region from the fifth to seventh partials and the corresponding regions one and two octaves above (10th t…
ein(e) ausfuhrende(r) seiten 218 - 226
I try to imagine the sound of the world, the silences and sounds of this recording, and the noise of the playback equipment meeting without differentiation, indeed indistinguishably. Whatever differentiation there is moves within the narrow, utterly …
phontaine
this cd is not conceived just to be listened to. supplemented with a simple "score", it may induce a "performance at home". you are invited to experience with your ears, eyes, body and mind, the space of your everyday life, your home, "colored" a l…
cello piece
I like that which is the extremely refined sound of a note made by an instrument. I find the sound of a note to be a very extraordinary, elusive and indefinable experience. I like the sound of one note next to another, or at the same time as another.…
STIMMEN
voices what is music made of? of voices. and what is a voice? a sequence of sounds and silences, with its own consistency. perfectly self-contained: each voice voicing a world. and what is a world? a proportion: a specific distribution of move…
musik fur orgel und eine(n) tonsetzer(in)
what do you do, if you work with just intonation and wish to write a piece for organ? you have to deal with the relation between equally tempered and over- or undertonal (just) intonation. 2001 i had several opportunities to make a study of some wond…
for seven players
Seven (1988), 15 similar events (2002) Let’s assume, that art music as a field of creative cognitive activity is interrelated with the scientific paradigm and that its structure, therefore, at least partially reflects the contemporary way of lookin…
One9
“sounds brushed into existence as in oriental calligraphy" (Cage) the sounds in one9 are single tones and chords, up to six part harmonies. how do sounds come into existence, how do they gain focus, how do they resolve, how do they merge into one…
early music
“The room I entered was a dream of this room.” “It wasn't the hole in the landscape that gladdened us, it was the invitation to the weather to drop in anytime.” John Ashbery (both quotations from: Your Name Here 2000) “...all the hard dry …
Empty Words
"Empty Words" begins by omitting sentences, has only phrases, words, syllables and letters. The second part omits the phrases, has only words, syllables and letters. The third part omits the words, has only syllables and letters. And the last par…
Beuger.Cage
Composed by Antoine Beuger (1) and John Cage (2)
Kathryn Gleasman Pisaro: oboe
Recorded in Hohenferchesar, August 1998 Engineer: Peter Hecker Produced by Antoine Beuger Layout by Daniel Bechem Includes liner notes in German and English by Kathryn Gle…
Accordion Music
Fold in; fold out: the breathing of the accordion. On this CD the accordion unfolds in a very special way, unusually close to the instrument. Four works, four worlds that seem to know each other; refer to each other like a greeting from far away. Hea…
Transparent city (volumes 1 and 2)
Field recordings, electronic sound. Field recordings made in greater Los Angeles from December, 2004 to August, 2006. Each recording is an unedited ten-minute take from a single location. Sine tones and mixing completed in Michael Pisaro's home st…
Harmony Series 11-16
In the 'Harmony Series 11-16', very small events are happening in every nook and cranny of the music, and these subtle changes give magical effects to the music. This is in fact not magic at all - all the events are due to the theoretical structure o…
Transparent city (volumes 3 and 4)
Field recordings, electronic sounds. Field recordings made in greater Los Angeles from October, 2006 to February, 2007. Each recording is an unedited ten-minute take from a single location. Sine tones and mixing completed in Michael Pisaro's home…
Dazwischen / immer anders
Composer : Eva-Maria Houben (1955) Performer : Eva-Maria Houben, organ. 'dazwischen for organ' (2000) : a very low tone a very high airy sound once in a while a tone in between, a noise in between organ sounds, organ noises room noise, ambient noise.…
aus den fliegenden blttern eines fahrenden waldhornisten
'aus den fliegenden blttern eines fahrenden waldhornisten' (2013) ('from the flying leaves of a traveling horn player') for horn (F. Wilfried Krüger, horn).
EVA-MARIA HOUBEN (born 1955) studied Music Education at Folkwang-Musikhochschule Essen and …
Air - works for flutes and organ
'ein schlummer (a slumber)' (2013) for flute(s) and organ. 'aufhören (coming to an end)' (2013) for recorders: g-bass, c'-tenor, c-bass (1 performer). 'atmen V (breathing V)' (2014) for recorder(s) (1 performer) and organ. Ruth Walser, recorders. …
Von da nach da
Composer: Eva-Maria Houben. Performer: Rommel Ayoub, violin. Sebastian Jeuck, saxophone. Eva-Maria Houben, organ. 'Von da nach da' 55 images for three performers (2005). Not all of the 55 images have to be played during a performance. The performer…
Works for flute
Composer : Eva-Maria Houben. Performer : Anne Horstmann, flute. 'Calme, silence, solitude' for piccolo solo, 'quelques riens' for mauritius flute and 'moments musicaux' for bass flute constitute a trilogy, composed by Eva-Maria Houben for flutist …