Sticks and Stone Will Break My Bones But Names Will Never...
The No Neck Blues Band, adrift in the ozone-tinged air of lower & upper Manhattan for nearly a ghost decade, stood at a fork. To one side lay the path to continued avoidance of human contact, and lifetimes of hemeretic improvisational events. To the …
No Doughnuts in Hand
The third of Minton's doughnut reduction series features 37 solo vocal improvisations. This showcase for his remarkable vocal talents follows on from A Doughnut In Both Hands (Emanem 4025) and A Doughnut In One Hand (FMP 91), his previous solo outing…
Rimmed Records
Vinyl records physically reduced to just the outer rim, packaged in silk-screened recycled record covers. Playable at your own risk. Edition of 100.
Space Elements Vol. 1
The third in Rafael Toral's Space Program series of releases - his long-term research project launched in 2004, through which he has unearthed an innovative approach and a complete re-thinking of how electronic music is conceived and experienced. Usi…
Week-end at Burnie\'s
Another vital instalment in no-fi's growing and collectable vinyl catalogue, this 7' sees massachussets' freestyle kraut funketeers sunburned hand of the man condense their name and a whole album concept into 7' of vital vinyl. side 1 is inhabited by…
Live On Conan Island
The ultimate East coast - West coast soundclash as Oregon's Yellow Swans and Brooklyn's Mouthus present a smouldering document from their onstage interactions on their Fall 2006 US tour. The sound of Mouthus's splat&clatter percussion and sheets of s…
Ouarda (the subtle art of phyllorhodomancy)
Ouarda (The Subtle Art of Phyllorhodomancy) is currently only available as a double vinyl set with a view to release on cd-dvd at a later and as yet unspecified date. Andrew Liles' latest offering has taken nearly three years to hit the shelves and a…
The Harmony of Contradictions
Jack Wright (alto saxophone, soprano saxophone) with Alban Bailly (acoustic guitar). Extended techniques are relied on heavily as the duo investigates their instruments, eventually leading to a singular output.
Live Bootleg
Edited by Yvan Etienne. Bilingual edition (English-French) 13 x 17 cm (folded poster cover). This publication provides an overview of sound installations and environments by the experimental artist-musician, featuring three essays and an interview, a…
Abovensen...
Sven-Ake Johansson (voice, percussion) with KNM Berlin. 'Polis, Wachs und Pomade' (2000), 'Abovensen... (2002), 'Einen staubigen Klang finden' (1998).
Vol. 1
Axel Dörner (trumpet), Zoran Terzinc (piano), Jan Roder (bass), Sven-Ake Johansson (drums). Recorded in 2005.
The private language problem
Electro-acoustic compositions performed on a variety of handmade and sculptural instruments. The compositions vary from filling large rooms with a continuous wash of sound to the heady pans of pure electronic tones. One of the most active experimenta…
Shortcut
Phil Durrant (computer), Bertrand Denzler (tenor saxophone) and Burkhard Beins (percussion, objects). Recorded on November 28 & 29, 2006 by Christophe Hauser at La muse en circuit (France).
The light that is felt-Songs of Charles Ives
Charles Ives composed nearly 200 songs throughout his life. Wiley Hitchcock, in the thorough introduction to his 2004 critical edition 129 Songs, described the Ives song canon as the contents of a kind of scrapbook or commonplace book or chapbook, or…
Le journaliste
Anne-James Chaton (voice, electronics) with Andy Moor (electric guitar, radio, electronics). Le journaliste consists of 8 pieces and is a part of a series of 100 portraits iniated by Anne-James Chaton... Most of these portraits have become large post…
Universal Prostitution
Hardcore improvisation. Extreme, sharp and filled with burning energy - No More Music (at the service of capital). This is a beautifully painful record recorded in Oslo, Brussels and Strasbourg in early 2006 by the duo of Argentinian Lucio Capece on…
And I pulled the word \'and\' from my beard
“And I pulled the word 'and' from my beard" is the new work from Portland based cut-up genius ID M Theft Able. 55 minutes of pure sonic madness: lo-fi, trash, collage, crazy found sounds, unexpectable chaos. Totally undefinible! Extrasized cover, ed…
Deadly Space Missions
File under: cosmic fear noise. Daryl Groetsch blessed us with two slow jams for modular synthesizers. The first track is a mammoth, while the second one is a drony excursion into outer space. Packaged in 12" X 5" optical bag silkscreened by canedicod…