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Strictly limited deluxe LP edition on 180gr vinyl, incl. gatefold & inner sleeves and lyric sheet. All songs written between 1980 and 1983. This record was never completed. What was originally intended to become the third album by Aksak Maboul (the seminal band formed by Marc Hollander with Congotronics producer Vincent Kenis) had gradually evolved into a strange artefact, closely mingling (iconic Honeymoon Killers chanteuse) Véronique Vincent’s dreamy vocals and deceptively bubbly lyrics with…
* Limited supply, don't miss this much needed repress** From the label: "Due to issues with the coloured vinyl pressing on some copies of this set, we have finally agreed with the pressing plant to get replacement copies in 180g virgin black vinyl. We also have a limited quantity of the complete box set in black vinyl available for sale. These are expected to arrive around the middle of December."
Following from the reissue of NWW’s ’Soliloquy For Lilith’ boxset, ‘Trippin’ Musik’ relays the most…
"Conrad Schnitzler is incredible. I would dearly have loved to meet him, to have been present when he, Seidel and Baumann were working their magic at Paragon Studio. Fortuitously, Wolfgang Seidel, co-author of these pieces, has opened up his archive of recordings to the Bureau B label. He and Conrad Schnitzler spent many years together experimenting with sound, capturing the results on the two Consequenz albums, amongst others. I had the honor of meeting Wolfgang Seidel at the Golden Pudel Club …
This new album (the tenth in their discography) was born from two ambitions: to pay tribute to Soft Machine's Third on form (4 sides / 4 titles) and to philosopher Gilles Deleuze (Difference and Repetition is the title of his thesis) on the contents. The 4 long pieces of this double concept album were developed over 2 years and each has a different style and climate. Bold and kaleidoscopic, Difference and Repetition perfectly synthesizes the musical and literary obsessions of Palo Alto.
Formed i…
**2020 repress** Spoki (Ghosts) is the sound of an artist putting their private world to tape. Of exploring and pushing the limits of themselves and technology to realise the music in their head. As Ingus Baušķenieks himself explains: “My own world differs a little from my friends tastes. And - as my father said - the collective art is not art at all.” Arranged and produced by Ingus Baušķenieks. Female vocals on A2, A3 & B3: Edīte Baušķeniece. All instruments and male vocals: Ingus Baušķenieks.
One third of the France sauvage crew concrete musique made of field recordings, synths, drum machines & heart 3 super narrative works to be listened whenever you can technology and pebbles reconciled think Luc Ferrari & Lionel Marchetti bingo.
Composé, monté, mixé entre 2014 et 2015 Merci à Guillaume Dubreu pour les "crikaka", à Henri Michaux pour la "Grande Garabagne" et à Jo.
Solo electronic improvisation using feedbacks, fields recordings and electromagnetic fields. New proposal fromthe man who hides behind Somaticae. Naturalism & noise electro-acoustics. Microscopic assembly and electron swirls.
Originally released in 2016 by Klopotec and ZARŠ on cd, Širom first album “I”, will see the light again on a double gatefold vinyl, including two unreleased magical tracks from the same record session, out via Torto Editions. The metaphysic and the “out of time” stream of (alt)counsciousness gets richer and even wider vibrations on this new vinyl edition. The new tracklist developed on four sides helps to give the record a spacier, deeper and detailed texture.
"Slovenia bordering the border wi…
Tip. Edition of 500. Pascal Comelade and Richard Pinhas met in Paris in 1974, when Pinhas was beginning to go on stage with his group Heldon. With Heldon and, afterwards, solo, Pinhas became the pioneer and accelerator of electronic music in France, and a fundamental reference throughout the world. Comelade’s electronic period was much shorter, from 1974 to 1981. From 1983 on, he developed his policy of instrumental, strictly acoustic music.In 1975, Pinhas recorded the introduction to Comelade’s…
**Edition of 300, one-off pressing**first ever reissue of this sought-after punk-funk / no wave / electro post-punk 45 from 1979 by post-Wayne County Electric Chairs, produced by David Cunningam (Flying Lizards), now expanded to 12” In 1979, Wayne County & The Electric Chairs – the legendary punk-rock band - recorded their third album, Things Your Mother Never Told You, in London. It was produced by David Cunningham of the Flying Lizards, famous also for his work with This Heat, Michael Nyman, e…
**Edition of 300, one-off pressing** Basking Sharks are one of the unsung heroes of the original minimal / synth–pop / wave era. Formed in 1980 in the North of England, members Adrian Todd, Ged McPhail and Martyn Eames used an array of home–made electronic instruments plus customized second hand synths to provide unique sounds. On stage they always played "live" without the use of backing tracks. Their stage act included a slide show, films and computer visuals synced into the stage performanc…
Much needed repress. **Never-before released document of Don Cherry blowing cool fire in Rome, 1976. First official release. Mastered from the original master tapes. CD version** An amazing document of the life experiment that was the Organic Music Society. This super quality audio, recorded by RAI (the italian public broadcasting company) in 1976 for television, documents a quartet concert focused on vocals compositions and improvisations. Here, Don Cherry and his family-community’s musical bel…
* 2020 stock * The music of Chel White is celebrated in Automaton, a collection of mostly unreleased recordings from 1985 to 1991, by this innovative animator, film maker and visual artist. Having studied music theory in grade school, White taught himself drumming and played in a new wave band until, in 1981, together with Dan Gediman, they formed the minimal wave duo Process Blue (Alternative Funk, 1985 / Dark Entries, 2018). Here their experimentation went way beyond playing drums.
His interes…
Before Om, there was Sleep and ‘Volume One’ was their debut album release, on Californian label Tupelo (probably best known for releasing Nirvana’s ‘Bleach’ in Europe). It hit the shelves in 1991 to great acclaim and the band were eventually signed by metal dons Earache, but ‘Volume One’ has been unavailable for some time now, and with the renewed interest in Hakius and Cisneros it makes perfect sense to have the album available once again.
Sleep were quite clearly indebted to Black Sabbath at t…
2020 stock. 2017 release. Corbett Vs. Dempsey present a reissue of Suns Of Arqa's Revenge Of The Mozabites, originally released on Rocksteady Records in 1980. One of the key ensembles in the history of what is now referred to as world music, Suns Of Arqa began in 1979 with Revenge Of The Mozabites, the brainchild of Michael Wadada. With a ground base of dub -- in both aesthetic and method -- made palpable by master dub rhythm section of Style Scott on drums and Lizard Logan on bass, and produced…
2020 stock. 2017 release. Corbett Vs. Dempsey present a reissue of Suns Of Arqa's Revenge Of The Mozabites, originally released on Rocksteady Records in 1980. One of the key ensembles in the history of what is now referred to as world music, Suns Of Arqa began in 1979 with Revenge Of The Mozabites, the brainchild of Michael Wadada. With a ground base of dub -- in both aesthetic and method -- made palpable by master dub rhythm section of Style Scott on drums and Lizard Logan on bass, and produced…
Low-frequency, high-impact events such as earthquakes and tsunamis are not preventable, three bodies in a room sonically engaging are even less so. Beresford’s architectural narrative drives Magaletti and Martino’s rhythmic interventions into compelling short stories about dancing, dressing in rags, dreaming, swallowing, flight, famine, transformation, and dystopias/utopias. Frequency Disasters are pianist, improviser and composer Steve Beresford, percussionist Valentina Magaletti and bass playe…
Four pieces for cello & electronics by Judith Hamann. The second of Another Timbre’s ‘quarantine commissions’, this was produced in lockdown from Covid-19 in spring 2020 on the island of Suomenlinna in Finland. "Since I started the project I have been thinking a lot about collapse as an idea, and it’s become a really important means of thinking with and through certain ideas and experiences. Collapse in the sense of this album refers to a buckling of structure, of multiple layers suddenly witho…
Apartment House play Antoine Beuger’s exquisite hour-long piece from 2004. Wonderfully immersive and absorbing sounds that feel as if they are touching eternity.