How We Used To Laugh - Haunted and Defiant
**Housed in a beautiful handmade diorama sleeve and box. Limited to 100 copies.** Just a few months after fortuitously meeting Dean Brown in London’s Low Company I am delighted to be releasing this Little Skull 7”. For a few years I was listening to Little Skull LP’s unaware that Dean’s own brand of NZ underground music was in fact being recorded a short distance from my London home. Furthermore, Dean’s intricate homemade sleeves were crafted in London, shipped to Italy, then back to London wher…
Virtual Company
Simon H. Fell : double bass. Mark Wastell : violoncello, percussion. Derek Bailey : (virtual) guitar. Will Gaines : (virtual) tapdance. Recorded at Cafe OTO, Dalston, London; 2nd March 2018.
An in concert, virtual Company performance from IST (on this occasion the duo of Simon H. Fell and Mark Wastell due to the snow-bound absence of Rhodri Davies) together with pre-recorded fragments of Derek Bailey and Will Gaines. IST’s Virtual Company calls on ‘the powers of improvisation’ (D. Bailey) to int…
L'impatience des invisibles
Quentin Rollet, alto saxophone, sopranino saxophone, synthesizer, electronics. Romain Perrot, keyboards, electronics, voice. Here we leave – just a little – the world of the voluntarily failed, the waste and the sound vomit, for something cosmic-ambient low-cost, combining electronics and saxophone with a strange look on the tradition that must be destroyed!
Oscillations planétaires
Oscillations planétaires was realized in 2017-18 at the composer’s studio in Montréal and premiered on July 13, 2018 on the radio program Klangkunst broadcast by Deutschlandfunk Kultur (Germany). Oscillations planétaires evokes geology. In all the layers that make it, from its core to its surface areas, Planet Earth is inhabited by undulatory motions of extremely varied temporal scales. Some are inscribed in a geological timeframe while others follow a daily cycle. This oscillatory ensemble cont…
L'inaudible
Stéphane Roy is an acousmatic composer. His art esthetics allow him, after thorough experimentations with sound materials, to extract expressive properties and give these works teleological motion. He is also a musicologist. He has written a number of papers and a book on the analysis of electroacoustic music."In my approach to composition, the path a piece will take is never determined upfront. Form and structure do not exist prior to the realization of the piece: when I probe the imaginary wor…
Yegl
“The electroacoustic works of Elsa Justel are striking for their rich morphological invention: canvases made of minuscule yet consistently varied sounds; stratified figures made of multiple simultaneous shots, intertwining with one another; tremblings turning into sharp and lightning objects; objects of all sizes, objects so diverse they relentlessly keep hold of your attention. […] This music imitates nothing; it is there, warm and savant, controlled yet free, vigorous and intelligent.” - Horac…
Univers parallèles
The work of Todor Todoroff might be a bit closer to architecture and structural engineering than to conventional electro-acoustic composition. Almost all of the pieces on Univers parallèles are based on gestures and movements which create a sound, whether that’s a dancer on stage doing avant-garde steps, or a painter applying the brush to the canvas, or the action of flowing water. From quite small and intimate movements, large-scaled and mysterious sounds emerge. On Rupture d’équilibre, one of …
Asteraceae
**200 copies** Sedimental proudly brings you a remarkable new document from Pisaura, released for the Summer Solstice the 3rd week of June. Pisaura is Michael Pisaro-Liu and Zizia (Amber Wolfe+Jarrod Fowler). Asteraceae presents a hermetic world of shifting densities, dynamics, and spatialities that rewards endless listening as sequenced or on shuffle play.
The 72-minutes of Asteraceae were composed from field recordings of performances around Los Angeles during winter 2018-2019. Pisaura used as…
Distant Radio Transmission
Distant Radio Transmission was recorded as an improvisation by Roscoe Mitchell, Craig Taborn, and Kikanju Baku in 2013 and released as the third composition on Roscoe Mitchell Conversations. It was then transcribed by Stephen P. Harvey, in 2016, with further Transcription and Orchestration of air sounds for Strings by John Ivers, in 2017. Finally, it was fully Orchestrated by Roscoe Mitchell in 2017 and recorded live at the festival Ostrava Days 2017 in Ostrava in the Czech Republic.
"Distant Ra…
Miniatures One & Two
Featuring artists as diverse as The Residents, Robert Fripp, XTC’s Andy Partridge, Pete Seeger, Robert Wyatt and The Pretenders’ Martin Chambers, as well as cover artwork contributed by Ralph Steadman, Morgan Fisher’s 1980 release “Miniatures” truly was a first.
Overwhelmed with concepts for potential releases, Fisher decided to see how many of these ideas he might be able to squeeze onto just one album. Rather than performing everything himself, he invited 50 musicians he admired to send in tra…
Offerings
**200 copies** Gods of Rain explores textural improvisation for electric guitar and percussion/vocals. Brooding, arcane and foreboding, it navigates the turbulent waters of dark ambient and more abstract electronic music, swamped in swashes of caustic improv.
Recorded in Berlin in 2005 without overdubs and live in the studio, this is electrifying listening that knows no boundaries. At times meditative and filigree-like, at others abrasive and drenched in explosions of molten lava. The ultimate m…
Primal Fictions
**200 copies** “Primal Fictions” may sound like the early work of a literary novelist, but words are not Daniel Menche's chosen form of expression - instead, sound and noise form the foundation of his 30 year dedication to abstract sonic exploration. “Primal Fictions” (LP) released by Ferns Recordings is a prime display of Menche’s unique approach to field recordings and electronic manipulation. An earthly marriage of the acoustic and electronic worlds, “Primal Fictions” is a stunning example of…
Tropical Amnesia Two & Three
All sound recorded November 2007 in/at/around Mamori Lake, Amazonas, Brazil. Material culled and assembled December 2007/January 2008 in Seattle.
"His music consists of an ever-changing, intricate web of sounds defining spaces in constant transformation. It is very detailed, very present. Transitions between soundscapes, sometimes very slow and very gradual, sometimes very surprising, keep his music going; often different strata of time are present simultaneously. Matt is a master in building an…
Squenun
“We somehow tried to use sounds as idioms. Turning them upside down and back again, make them collide with each other’s distorted mirror image, let them mean everything one would usually not think them to mean. “Careta” meaning someone who acts like someone they are not. A sound, in music, usually one would say doesn’t mean anything, but the sound of the word “word” does (if you have learned English). But, a collaboration allows to pretend it would mean something else and language is but a colla…
Milk Thistle
"During the period I worked the most on these, summer 2018, I was reading the Daoist Zhuangzi and some Stoics. That material is likely why this CD has to do with detachment and inaction, as well as unspecifiable emotions. The synthetic/concrete sound relationship seems post facto to engage with the above. Inside and outside interpenetrate and relate in tension – openness, suffering, trouvailles and surprises of sound and feeling. The composition involved many layers of mixes, seemingly to do wit…
Exchange
Vinyl reissue of the much sought-after 2009 debut cassette by cult industrial act Corporate Park. A mix of heavy minimal beats, distant vocals and dark alien electro soundscapes that Corporate Park has become known for in later releases on Nostilevo and two collaborative LPs with Beau Wanzer. The new imprint, Virtues, is proud to present its first release, distributed by Fantastique, powerfully remastered by Dan Randall and pressed on 180g vinyl with heavy matte jackets.
Tactility
The first release from Arkeen – a 7 track, 30 minute full length from Los Angeles based Ted Byrnes. Percussive abuse and aural assault. Fragmented time creating spaces between what you are about to hear, and have heard. The present does not exist.
Previous output has been released by Claimed Responsibility, Foul Prey & Absurd Exposition. Ted Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston, MA, he comes from a jazz background and has s…
Optical Cadillac - The Granitoid Panics
A split 10inch with Jean-Philippe Gross on one side and Golden Oriole on the other. The first one delivers 7’30” of an impulsive electronic quicksand where everything seems unstable and elusive, with that strange feeling of not knowing if you are moving forward or not, or that experience of a “non-Newtonian fluid” – a fluid you can walk on. In short, we are between immobility and speed, between raw materials and etheric frequencies!
The second Golden Oriole, Thore Warland, drums, and Kristoffer …
From Somewhere Invisible
**Third pressing on black vinyl.** Edited and mixed between Montreal and Paris, From Somewhere Invisible summons the fever of experimentation and the powerful sound of the game coming together in the service of a luxuriant and psychedelic drift. Synthetic brass meets hammered rhythms, string electrics with cracked electronics, saxophone cries and laughter at a pulsing and seminal bass. Created in 2012 by multi-instrumentalists Frédéric D. Oberland and Stéphane Pigneul, Oiseaux-Tempëte (Storm Pet…
Plafond de verre
Lunar Error is a group of musicians based in Lille. They work in the field of drone, continuum but mainly acoustic. After Sêlêne published in 2017 on the same label, they decided to work with Jean-Luc Guionnet who, here, considers contemporary composition for ensemble as a work both plastic and reflexive, using drawing, writing, typography, diagram, plan, non-idiomatic notation, questions of musical writing, interpretation, as well as individual and collective playing techniques, up to the sound…