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Produced and engineered by Jah Wobble at home in his bedroom (hence the title), the album was originally released in spring 1983, showing a different side in the bass player evolution. His proper 2nd album after a major label stint with Virgin - for his debut - and the stratospheric collaborations with Holger Czukay & The Edge. A mystical hybrid of dub fusion, ethereal wave and global beat, still ahead of his time.
"About the type of music," Alessandro Bianco wrote me, "I was thinking of a solo banjo country impro experimental protest songs record." I used Alessandro's list as a way to organize my favorite recordings from the last few years, not only the genre or stylistic labels but the order in which he presented them. I made up a rule that the tracks could be used if they fit one or more of the words he used in his description-but only in the order he listed them! In this way I chose tracks that I would…
This recording is roughly 80 minutes of the A&E three day performance superimposed. Performed by Paul McCarthy (Adolf / Eva) and Lilith Stangenberg (Eva / Eve).
*20 copies limited edition* Melantónia presents its first album on the label, a concept LP produced in Matera and inspired by the rock sedimentation process in which the southern Italian city was built. Strata is an experimental electronic music composition combining electro-acoustic improvisation with cutting-edge sound design. This daring project brings together a collective of accomplished musicians and sound designers, who have crafted an immersive auditory experience, building upon the iter…
Following on from Mark Fisher & Justin Barton’s On Vanishing Land and Kode9’s Astro-Darien, the third release on Flatline, Hyperdub’s sub label for audio essays and sonic fiction, is By the North Sea by Robin Mackay, philosopher and founder of the UK publisher Urbanomic.
The project is a sonic exploration of the perplexities of time, disappearance, and loss, channelled through the fictions of H.P. Lovecraft, the speculative mythos of the Cybernetic Culture Research Unit (Ccru), and the ghost of…
*2025 stock* Astro-Darien is a 26-minute sonic fiction about the break-up of Britain narrated by synthetic Scottish voices and framed as an eponymous video game. It is the 2nd vinyl release on Hyperdub’s sub-label Flatlines and its dark green 10” comes packaged in a triple gatefold sleeve, with artwork by Kode9’s long time collaborators Lawrence Lek & Optigram. Whereas the first release on the label, Mark Fisher and Justin Barton’s ‘On Vanishing Land’, wove an audio essay around a walk along t…
*2025 stock* Hyperdub launch new sub-label, Flatlines, for the vinyl and digital release of On Vanishing Land, an audio-essay by Justin Barton and the late Mark Fisher. OVL evokes a walk along the Suffolk coastline in 2006, from Felixstowe container port ("a nerve ganglion of capitalism") to the Anglo-Saxon burial ground at Sutton Hoo. A walk under immense skies, through zones of deep time and within sunlit, liminal terrains, into the eerie.
Everywhere there are charged atmospheres, shadowy incu…
Japanese visual artist & musician Yoshino Shigihara returns with the vibrant, beautiful music of her main project Yama Warashi (translates as ‘small childlike mountain spirit’) on new EP ‘At My Mother's Piano’.
Enriched by the kaleidoscopic influence of Japanese folk dance, free jazz, African music and psychedelia, Shigihara illustrates the ever-evolving qualities of Yama Warashi on ‘At My Mother’s Piano’, crafting exquisite, improvisational solo piano works interlaced with vivid field recording…
*300 copies limited edition* Ten years on, Joana Gama and Luís Fernandes show no signs of slowing down. Over the past decade, the duo has released five albums, composed soundtracks for film and television, and created pieces for performing arts. With “Strata”, they embark on a bold exploration of their musical identity, breaking new ground by seeking the primordial, the raw, and forging a deeper creative synergy. This evolution makes their music feel less like a conversation and more like a unif…
*300 copies limited edition* Glory Fades is a song book written using a common collaborative musical language developed by Yair Elazar Glotman and Mats Erlandsson, building intimate musical spaces, primarily focused on acoustic instrumentation with electronic counterparts contributing light and shade. Throughout the eight songs on the record, each piece unfolds according to its own logic while simultaneously reflecting the overarching tonality of the song book as a whole. The music focuses on th…
Panoptikon is a suite of vocal & electronic music composed by Maria W Horn for an installation in the disbanded Vita Duvan panopticon prison (The White Dove Prison) in Luleå, Sweden. From the opening of Vita Duvan in 1856 until its closure in 1979, prisoners were detained for theft, perjury, drunkenness, domestic violence, and vagrancy. More than fifty women were charged with miscarriage & abortion (which was labeled as child murder); however, they did not spend much time at the prison before fa…
Paul Taylor is one half of Sutcliffe No More, formerly Sutcliffe Jugend. He is and was also a member of Inertia, Bodychoke and Slaves No More. Most of his music has its background in the power electronics scene that evolved in Great Britain around the label Come Organisation and the group Whitehouse. Power electronics is a style of noise music that typically consists of static, screeching waves of feedback, analogue synthesizers making sub-bass pulses or high frequency squealing sounds; with scr…
Geins't Naït was founded in Nancy, France, in 1986 by Thierry Merigout and Vincent Hachet, both students at the Architecture School of Nancy. A year later Laurent Petitgrand joined the band. Their sound is often described as an equivalent of bands like Einstürzende Neubauten, Coil or Test Dept., but Geins't Naït is not pure classic Industrial. While Geins't Naït offers rough pieces of music as an extension of its punk attitude, Petitgand refines them to create some musicality within the post-ind…
*300 copies limited edition* Two records came out in 1988 that forever changed the perception of "experimental" or "serious" music produced in Portugal. These were "Plux Quba" by Nuno Canavarro and "Música de Baixa Fidelidade" by Tózé (António) Ferreira. Both were released by the same label - Ama Romanta -, an influential independent imprint closely linked to avantgarde pop band Pop Dell'Arte. Because those records appeared in what could be perceived as an "alternative pop" framework, they rescu…
Reinvigorated by months of shutdown woodshedding, David Grubbs developed new works for guitar, as well as a piano piece and an exceptionally eerie bit of musique concrète. Inspired by the deep dive into Gastr del Sol’s duo magic that facilitated last year’s compilation box, David opened his deeply personal solo pieces for engaging conversational gambits with modern masters Rhodri Davies, Andrea Belfi, Nikos Veliotis, Nate Wooley, and Cleek Schrey.
*150 copies limited edition* "Now here’s a surprise, a solo album by Renaldo M is due for release on Klanggalerie. Called ‘They Blessed The Body Breadcrumbed’ it is a 13 track collection of original songs, most of which were started during the period Renaldo & The Loaf were not together. It features guest musicians Nolan Cook, Mike Howlett and Frank Pahl. With some very extended gaps in between, it has taken over 30 years to complete but is finally done!" Renaldo M. aka Brian Poole is half of Br…
Snakefinger surely needs not much of an introduction. Born Philip Charles Lithman in London, he moved to San Francisco in 1971. His roots lie in the British blues scene, but he soon became friends with The Residents who also gave him the name Snakefinger based on a photograph of Lithman performing, in which his finger looks like a snake about to attack his violin. In 1972 Lithman returned to England and formed the pub rock band Chilli Willi and the Red Hot Peppers. After the lack of success of t…
Acclaimed Icelandic theremin musician Hekla returns with Turnar, her third album of devastatingly heavy, spectral soundscape-songwriting, entering a sublime paranormal plane of haunting dread. Now augmenting her virtuosic solo theremin work with cello, voice, and the sacred church organ of Icelandic master Kristján Hrannar, the evolution of Hekla’s unique magic summons new worlds with Turnar. The album was recorded partly in (and named after) a medieval castle tower in rural France, its ruinous …
Julek ploski’s ‘Give up Channel’ is on mappa. It’s the follow-up to the Poland-based FL Studio demon’s ‘Hotel *****’, released via Orange Milk in 2023. It’s an album that wrestles against a shadow self. It’s about shelter from the hailstorm of unwanted memories and guilt pangs and serrated blades of thought. It’s about clinging on to some semblance of hope, knuckles taut and teeth gritted. The fragmented drift of opener ‘Naysayer’ flows forward like an anxious daydream, pad eddies and piano plin…
*100 copies limited edition* In his late forties, Andreas Malm is releasing his first solo album. So where has he been hiding all these years? In plain sight, it seems. The past few decades, he’s been a staple in the music scene of Malmö, Sweden. From the free-rock outbursts of Fria Konstellationen to the tapedrones of Amph, the synthscapes of Skeppet and probably best known, the minimalist rockquartet Eternal Music Society: it’s fair to say he’s been around. Just not all by himself. As Kroppskä…