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Nantes-based Australian drummer and percussionist Will Guthrie returns to Black Truffle with Nist-Nah. Like his previous solo record on the label, the abrasive hip-hop concrète of People Pleaser (BT 027LP, 2017), Nist-Nah finds Guthrie branching out in a new direction, this time in a suite of six percussion pieces primarily using the metallaphones, hand drums, and gongs of the Gamelan ensembles of Indonesia. The music presented here is grounded in Guthrie's travels in Indonesia and study of vari…
“One of the best shows I went to in San Francisco during 1984 was the Glorious Din & Trial gig. This show really changed my life & made realize that I had to follow my dreams. Both of these bands were local bands, but they had created this killer post-punk sound that could hold its own with any band from anywhere. Around this time, Glorious Din released their classic album Leading Stolen Horses. This album is a post-punk gem that many people have never heard – trust me, after one listen you will…
One of the most mythical experimental groups of all time, Musica Elettronica Viva was formed in 1966 by a group of American composers in Rome, its nucleus comprised of pianist Frederic Rzewski, sound improviser Alvin Curran and the improvisatory keyboardist Richard Teitelbaum. Taking cues from John Cage and David Tudor, MEV employed open, limitless structures, using found instruments, toys, a homemade synthesizer and the first Moog to reach mainland Europe. Improv and critical listening practice…
After 'Cobraxine', 'Boogie Throb', and the Ana Ott - released 'Molochville', Brecht Ameel (Razen/Ameel Brecht) gives us his new album under the Br'laaB moniker 'Other People's Crimes'; a high-on-paranoia, pre-crime-surveillance narrative, constructed after hours in the studio from a combination of Ameel's own recordings on a widely varied set of instruments, library music, flea-market broken vinyls and old cassettes. Part blind-overdub palimpsest-collage, part straightforward composition, the 10…
Br'laaB is the moniker for the studio works of Brecht Ameel (Razen), consisting on the one hand of themes from Ameel's songbook for the Acid Boogie Quartet, on the other hand of tape collage pieces based on recordings of found audio, ultra-fi sampling, degraded vhs, skipping cd's and sandpaper vinyls. Combining influences that range from Slint to Raymond Dijkstra and from Tape to Peer Raben, the pieces here were assembled and recorded after hours while working on commissions for contemporary da…
**200 copies** Lebanese saxophonist Christine Abdelnour brings an impressive, extended instrumental vocabulary to Joachim Nordwall’s cryptic electronics in this live recording made at Ystad Konstmuseum for Sweden’s Firework Edition Recordings.Falling deeply within the label’s taste for sounds that exist on the liminal edge of perception, A Higher State of Body and Mind sees Abdelnour coaxing spittle-inflected small sounds and bestial whimpers from her brass tool while Nordwall colours the negati…
**500 copies** Guest edited by Shawn Jaeger. Featuring remembrances and appreciations of the deeply missed composer by Stephen Drury, Rhonda Rider, David Rakowski, Bryan Hayslett, Chris Fisher-Lochheed, Eliza Brown, Scott Wheeler, and Ben Hjertmann. As well as articles by or with Jerome Harris, Charissa Noble, Rick Moody, Sam Amidon, Colin Stetson, Claire Chase, Kate Soper, and Eric Wubbels. Also photos from Katherine Desjardins and exquisite corpse from Shawn Jaeger!- Printed using offset litho…
Foreign Policy is a 2019 release for Malaysian experimental label LaoBan Records featuring legendary Tokyo saxophonist Hirose Junji, no-input mixing board pioneer Toshimaru Nakamura and Australian master percussionist Darren Moore. The album was recorded live at Ftarri which is the undisputed centre for improvised music in Tokyo. Recorded over two live performances in 2017, the playing represents the trio's disdain for conforming; gliding seamlessly from minimalist Onkyo to maximalist free jazz …
Ilia, Konstantin & Me is a new Norwegian-Russian (Ilia Belorukov — alto saxophone, Konstantin Samolovov — drums, objects, radio, voice recorder and Christian Meaas Svendsen — doublebass, voiceunion) which, in the borderlands of the known, seeks to find a common musical platform. The barriers are manifold: culture, references, language, upbringing, and education, along with voluntary and enforced indoctrination. Seemingly few things can unite the individuals and bring them into an elevated unity.…
Unreleased Recordings comprises 5 previously unreleased tracks by Otomo Yoshihide, both electric and acoustic, recorded in different locations in Japan between 2002 and 2012. Side A (Electric Side) features Otomo’s earliest ever recordings. Recorded at home in Fukushima in 1975 when he was only 16, Organ features the Japanese musician on organ and electronics. A must-have for any fan of hardcore Japanese improv/noise.
**300 copies, white vinyl** Following Not Waving's stellar recent recordings with Jim O'Rourke, Colin Potter, and Jay Glass Dubs, Downwelling finds him in a striking Pas de deux with alternative rock god Mark Lanegan (Screaming Trees, QOTSA). It's one of those rare link-ups that truly transcends the sum of its parts, with Not Waving's rolling range of nuanced electronics acting as backdrops for Lanegan's smoky baritone storytelling. Delivered in a husky but pliable voice that has come to define …
**clear vinyl, white cover edition** Michael O’Shea’s sole, breathtaking album ranks among our favourite of all time - yet hardly anyone seems to have heard of it. Produced by Wire’s Bruce Gilbert and Graham Lewis at the Dome studio in 1982, it’s an utterly singular work of magick meshing myriad, worldly modes into music that rarely fails to reduce us to tears. It’s one of those albums that basically sounds like nothing else - the only record we can draw some parallels is Dariush Dolat-Shahi’s l…
An Annotated Phonography of Chance expands upon the soundtrack to an uncompleted 16mm film made in collaboration with English filmmaker Martha Jurksaitis and the Portuguese artist duo Von Calhau! The film ‘Nossos Ossos’ was shot largely on location in the Alentejo region of Portugal in 2013. Mark Vernon is a Glasgow-based artist whose work exists on the fringes of sound art, music and broadcasting. At the core of his practice lies a fascination with the intimacy of the radio voice, environmenta…
soft tissue is a collaboration between Glasgow-based artists Feronia Wennborg and Simon Weins. Penultimate Press is proud to present their debut release that has grown out of a collaborative process where recordings from everyday life rub alongside experiments with analogue feedback. Exploring the sonic relationships between physical objects, pre-recorded material and digital processing the duo plays within networks of micro amplification, blurring the boundaries between conscious interventions …
**300 copies** Fehler Kuti on the album (Munich, Autumn 2019): "I remember the first time I read W.E.B. DuBois eclectic masterpiece The Souls of Black Folk. The way in which this Weberian scholar flowed from personal account to prose to sociological analysis to music and even political intervention has had a lasting impact on my own work as a cultural anthropologist. It made me understand that as scholars we must use different means in order to give expression to the totality of the lived experi…
Salón Dadá was a Peruvian post-punk band made up of Támira Bassallo, Jaime de Lama, and Juan Huamán Hoover, active in the Lima underground movement of the '80s, known as rock subterráneo. They left no official recordings, but at the end of 1986, they did record a four-track rehearsal which began to circulate as an unofficial demo, becoming a classic of the period. Ensayo 1986 (Rehearsal 1986) is now published for the first time on vinyl. Presented as a 7" EP, this new addition to the Essential S…
Salón Dadá was a Peruvian post-punk band made up of Támira Bassallo, Jaime de Lama, and Juan Huamán Hoover, active in the Lima underground movement of the '80s, known as rock subterráneo. They left no official recordings, but at the end of 1986, they did record a four-track rehearsal which began to circulate as an unofficial demo, becoming a classic of the period. Ensayo 1986 (Rehearsal 1986) is now published for the first time on vinyl. Presented as a 7" EP, this new addition to the Essential S…
Interactions: A Guide to Swiss Underground Experimental Music, a double-LP compilation curated by Luis Alvarado and published by Buh Records, brings together 27 works by more than 30 artists from the current experimental music scene in Switzerland, in a variety of sounds, ranging from free improvisation, ambient, and industrial music, to synthesizer music, sound collage and more. It gives an account of the intense creative activity in the Swiss underground that runs through cities such as Zürich…
Kɑːmos is the duo of Aino Peltomaa and Nathan Wouters. Aino Peltomaa (FIN) is a vocalist with a radiating sound. She performs widely with medieval, renaissance and contemporary music. In 2018, she directed and performed Ordo Virtutum by Hildegard von Bingen with the Finnish Kaari Ensemble. This medieval, mystic nun keeps on intriguing: her songs are also part of Aino’s project Harmony of the Spheres and her words are sometimes used in the lyrics of Kɑːmos.Nathan Wouters (BE) plays the bass as if…
**250 copies** Ruben Machtelinckx has a new quartet. It is not a coincidence that the guitar is central, in particular the steel-string with its typical western sound. 2019 was a fruitful year for Ruben Machtelinckx (BE). This project is the last part of a triptych: in the spring Poor Isa, his duo with Frederik Leroux, released its debut album; in the summer he came out with the cassette Sualme with field recordings, improvisations and compositions; the winter appears to be the proper season for…