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A body of water, a tributary river pushing and struggling to activate one final act, gushing into an ocean of pureness. Every bank you hit is a misstep, vulnerability, acceptance, sexuality, control and punishment, a catastrophic station of the cross experience where the mesmerizing is allowed to seep in. This is Luke Mawdsley’s debut for Maple Death ‘Vulgar Displays Of Affection’, a cathartic meticulous journey brimmed with emotion and failure.
The journey started in Liverpool, Luke Mawdsley’s …
FAT and the Masters of Haha is a 73-minute release of FAT's recording with the southern Moroccan Berber group Aouad Mia, master rebab player Rais Lahcen Benlamouden, and other Berber singers and percussionists. It was recorded in Agadir, Morocco, in 1991 after development during FAT's numerous visits to Morocco over the previous three years. Aouad Mia's music is improvised but extremely tight and crisp, and combined with FAT, the music ranges from ferocious looped attacks through complex melodic…
Nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her CD, Music for Cello and Humming, features two pieces for cello and humming written specifically for Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own "Humming Suite" and "Study for Cello and Humming." Having arisen intuitively from Hamann's investigations into shaking, just intonation, psychoacoustic phenomena, and the voice in relation to…
Nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her LP, Shaking Studies, is a collection of iterative cello performance that foregrounds shaking as a generative subject. In addition to an arsenal of techniques for registrable shaking, Hamann's conception of the term emphasizes micro and macro pulsing, including tremors, vibrato, wolf tones, and complex partial activity. Hamann begins with a sphygmological reading of …
* Edition of 300 * Sound performances in public space – an urban soundtrack for Vienna. Julia Bünnagel creates concrete records from molds of sidewalks and street surfaces in Vienna’s urban space. The Cologne artist brings Viennese architecture to life in her DJ set (turntablism). The turntable’s needle reads the architectural texture. The cast surfaces of the streets that are inscribed on the records mix with the sounds of the city during the performances Sounds Like… Vienna. – flooding the squ…
In a rain forest of moments. the eye hears what the ear sees. through each moment of Karin Johansson’s and Finn Loxbo’s music runs the firm conviction that all points and layers of sound – in true democratic spirit, carry the same weight. Or lightness. as precise as scattered bird calls may be crucial to the totality and the outcome of the drama as a whole, as cautiously do they take care of the phrased line by being extremely exact with the gaps and the charged rest, where that very thing appea…
* Edition of 150 * Debut LP from Capers. Slow and repetitive tape noise, with emphasis on noise. Sums it up pretty good. For those aquainted with earlier Capers material, those sounds are still present, but as a whole Dregs is a step in a different direction. "Sounds like someone is running a Puch Dakota through a huge wall made out of shit."
Cortex A9: Basic Housekeeping - Order" is a new noise/electronics-project by Dan Johansson (Neutral, EFFM, Sewer Election etc), Frederikke Hoffmeier (Puce Mary) and Hugo Randulv (Amateur Hour, Makthaverskan, EFFM etc.”
* Edition of 200 * "Jesse Dewlow from Philadelphia follows up two great albums on Siltbreeze (Tricephalic Head, 2014) and Blackest Ever Black (Gunshots At Crestridge, 2016) with his first vinyl 7". Compared to earlier recordings, Magnet Hill is rather minimal and mainly based on guitar, that "a murky sub-underground feel resembling South Island NZ pop played inside of an armored car" line may still be somewhat on point, but these two downer gems are deeply rooted somewhere else. Both sides ends …
* Edition of 200 * A static, haunting bliss from Michael Morley's Music for The Never Quartet project. The New Zealand-based artist and musician is best known from The Dead C but has also recorded music as Gate, The Fuck Chairs etc, as well as a couple of albums under his own name.
"Music for The Never Quartet seeks to employ the resonating qualities of wooden acoustic guitars placed upon items of wooden furniture to reveal connections between time and space by sonically activating the instrumen…
Kredsbevægelsen was an A/V installation based on a video projection of a feedback generated from a video camera filming it’s own projected output and feeding back the light information of the space in between camera and projection, returning output as input and retransmitting, producing a discontinuance of difference between action and effect.
Frequencies of coloured light are scaled down to audible spectrum and quantised into harmonics. All audio dynamics, variation in amplitude, phase, frequen…
* Edition of 500. Gold LP * Cindy Lee, the performance and songwriting vehicle of Canadian artist Patrick Flegel (who fronted influential indie group Women earlier), previously stunned listeners with Act Of Tenderness, a heart-wrenching statement informed by the noirish core of celebrity, and has continued to enchant with every album, including the startling What's Tonight To Eternity released earlier this year.
Model Express originally appeared as a self-released edition of 100 gold cassettes. …
* Edition of 200 * New frequency challenges in this new dub flavored album by Paris' singular and mysterious Unglee Izi. 2 side-long tracks of sharp and meticulous digital sound architecture covering a wide spectrum of sonic precision and melodic beauty.
* Edition of 500 * In the short but tumultuous life of the East Berlin Impro-Punk band Klick & Aus, they played an amalgamation of Proto-Punk and Post-Punk influenced by acts from both East and West including The Galloping Coroners, Captain Beefheart and Cabaret Voltaire. The Klick & Aus sound breathed restlessness and petulance, like a company of soldiers always simmering for battle, but refusing to march in step. During the Christmas season of the waning Orwellian year 1984 the band recorded t…
These are torch songs for when it rains ash, creation ballads for when the earth turns inside out. Ghosts of Art Ensemble of Chicago and Rahsaan Roland Kirk color the air, yet Lafawndah’s mastery of pop songcraft, vocal production and razor-honed clarity of purpose cut through. In addition to the Lafawndah originals, The Fifth Season features interpretations of hybrid-folk godfather Beverly Glenn Copeland’s “Don’t Despair” and acid-impressionist prodigy Lili Boulanger’s “Old Buddhist Prayer.” Al…
Tip! A full frontal dive into the secretive, cult catalogue of Ken Clinger, rounding up lost recordings and his entire oeuvre 1983-1988, we are talking about 30 titles published over 26 cassettes by this hyper-productive, most overlooked but fetishised home-taping cult hero, carefully selected for your greatest pleasure. Mutant songs, hypnotic spoken words, obsessive synthesizers, in a must-check payload for fans of Nurse With Wound, Edward Ka Spel, Coil and the like.A legend of "cassette cultur…
Dating back to the 13th century in Wales, the Telyn Rawn is a nearly forgotten horsehair harp; UK improvising harpist Rhodri Davies researched the instrument and its unique sound, commissioning the construction of a harp on which he performs 18 improvisations of impressive technique and sonority, launching his new Amgen Records label with this album named for the instrument.
"A Telyn Rawn is a harp strung with horse hair and predates the appearance of the triple, lever and pedal harps. The earli…
Berceuse Heroique' Kemaa sublabel swiftly follow that excellent side of Greek fire-walking music with this deluxe reissue of percussive tributes to Mark Rothko by This Heat's Charles Hayward, backed with JD Twitch and Maxmillion Dunbar remixes.
'Smell of Metal' gives a first vinyl issue of the title track and 'Lopside' from Hayward's 1990 CD for Sub Rosa, unleashing two tense, minimalist pieces of rolling drums and etheric drones that sound like the missing link between 1980s post punk and '90s …