The Air Around Her
140g black vinyl. 380gsm reverse board outer sleeve. 300gsm printed inner sleeve. This record documents music made by two women — one American and one Korean — who have both made a profound impact within experimental music. Ellen Fullman’s Long String Instrument has been a long-term life-work of incredible ambition and dedication. It is immediate, exciting and inspirational. Okkyung Lee has completed rewritten the possibilities for the cello in solo and group improvisation whilst maintaining a s…
Music For Cello
Phill Niblock's Music For Cello collects three pieces from the '70s and early '80s, performed by cellist David Gibson. This CD includes a 16-page unpublished interview with Niblock. Since the late sixties Phill Niblock has been composing long-form acoustic drones with a focus on the rhythms and overtones that rise from closely tuned instruments. His highly original and influential music is an exploration of timbre, microtonality, stability, duration and psychoacoustic phenomenon."3 To 7 - 196' i…
Who will listen to aches that Everyone has 7"
New on Penultimate Press. Limited to 150 copies. Who will listen to aches that Everyone has’ is a telaesthetic document of disquiet, distance, and disintegrating memory. Careful mantels, rumours of summer, a nocturne, the black inside; Septembers wither, sentiments wane, the chamber-band plays. Parlours are MB – violin, piano, spokes, hotel bell, lighthouse bell LR – cello ML – pianette LF – cutlery SM – silhouette
Towers, Open, Fire / Looking For Business
New on Penultimate Press. Limited to 150 copies. Notes from Penultimate Press: Nether neither either ether [C.B.]. Bad bad grace back for a death-affirming day. Hard-to-Reach claimants born in the wrong place (Bayern Tāmaki Makaurau, Arkhangel district), put out too tender & possessed by spite. 3 x negation = 15 years Philosophie Queen, 18 Meanstricken, meaning totgeschlagen! No end to the keratodermic bouzouki, knock-off Glock, plastic reed, Tascam Spiel. There’s nothing not superficial about i…
The South of the East
The South of the East is the debut album from Tenggara Trio, comprising of improvisors from Indonesia, Malaysia and Singapore. Like previous Lao Ban Records releases it has Yong Yandsen gargling, screeching, skronking and more on the tenor saxophone, but unlike previous releases, "The South of the East" is the most rocking (read: loud, aggressive, driving) release from Lao Ban Records hitherto. The other two members, Ikbal S. Lubys and Dharma both play electric guitar (with efx and objects), but…
Electric Powered Music Concert
This is the 2nd CD release commemorating the 6th anniversary of Ftarri,
the CD shop in Suidobashi, Tokyo. In recent years composer Masamichi
Kinoshita, cello player Tomoki Tai, and composer/computer musician
Takumi Ikeda have departed from their usual musical activities to hold
“Electric Powered Music” concerts–periodic improvised music performances
featuring electrical machinery and devices. These three plus guest
Takuya Harashima (biwa, flute, voice) performed together in an Electric
Po…
Duo
This is the 4th CD release commemorating the 6th anniversary of Ftarri, the CD shop in Suidobashi, Tokyo. Suzueri uses prepared piano and several self-made instruments placed nearby to produce a variety of original sounds, which she combines in constructing her performances. Makoto Oshiro continues to create new sounds with the many new self-made instruments he devises. A duo performance by these unique musicians is recorded on this CD. Amid the drone formed by the roar of many sounds, suzueri f…
Trio and Septet
This is the 3rd CD release commemorating the 6th anniversary of Ftarri,
the CD shop in Suidobashi, Tokyo. It documents a concert held at Ftarri
in June 2018, featuring Beijing-based musicians Zhu Wenbo and Zhao Cong.
The first set was an improvised performance by Zhao Cong (electronics,
objects), guitarist Takashi Masabuchi, and alto sax player Masahide
Tokunaga (25 minutes). In the second set, a septet consisting of these
three musicians plus Zhu Wenbo (buzzer, clarinet, whistle), Yuma
T…
Sextet
While touring Europe in autumn 2017, Minami Saeki (voice), Wakana Ikeda (flute), Yoko Ikeda (viola), and Taku Sugimoto (guitar) visited Switzerland and joined up with Swiss composer/musicians Stefan Thut and Manfred Werder. This CD is a recording of five pieces they performed at the concert venue Theater Delly in Solothurn, Switzerland, on October 9, 2017. Thut played cello, and Werder used glockenspiel and typewriter. Each of the five musicians other than Saeki provided a composition of his or …
Endangered Species
Endangered Species states, restates, correlates, instigates, inflates and deflates, elevates, formulates, disintegrates, interrogates, percolates, granulates, germinates, Kiss Me Kates, Tom Waits, Norman Bates and W.B. Yeats, horripilates, adumbrates, prestidigitates, sophisticates, enumerates, integrates and contraindicates songs from the standard repertoire, Standards they were called. Old French, Frankish, estendard "place of formation." If you asked a jazz musician what he played, he'd proba…
Department of Heraldry
I was first introduced to the concept of Mark Charles Morgan by Thurston Moore in a series of conversations that all went something like this: TM: Dude, Sightings is coming to town. You should check them out. I think you'd really dig them. And you'd love Mark; he's hilarious Me: un-huh TM: No, really. Me: When and Where? I'll try to make it. TM: They're playing Friday at... At which point, I'd nod politely, internally shutting down, or just walk away, while he was mid-sentence. This went on for …
Got To Stop Me / Hot Tarmac
* Edition of 200 * Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 45rpm. Stark electronic abstraction from the London-based duo Komare which consists of Dominic Goodman and Peter Blundell from Mosquitoes. Two tracks of industrial DIY minimalism creating an organic sound world from broken rhythms and extraneous sound generated by modular synthesis with minimal bass figures and voice that is both an instrument and a cloudy narrative. With 'Got To…
Monokultur
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 45rpm. One of my most cheered moments this year was sitting drunk on my living
room floor when someone put on an unmixed version of 'Lindholmen -
Stenpiren' out of nowhere. Right there and then the most jaw-dropping
amalgamation of the first bunch of Rough Trade 7"s, Berlin Super 80 and
Gothenburg 2018. Monokultur is a new duo that consists of Elin and
Julius from Skiftande Enheter…
Third
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33rpm. In the ongoing affair between New Haven and Gothenburg something new from
the IDDB office favorite Stefan Christensen was very much inevitable.
This time he teams up with David Shapiro and Ian McColm of Nagual for a
third collaboration (the first two released as cassettes in 2017 on
C/Site and Gilded Throne respectively). 11 minutes+ of pure guitar drone
bliss, part drawn-ou…
Rust Clatter For The Midwest Sun
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33rpm. Two new sides from Crazy Doberman, both culled from recordings made during spring 2018. The psychedelic ambience on the A-side at times brings to mind Swedish communal collective rock ala TGS and such, that same headspace, though passing on in slow motion. Flip the seven inch and that line “if the Glenn Miller orchestra recorded a tape for Industrial Records and microwaved the ma…
Continent
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 45rpm. Two new tracks from Canada's Korea Undok Group.
Continent is a record about memory, time and identity, and marks the
first non-reissue vinyl output from KUG. The title track, and a-side of
the record, concerns memory and its disintegration over time. Throughout
our lives, we encounter far too many people, places and things—so many
that it will always be completely impossible…
Backlit Colander With Holes Shaped Like Numbers
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33rpm. Two six-minute montages of reversed mitosis episodes, in which scaly pods, ruptured eggs, and clumps of partially digested hair smush through one another and glom together in unstable strains of S-Glass-spanktified dad-noise. 'Backlit Colander With Holes Shaped Like Numbers' crawls with bacteria from munched electronics, murmurs of a chimney-entrapped Frampton (plus camel, but th…
Open Day
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33rpm. Following a slew of recent solo releases, this is the first vinyl single
from Stefan Christensen, known from New Haven, CT bands like Estrogen
Highs and Permanent Feels. Like a one-legged Crazy Horse sort of walking
on the Xpressway towards the Twisted Village and stopping by Columbus,
Ohio for a minute, these 5 tracks range from Galbraithian
over-before-it-began cassette-fo…
Fanzine Ink Dries Like Black Blood
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33rpm. Two new tracks from the Newcastle-based improvisor Joe Murray and his Posset, known from releases on Mantile, Chocolate Monk, No Basement Is Deep Enough and more. 'Fanzine Ink Dries Like Black Blood' was recorded on 9th Jan 2016 at Bookshop in Sunderland City Library. Mainly mainly made up of vocal-jaxx loops, dry breath and child chatter. It's the final four minutes of a longer …
Kid Brother
200 copies. Black vinyl, white cardboard sleeve with postcard attached,
stamped white labels, insert. Plays at 33rpm. The duo of Russell Walker and Tom James Scott follows up the Coventry
Campbell CS from 2015 with two new tracks. A splendid, minimalistic
mixture of post-Savoury Days UK DIY slow motion pop through shimmering
organ melodies, sparse drumming, piano and field recordings, with a
sense of melancholia sort of recognizable from Tom James Scott solo
recordings but at the same time…