Nonmenabsorbium
Prolific Swiss electronic composer Francisco Meirino (Misantropic Agenda, Entr'acte, Antifrost) and Basque country’s most prominent experimental musician Miguel A. Garcia aka Xedh (Crónica, Idealstate) team up and go for the rawest yet most carefully built electronic experimentation. No-input mixer, modular synth, field recordings & magnetic fields find themselves at the core of this true gem of radical electronic music, savvily handcrafted with by two experts of the genre.
Organ Sonatinas And Drones
'Sonatina no. 1' (2016). 'Sonatina no. 2' (2016). 'Sonatina no. 3' (2016). 'drones' (2014). Carson Cooman, organ. Eva-Maria Houben has been performing works for the organ for more than 30 years. As she is related to the “wandelweiser-group” of composers, her compositions are published by “edition wandelweiser”, Haan. Her list of compositions up to now includes works for the organ, piano, clarinet, trombone, violoncello and other solo instruments, works for voice and piano, for wind and chamber e…
A Hint Of An Emotion
Beat Keller (Electric Guitar) Philipp Bowee (Electric Guitar) Recorded in Mellingen and Winterthur, Switzerland Recording: Philipp Bowee All tracks are composed (2014-2016), mixed and mastered by Cem Güney Special thanks to: Antoine Beuger, Sylvia Alexandra Schimag, Beat Keller, Philipp Bowee, Gil Sansón, Jeremiah Runnels, my wife and mother and to everyone who made this possible. 'a bas relief of a talisman' dedicated to Charles Ives 'soft kill incubator' dedicated to Sylvia Alexandra Sc…
Besando El Tiempo
Besando el Tiempo is a piece that was composed in 1995 in the space of four days. It was written in an automatic script that Maria de Alvear uses for many of her pieces. The work was originally composed for the flautist Caren Levine, who also gave it its first performance in Salzau in 1995. 'besando el tiempo' has now been performed several times worldwide by different interpreters. When Maria de Alvear heard the performance by Antoine Beuger, she asked him to give her a recording for herse…
Ephemeral Constructions
University of South Carolina experimental music workshop, Greg Stuart (director). Kallam Ashmore (objects), Brian Bethea (saxophone), Erik Carlson (violin), Eric Dennis (objects), James Easteppe (guitar), Jürg Frey (clarinet), Michael Halbrook (objects), Timothy Hall (guitar), John Kammerer (horn), Aj Karp (objects), Logan Mclean (voice), Lauren Phillips (objects), Brooke Rosenberg (objects), Chris Ruggiero (objects), Jessica Russell (objects), Nikil Sairam (violin), Bailey Seabury (percussion),…
Amos and Sara Sing The Private World of Amos
Sing a Song Fighter and Oma333 proudly present the first ever vinyl release of "Amos and Sara Sing The Private World of Amos" the avant DIY pop masterpiece by Amos and Sara which was originally put out on tape in 1981, and features members of a bunch of iconic British post punk bands such as The Homosexuals, Tesco Bombers and Sara Goes Pop. Powered by a mix of determination and passion we tracked down Jim/Amos and he thankfully agreed to entrust this project into our happy hands. Ever since t…
Azioni/Reazioni 1967-1969
** very last copies** The year 2007 saw one of the most remarkable findings in the long treasure-hunting history of Die Schachtel: the complete set of recordings of the early manifestation (1967-1969) of one of the most legendary improv group of all times, the Gruppo di Improvvisazione Nuova Consonanza. Rescued by the private archives of Mr. Walter Branchi, one of the original founding members – alongside with Franco Evangelisti, Ennio Morricone, Ivan Vandor, Roland Kayn, Egisto Macchi, Mar…
Sleeper
Daniel Menche is best known for his assemblages of visceral, industrial-strength noise. In such head-rinsing recordings as Vilké (2013), Deluge (2003), and Fields of Skin (1997), Menche's compositional directives instigate and exacerbate the physiological properties of anxiety -- increased blood pressure, blurred vision, claustrophobia, panic, disorientation, etc. In the hands of a talented composer such as Menche, noise can be demonstrative, cathartic and even communal. But after three decades …
Bonds of Prosperity
Thalassa is the avant-drone project of Aaron Turner (Sumac, Isis, Mamiffer, House Od Low Culture, etc.) and William Fowler Collins. In his many guises, Turner articulates a chimerical aesthetic that intrepidly explores beyond the scope of sludge, hardcore, and post-rock. In Collins' blackened earth drones, he steadfastly engages in the elemental exploration of the New Mexican landscape that often inspire comparisons to the potency of black metal without the need for a single blast beat. It makes…
Istruttiva Serie
Istruttiva serie is a non-linear path progressing by attempts. A limited number of non consequential exercises about re-elaboration and evocation. The sound material comes from field recordings (recorded in Italy in 2014) and folk guitar. The main purpose is to investigate the constant encounter and collision between field sounds and melody by developing an acoustic stream which aims a perceptual redefinition. As “not completed” doesn’t mean “lacking” every track is here a personal exercise chal…
Early Works
A selection of the most radical impressive works composed by Wayne Siegel when he was mid-twenties. Moved to Denmark, between 1979 and 1980, he began to investigate possibilities of a very personal language, contributing to mould the heterogeneous kaleidoscope of Post-Minimalism results. The early works are constructed around a relentless musical process that consists of delaying and repeating every element in a certain measure, without intentional alteration. Siegel called this process canon te…
La Vie dans les Airs & dans les Eaux
Drone Records is proud to present the first ever collaboration release of these two cosmopolitan sound artists from France and Japan (residing currently in Taiwan and Belgium), based on a variety of field recordings, ‘concrete’ material improvisations and personal additions done in different parts of the world. We can hear mysterious (micro)-sounds that could come from minerals, stones, plants, or daily objects and instruments - opening up two soundscaping tracks full of wondrous elements, combi…
Custodian
Custodian marks a much grander stylistic experiment in The Cyrillic Typewriter’s discography of cinematic pop enigmaticism. Explained away as a score for an unreleased horror film, Custodian may be a uniquely Ruritarian soundtrack, referencing an origin of unverifiable existence, a plausible, approachable, but ephemeral stranger. Suggesting a Heart of Darkness narrative of doomed exploration and dreaded discovery, the album employs swelling drones and Delphic female vocals to convey an overarchi…
Gegenschein
Small repress. Irish artist Áine O'Dwyer follows her highly acclaimed Music For Church Cleaners vol. I and II double LP (2015) with two LP releases, Gegenschein and Locusts (PP 027LP). While continuing to explore the church organ as the primary instrument, these two releases steer away from Church Cleaners in both sonic content and themes explored. Gegenschein was recorded at the Franciscan Friary in Limerick, Ireland. O'Dwyer gained access to the Friary in 2012 and explored both the pipe organ …
Dada est mort
Legendary French avant-garde innovators DdAa present Dada est Mort. Dada est Mort is a display of harshly beautiful rhythmic convergence. Showing observationally precise commentary while at the same time treading the sea of the obscure. This is somewhere around their 50th release since about 1979 (150+ if you count all of their appearances with other artists).Black vinyl, limited to 150 copies. Hand numbered and come in a 4-way gatefold.
All This I Do For Glory
“All This I Do For Glory” is a reasoning and exploration of the machinations of ambition and legacy, an examination of the concepts of afterlife, and the first half of a doomed love story in the model of the greek tragedies. As a narrative, it exists temporally somewhere between 2015’s “Never were the way she was” (with Sarah Neufeld) and the first volume of the NHW Trilogy. With this, his first solo outing since 2013’s “To See More Light”, Colin Stetson ventures into territory both famil…
Fresh Air
LP version. Orange vinyl version with bonus 7". Includes CD. Faust's new album Fresh Air differs in several respects from its predecessor, Just Us (BB 182CD/LP, 2014). The recordings were made at Jean-Hervé Péron's rehearsal studio in Schiphorst in northern Germany, hypnotic pieces with the kind of noisemaking the band is known for. For the new album, Péron and Werner "Zappi" Diermaier were looking for communication with musician friends and the audience. The tracks were recorded in changin…
Piano Improvisations
Belgian composer, arranger, pianist and keyboardist Koen De Bruyne (1946-1977), brother of celebrated singer and songwriter Kris De Bruyne, had his own — unfortunately short — stint in the field of pop, jazz, fusion and funk in the 1970ies. He rose to the scene as a wanted session and live musician for local heroes such as Johan Verminnen, Will Tura, Ferre Grignard, Mad Unity, Black Blood and his brother Kris. In 1974, after some years in the trade, Koen De Bruyne debuted as a solo artist. …
2.20
With this album Orphax further explores the various possibilities of drone music. For this work, inspired by the work Vice Versa... by Eliane Radigue, he recorded two works using almost the same settings in the virtual modular software Audiomulch, except for changing one small setting. The recorded source material was than used as building blocks in reaper to create two compositions of exactly 20 minutes. These two compositions can be played separate from each other, but the idea is also the cre…
Interventions In A Landscape
The four tracks on “Interventions in a landscape” give a voice to the coastal landscape where human intervention is evident. The intervention creates a certain strengthening of contrasts, for instance at the Leihoek between the ever moving sea and the silent firm dyke. Though, at the coastline the weather, the sounds, the light and even the smell are always playing an important role on how someone experiences the coastal landscape. Therefore the tracks do not only reflect on the places mentioned…