It Was A Time Of Laboured Metaphors
The field recordist and lucid-dream composer Kate Carr conjures a liminal art, seeking to articulate the remembrances, the concrete fact, and the deliberate exaggerations of detail, all in the pursuit of addressing the human interaction with the environment. Psychology, history, politics, geography, storytelling, fantasy, the notion of the self, and the disintegration of these rigors at their transect all come into play in her ongoing work. She has set herself on path to make these investigation…
Alien Nation: Collected Singles Thus Far
"Vinylization of the first cassette released by Tony Pasquarosa's incredible scuzz-punk project Burnt Envelope. Tony is well known for his multifarious guises (Crystalline Roses, World Domination,Gluebag, etc.) and membership of Frozen Corn,Aerosols, and whatever else might have happened this past week. Alien Nation documents the first imaginary seven singles by the 'band,' ranging from garage-spew in the proto-punk vein to brutalist groin thunder. Version Sound's Bob Moore has compared Burnt En…
Howling and Instability at High Volume Settings
"If ever there was an album by NZ's great Bruce Russell whose title carried the essence of his genius, this is it. The words come from the manual of the amp that Bruce uses to create his special brand of guitar havoc, and its wording could not be clearer. Naturally, Mr. Russell takes great delight in pushing the poor thing beyond its stated limits as often as possible. The results almost always possess a strange majesty. And so it is here. Originally issued as two-thirds of a CD included in the …
Vision in Crime
Distorted through a shattered lens, Diminished Men refocus hard-boiled cinema and classic instrumental music into something entirely unique.Vision in Crime, their third LP on Sun City Girls' Abduction label, unfolds like a paranormal detective story full of delinquent exotica, deranged noir, hyperventilating surf, and shortwave radio nightmares. Opening number "Chamber," an apparition of a forensics crime scene investigation, sets the tone but quickly spirals into the cobra-twilight guitar work …
His First Steps
180-gram LP in deluxe heavy-duty sleeve. Numbered edition of 300 copies. Previously unreleased album by German trio Sand, recorded in 1972. His First Steps is a forerunner of Golem (ROTOR 006CD/LP/BLU-LP/PIC-LP), the legendary 1974 album from the cosmic and psychedelic genius that is Sand. After the split of P.O.T., the early Sand submerged as a threesome in the basement of Claudiusstrasse and built up an alchemical assembling shop, where they resurrected the archetypical Golem. Sand considered …
The case Against
Big master of tape manipulation, Howard Stelzer builds a few pieces around a feeling of sound deterioration and some falling aprt landscapes.
Howard Stelzer (b. 1974, New York) is a composer of electro-acoustic music. Beginning in 1991 while still a high school student in Boca Raton, Florida, Stelzer has always based his music around cassette tapes. Almost all of his sounds are generated by, processed by, recorded onto and played back out of cassettes and consumer-grade tape players. He ran the…
Bruitisme
New 2015 material from French experimentalists Vivenza, Brume, Le Syndicat, and Lieutenant Caramel. This is their own updated, contemporary vision of the Bruitism sounds and texts. Jean-Marc Vivenza has theoretically and politically linked himself with the Italian Futurists and Russian Constructivists since the mid '70s. Originally released in 1984, his series of Fondements Bruitistes d'Action (Bruitist Foundations of Action) recordings were inspired by the relationship between the technological…
Le Chat a Neuf Queues
A musical hommage to the Franco-Belgian comic strip series Philémon by Fred, which started in the mid-sixties. The general tone of the series is of fantastic realism, depicting the adventures of the young farmboy Philémon in surreal adventures featuring odd creatures in odd places, and it is considered one of the most poetic and original bande dessinée series of all time. The music is just as good, improvisations on guitar (Bart De Paepe) and accordion/percussion (Anne Collet) that weave psyched…
Mellow My Mind, a Sloow Tapes discography
Chronicling the first 10 years of Sloow Tapes, Mellow My Mind gives an overview of all the tapes, broadsides, lp’s and booklets published so far. From Keijo’s desolate avant/acid folk moves to Fursaxa’s spiked organ drones with a short detour by way of Ira Cohen’s Akashic Records. Fully annotated with detailed information about the tapes, promo texts, reviews and a few texts written especially for this publication by Bart De Paepe, Matthew Parry and Louise Landes Levi.
Box Os Mutantes
The birth of a legend – the first seven albums by Os Mutantes, packaged together in a single collection – all with original cover art, pressed on very heavy vinyl – and together in this very limited slipcover box! The first three records are amazing – and really represent the group at their peak – stretching out in a very experimental way during the key Tropicalia years in Brazil, and forging incredibly fresh music that's still as important today as it was at the end of the 60s! The albums easil…
Um Piano Nas Barricadas
Since his first release (2006's Crepúsculo), pianist and composer Tiago Sousa has been consistently developing his very own aesthetic; through his relatively large body of work, one can identify an artist on the search for his own expression and identity. Um Piano nas Barricadas ("A Piano in the Barricades") follows three largely successful endeavors, all centered on the piano: Insónia (2009), Walden Pond's Monk (2011), and Samsara (2013). In the time between those works and Um Piano nas Barrica…
Looking Around
Christian Wolff, prepared piano, whistles, stones. Michael Pisaro, electric guitar, harmonica, stones. Recorded in 2014. Chistian Wolff (1934), American composer of avant-garde music. Michael Pisaro (1961), guitarist andcomposer, member of Wandelweiser. The album was mastered by Joe Panzner and designed by Yuko Zama
Earnest Rubbish
After a solo on Kye, the Australian writer Matthew Revert comes back with the American sound artist Vanessa Rossetto. Together they mostly work with field recordings, editing and mixing them in a narrative form, adding some texts and voices. Whereby two of the cutest cabbages in the cot create a soup unlike any other.
Astral Colonels: Good Times In The End Times
Anthony Pateras: doepfer A-100, harpsichord, pipe organ, prepared piano. Valerio Tricoli: Revox B77, voice. A billion perspectives on the same instrumental explosion. Approaching their electro-acoustic arsenal as a shimmering diamond refracting omni-directional compositional potential, Astral Colonels (Anthony Pateras & Valerio Tricoli) have worked over 7 years to transform pianos, organs, harpsichords, tape machines and synthesizers into an expansive sonic otherworld.Known for his work as produ…
Switch on a Dime
Robin Fox, electronics. Erik Griswold, prepared piano. Anthony Pateras, prepared piano. Music for two prepared pianos and electronics without precedent. Employing stochastic improvisations, live analogue processing, feedback experiments, atmospheric tape composition, ultra-physical episodic structures, all developed laboratory style over a month and recorded at its peak performance, this is a rare gem of live electro-acoustic instrumental music that defies the typical expectations of the given r…
Let Them Grow
An anthroposophical striptease of the soul, between dystopian chansons, primordial mantras, and musique concrète—both timeless and masterful.„So COME OUT, you rotten cocksucker, here's your fucking POP SONG.“After fourteen band albums that range from old to new music, improvised to experimental, folklore to industrial, Maja Osojnik is releasing her first solo album LET THEM GROW, in which she searches for the simple song that combines all of these elements both in herself and in its sound.LET TH…
Floating
In most European cities you can find many canals that have been covered. Often though, underneath the cement and our frenetic lives, they still run. Constantly flowing water, unknown to us. Maybe we feel it. Maybe it influences us and we do not know it. It would be nice to lie down in between a 19th Century tram track among the windows of stores up for rent and wine bars offering refuge and put an ear to the cobblestones, like they used to do in the prairies to hear if a train was coming. I am s…
Tone
ini.itu is releasing a new vinyl LP, composed by Masayuki Imanishi. Masayuki is a Japanese sound artist using paper, a microphone, a radio, field recordings, various objects and any other things which catch his interest. He has collaborated with Leif Elggren, Kouhei Matsunaga, Vampillia, The Body and many others. . This LP “Tone” was built using radio, paper, tapes, debris and other objects. It is based on an experimental approach that aims at repeating the dismantling, rebuilding, amplification…
Cryptonesia
ini.itu is releasing a new vinyl LP, composed by Wíeman ( Roel Meelkop and Frans de Waard ). Roel Meelkop studied visual arts and art theory at the Willem de Kooning Academy in Rotterdam, The Netherlands. He is a member of Goem, Kapotte Muziek and THU20. In the last couple of years, Meelkop has focused on solo works in composition and installation work. Frans de Waard is making music since more than 25 years under many aliases and in different line-ups, the most well-known being Kapotte Muziek, …
Cathedrale de Strasbourg
The latest transmission from Joachim Montessuis curated Erratum imprint sees the return of the inimitable Charlemagne Palestine, casting a spellbinding invocation of organ ritual music. A self-described “maximalist composer”, Palestine originally developed his organ technique in 1964 with a debut performance as an organist in New York City, after decades of recognition since the 1960s, as a leading Minimalist composer and visual artist. He has long been fascinated by drones, rituals, repetition…