The World Of Genius Hans
Reissue of the 2nd Moving Gelatine Plates album, originally issued in 1972; with 5 bonus tracks from 1980. "The World of Genius Hans is often given the nod over Moving Gelatine Plates' self-titled debut album as their defining moment, which is surprising considering both albums are extremely close in quality. Certainly, the second release by this band is a continuation stylistically, perhaps more compositionally refined and taken a step further.
The opening title track showcases the band's abi…
More Circles
Restocked. In the late 1970s and through the 1980s there was a lot happening on the German "post Krautrock underground" that few people knew about, lots of independent artists doing their own thing, either via small labels or doing it themselves. Circles were one of these bands. Based on the Frankfurt suburbs, they consisted of the multi-instrumental duo of Dierk Leitert (synthesizer, sequencer, drums, bass, guitar, voice, saxophone, flute) and Mike Bohrmann (guitars, bass, synthesizer) plus a f…
Abendland. Zweites Stundenbuch
The new work by Gianfranco Pernaiachi is based on a re- working/re-thinking of a previous piano score: Abendland. This new work, passing thru a series of "actions" and further writings, became a completely different piece. Most important it's became an "open form" piece, expected to be interpretated by different people in different ways and, more important, with different artistic means. This edition contains 5 possible "interpretations": two musical ones, a piano verision by Pernaiachi himself …
Eggstream EP
Eggstream is Pak Yan Lau, Norberto Lobo and Giovanni Di Domenico. Brussels-based João Lobo (1981) represents a new generation of jazz musicians and throughout his career he played with international top figures, namely Roswell Rudd, Julian Arguelles, Chris Corsano, Akira Sakata, Nate Wooley, Scott Fields, Fred Lomberg-Holm, and many others. In Portugal Lobo has collaborated with Carlos Bica, the late Bernardo Sassetti, Mário Laginha, Carlos Barretto, João Paulo Esteves da Silva, Júlio Rese…
Now and Then
Ian Brighton is an improvising guitarist known mostly for his work between the 70s and the early 90s playing alongside Lol Coxhill, Philipp Wachsmann, Marcio Mattos, Trevor Taylor, Frank Perry, Radu Malfatti Veryan Weston and Larry Stabbins. He also was part of the Spontaneous Music Ensemble with John Stevens, Trevor Watts and Evan Parker, the Tony Oxley Quartet and co-founder, with Trevor Taylor, of the Alternative Music Orchestra. After an absence of nearly 30 years, interest was expressed whe…
Vapour
Schall und Rausch was formed by accident, a considered accident with some intentions. Johan Arrias was in Berlin the summer of 2014 and we took that opportunity to work together and thought about possible combinations. Axel was free and Kai was also open to the idea to play a house concert together. It was warm, free, and immediately there was a sense that the music was asking questions and answering them in equal measure. There was a sense of joy that appears when possibilities reveal themselve…
10tet
Recorded live at Ftarri on 16th October 2013. Recorded & mastered by Taku Unami. ".... it was October 2013 ... Radu, Klaus and Nikos came to Japan. The last day of their tour, Ftarri was booked but it was uncertain what would be done there … so we decided to invite all our friends to join just a few days before." (Taku Unami)
Tetuzi Akiyama : acoustic guitar
Moé Kamura : voice
Radu Malfatti : trombone
Kazushige Kinoshita : violin
Masahiko Okura : tube
Nikos Veliotis : cello
Taku Unami : electric…
isotopic
Cremaster: Ferran Fages - feedback mixing board, electro-acoustic devices / Alfredo Costa Monteiro - objects on electric guitar, electro-acoustic devices & Sophie Agnel: piano. Recorded separately in Barcelona and Montreuil between 2009 and 2011. Final assemblage in March 2012. Mastered by Ferran Fages. Between 2010 and 2012 Cremaster started a series of collaborations with Sophie Agnel and Angharad Davies. After more than 10 years dealing with electro-acoustic devices they wanted to go further,…
Terrain
A side, piano, live at Roulette, New York, 2013. Mostly inside piano in a dense stream.B side, clavinet, live at High Zero, Baltimore, 2013. The electric piano becomes like an electric guitar with lot of preparations! Based in Berlin, Magda Mayas doesn't so much play the piano as push it to its utmost limits. Both in her performance and compositions, Mayas jumps as freely between the free jazz and experimental genres as she does record labels. Records described by critics as powerful and breatht…
Tomorrow Outside Tomorrow
Alan Licht: guitar, electronics. Tetuzi Akiyama: guitar. Oren Ambarchi: guitar on 'Blues Deceiver'. Rob Mazurek: cornet on 'Tomorrow Outside Tomorrow'.Recorded by Makoto Oshiro, Tokyo, Nov 4, 2014. Mixed by Ted Young & Alan Licht at Outer Space, Brooklyn, July 15, 2015. Over the years Alan Licht (USA) and Tetuzi Akiyama (Japan) have individually explored the lines that divide improvisation, composition, folk, blues and experimental music. It was inevitable their careers and styles would cross pa…
Kouen Kyoudai
Prolific Japanese artist Masami Akita aka Merzbow teams up with session musician, producer, and singer-songwriter Eiko Ishibashi for a work that showcases yet another side to Akita's monumental catalog. Kouen Kyoudai consists of two side-long tracks that could be read as a contemporary take on the traditional avant-garde. With its skittering electronics, percussion, piano, doom, and noise, Kouen Kyoudai seamlessly incorporates many strands of experimental thought and practice. The tension th…
Superficie
Superficie is the first album of the collaborative project between Maurizio Abate on electric guitar and Alberto Boccardi on electronics and percussions. The first raw elements of the work were recorded during a 6-days studio sessions in January 15, the materials then has been processed with the support of Gianmaria Aprile across Spring. Alberto produces electronic textures and lean effective rhythmic patterns through the use of modular and analog synth and acoustic drums, while Maurizio transfi…
first
SELA. is 21-years old Devante Tillis from California. The enigmatic producer operates in the aural wastelands somewhere between cloudrap, leftfield R&B, and a loose approach to footwork. He did beats for Kitty, Main Attrakionz, and Japanese songstress Noah. Furthermore, he caught the eye of tastemakers from Ryan Hemsworthto allmighty A$AP Mob. His Bandcamp account bursts with numerous smaller and bigger releases. Needless to say, the man is on a mission.
The EP ‘first’ is SELA.’s vinyl debut. Ti…
Crepuscular Hour
Crepuscular Hour is an epic, hypnotic one-hour piece for three choirs, three pairs of noise musicians, and church organ, to be performed in a cathedral or similar location with musicians surrounding the audience. The room fills with sound in an intense, but almost meditative hour, as the voices blend with the distortion, the noise sometimes takes over, and the organ eventually takes the music to a new level. The visual design of this concert is a play on the crepuscular rays -- rays of su…
Werktag/Chessex/Buess
Werktag / Chessex / Buess takes its roots in the Zurich based trio Werktag, initiated in 2012, and to which Alex Buess and Antoine Chessex are now both bringing their own contribution.Wertag (Tobias Gerber, saxophone; Rafael Rütti, piano; Sebastian Hofmann, drums) evolves in the tension field between written, experimental and improvised music and tends to have a weakness for the combination of acoustic instruments and live multi-track electronic music. As a result, the volume is sometimes prett…
Tie the stone of the wheel
Fascinating combination of two uncompromising saxophonists. Seymour Wright grew up listening to Evan Parker's radical reshaping of the saxophone and both develops and deconstructs it in his own playing. Together, the two interrupt and augment each other incessantly, creating tight spirals of difference and similarity that crackle with ideas and energy. Evan Parker : soprano and tenor saxophones. Seymour Wright : alto saxophone.Recorded by Sebastian Lexer on 5 October 2014 at the Kernel Brewery, …
Muddy Ditch
Sebastian Lexer (piano+) and Steve Noble (drums and percussion) first played together in the winter of 2011 and what seemed like an unlikely, even oppositional, pairing quickly proved itself to be an extremely well-matched one. Noble\'s sharp vertical hits and Lexer's sustained horizontal textures echo, disrupt and enrich each other, producing music full of complex slants and intricate resonances. Sebastian Lexer : piano+. Steve Noble : drums and percussion. Recorded by Giovanni La Rovere at Ca…
Kore
'Kore' is a natural advancement of Reinhold Friedl's earlier composition 'Xenakis [a]live!' (released 2007 on Asphodel) - a homage to the French-Greek composer Iannis Xenakis. The piece is conceived for nine amplified instruments demonstrating Zeitkratzer well established tradition of instrumental amplification (e.g. the early collaborations with Zbigniew Karkowski or Merzbow and more recently with William Bennett of Whitehouse) where playing amplified does not only mean making things louder, it…
Stockhausen - Aus den Sieben Tagen
Third collaboration between Keiji Haino, one of the most prolific artists of the Japanese experimental / noise scene, and the critically acclaimed ensemble Zeitkratzer who enthuse with stunning interpretations of Stockhausen compositions. Available as CD on Zeitkratzer Productions and 180gr-LP on Karlrecords.When Keiji Haino heard Zeitkratzer rehearse for their Stockhausen performance at the Ruhrtriennale festival he spontaneously decided to join the group for that part of the programm too (Hain…
Bagpipes and blackberries
Adam Bohman : unamplified objects. Jean-Michel Van Schouwburg : voice.Recorded at Oxo Studio by Adrian Northover on 18th July 2014. Edited and mastered by Adrian Northover. A senses stimulating meeting, recorded in central London's former slaughter house, Oxo Tower. Piching Adam Bohman's scraped and scrunched clutter with the hum and bubble of Jean-Michel Van Schouwburg's voice. Unimagined pitches and timbres collide and oscillate, drawing the listener into an ever deepening, real-time sound scu…