Portrait of Madeleine Elster
Portrait of Madeleine Elster is the third solo album for Utech Records by Japanese psychedelic troubadour Suzuki Junzo. A 21st century drone/space electric-blues album in the style of Ode to a Blue Ghost and Eight-Sided Infinity. Crystalline guitar passages soaked in reverb and distorted sadness. Junzo is joined by Ikuro Takahashi of LSD March, Kousokuya and ex-drummer of Fushitsusha and High Rise.
Hysterie off music
At the beginning, Hystérie off Music was conceived as a catalogue record, an open field where the author could play with all musical genres and their stereotypes, but then evolved rapidly into an uncompromising clash of field recordings, sampled instruments and Tazartès' incomparable vocal eclecticism, made of emotional psalms and shamanic hymns. The Encyclopédie of genres turns into a childish - and sometimes scary - play and the song titles mislead the listener introducing him to a c…
We Thought We Could Do Anything
Collaborating with drummer Brian Chase (Yeah Yeah Yeahs, Man Forever), guitarist Alan Licht (Lee Ranaldo & the Dust, The Blue Humans, Love Child, Run On, etc.) is back for another release on New Images Ltd. We Thought We Could Do Anything is a far less literal take on spontaneous dialogue than his “talk-rock” project Title TK, whose album / sleeve / book Rock$ was published in 2013. Impressive pedigrees aside, Licht and Chase are a real-deal pairing; each has a longstanding involvement in underg…
Red One
After the last If, Bwana (Al Margolis) release on Pogus the large-scale double cd E (and Sometimes Why), this brand new If, Bwana recording is a little more intimate. This release consists of six smaller works for one or at most two instruments - with the instruments all being multi-tracked for a denser, deeper sound. Red One features performances by stalwart experimental/avant musician/composers such as Nate Wooley, trumpet, on Toys for Al (with Al Margolis on toy trumpet); Ellen Band's vocals …
Architect
Three studies on what surrounds us and which remains sometimes invisible.
Denser materials
Performed by Cory O’Brien using snare drum, amplified plexiglass and analog synthesizer. Recorded in Spring/Summer 2013, Washington, DC.
Everything Is Shit. Punk In Brussels 1977-79
An incredible energy took over Brussels at the onset of the Eighties. It is a strange and rare feeling when you tell yourself that something is happening. And it always happens through an accumulation of very small facts. Then, suddenly, it is there. This collection basically attempts to capture this emerging will. But before that, there was punk rock. In Brussels, it was a handful of venues, improvised concerts, a few dozens of people recognizing each other, and a festival that gathers everyone…
La
Finally restocked, outstanding new LP by French experimental sound artist featuring seven tracks recorded at Ghédalia Tazartès' home studio and inspired by the artist's trip to Oslo in 2013. Limited to 500 copies
Pronunciation
Lo-fi real time sound collage… Archaic rhythm machine, stream of consciousness guitar, voices, cassette cutup/manipulations. Human Machinery Sci-fi Sound.* Kitchen sink sound poetry and crude, no mixer tape collage across two tracks and thirty minutes. Raw basement ambience and dirty amp hum.
Bestiario vol.3
Bestiario is a series of short Enrico Malatesta compositions for acoustic percussions, recorded live with no overdubs or editing; these pieces are meant to explore a multi-directional sonic dimension, still keeping a high level of tension. All the studies in the series feature extremely dense micro-structures, broken rhythms and fast tempi. The third and last volume of the series is composed by two pieces for cymbal, frame drum, bow and the crackling effects between the cymbal's edge and the ski…
Fade Out
*Expanded gatefold reissue of Loop's head-burning 2nd album* The band's 1989 LP was their second album proper, following on from their 1987 debut Heaven's End and The World In Your Eyes compilation released in 1988. By this point the band's line-up was all-but unrecognisable from its original roster, with both bassist Glen Ray and drummer Bex having been replaced, and yet the music policy remained very much on course for Fade Out. A variety of studio tricks heighten the sense of experimentation …
Untitled
2LP Edition with insert and printed inners - featuring exclusive material from Mark Fell, Bass Clef (Some Truths), Miles Demdike and Joane Skyler. Collecting four acutely contrasting live presentations by Mark Fell, Miles Whittaker, Some Truths (Bass Clef), and Joane Skyler, recorded in Bäsel, Switzerland, 28th September, 2013 for the closing party of Thomas Baldischwyler's 'Hot Knobbing' installation at Oslo 10. The record presents 12+ minute tracks from each contributor's set yielding very dif…
Confusional Quartet
The Confusional Quartet are Enrico Serotti, Gianni Cuoghi, Lucio Ardito and Marco Bertoni, a four piece experimental band with new wave, avant-garde and post rock influences who have been recording since the late 70s. Having first released their debut album more than three decades ago, they now return with a new, eponymously entitled full length on Hell Yeah recordings, due for release in October 2012 and accompanied by fabolous artwork by Andrea Amaducci. One of the most recognized Italian band…
Revue instrumentale et electronique
Gerd Kühr is a synonym for combining complexity and simplicity, modernity and “tradition”. Revue instrumentale et électronique - spatial composition for an instrumental ensemble and recorded sound in six movements – manage to cross and unite great variety of aspects of musical expression: complex, though powerful rhythmical constructions with hard accented percussion - boosted through ensemble spread in a room - and highly lyrical passages with extreme appreciation of time structured silence. Al…
In Labour
Debut solo album by Norwegian vocal performer whose distinct way of working with her voice has a strong focus on intervals, repetition and texture. Recordings were made indoors and in outdoor environments, to give things a site-specific field recording vibe.Stine has been active for a number of years in different constellations and as a solo performer, but In Labour is her debut solo album. Stine has a distinct way of working with her voice - with a strong focus on intervals, repetition an…
Real Time
Reinhold Friedl and Dirk Dresselhaus come from really different backgrounds: Dirk Dresselhaus has released several experimental-electronic freak-pop recordings as Schneider TM since the late '90s. He started making music in the late '80s and developed his personal approach to sound and structure as an autodidact, starting with guitar effect devices and four-track home-recording. Reinhold Friedl studied mathematics and music, won scholarships and international commissions, and built up the ensemb…
Nothing Changes No One Can Change Anything
Recorded at H sei University, Tokyo, April 26, 1996. 'No band on Earth has ever sounded like Fushitsusha. Sure, there are antecedents to their mind-scraping, soul-searing roar: Blue Cheer's in there, as is Hendrix circa 1970, when he'd given up the showmanship of 1967 and '68 and aimed himself straight at the heart of the music, but nobody ever exploded the rock power trio form the way Keiji Haino, Yasushi Ozawa and Jun Kosugi did. Clad in black, impassive and stoic, the bassist and drummer buil…
If songs had title
Marc-Alexandre Reinhardt: drums, electronics, piano, field recordings. Steve Bates: guitar, electronics. Plus guests, Burkhard Stangl (additional guitar, electronics), Toshimaru Nakamura (no-input mixing board), Sophie Trudeau (violin, electronics). Recorded and mixed by Steve Bates in Montréal, late 2012. Mastered by James Plotkin. For those who appreciate: This Heat, Yellow Swans, Magik Markers, no wave, New Zealand noise... For their second full-length release, Lanterner will work again with …
The Rust Within Their Throats
*LP limited edition of 299 copies* Thurston Moore, electric guitar. Margarida Garcia, electric double bass. 'With Sonic Youth on hold, Thurston Moore has time to venture out into the world of improvised music and plays around a lot. The instruments are the electric guitar for Moore and the electric double bass for Garcia. The electricity brings a certain 'body' to the proceedings, which makes it easy to play a bit more loudly than one would perhaps expect. Moore and Garcia don't play noise, but …
Quinto Quarto
Senastional new full-lenght album from this legendary band, Blow Up record of the Month! Rome is a city of oxymora. An antithesis of History and stories. A perennial contradiction between cement and people. Between freedom and reason. Between sex and destructive desires. The city's inhabitants build their reality out of the imagination of an entire population, almost as though they were a polycephalic slime, a miry, unicellular mould capable of accomplishing extraordinary wonders, almost on…