We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Friendly Pants is the first American release by legendary Japanese saxophonist Akira Sakata in more than 20 years. It pairs the 65-year-old traveler alongside Chikamorachi, the bombast rhythm section of drummer Chris Corsano (Paul Flaherty Duo, Bjork, Jandek) and acoustic bassist Darin Gray (On Fillmore, Grand Ulena, Brise-Glace).Since 2005 Sakata has been aligned with Corsano and Gray -- a duo equally informed by underground American rock, noise & free jazz -- and already issued two other smoke…
Kraut-rock at heart, this is a brtual, cosmic melange of sound & rhythm, where Terry Riley-like keyboard motifs entwine w/ intense Battles-esque drumming, clouds of audio detritus, gamelan gongs, rewired synthesizers, & clashing feedback guitars. Oscilating between pools of crystal-clear ambience & miasmic clouds of dense noise, it spans entire decades of musical exploration: the fractured psych dreams of The United States of America, the dense weave of Stockhausen's Hymnen, the intensity of Con…
At 76 years young, Yoko continues to kick ass. BETWEEN MY HEAD AND THE SKY, a career-defining album made with her new Plastic Ono Band. The record is a gorgeous, mind-melting blend of styles, restating & sharpening themes while plunging into the always-mysterious future. The band includes Keigo "Cornelius" Oyamada & his band members Yuko Araki & Shimmy Shimizu, Sean Lennon, Yuka Honda (of Cibo Matto) as well as NYC improvisers Erik Friedlander, Shahzad Ismaily, Michael Leonhart, Daniel Carter & …
3rd highly anticipated album in solo guitar circles by critically acclaimed CUL DE SAC founder. This guitarist/composer claims a lengthy, rich relationship to what his longtime friend John Fahey so famously dubbed "American Primitive Guitar." He is able to discover & project wide-screened cinema from just 6 & 12 strings, coaxing vivid panoramic images from his sparkling fingerstyle playing. This also features Jones performing solo on 5-string banjo for the 1st time on record, exhuming the spirit…
The 2nd release from KLAUS DINGER's post-NEU! Krautrock group. Originally released in 1978, this is a stunning combination of washed out synthesizers, swirling guitar work & Dinger's trademark motorik rhythms & accessible experimentation. Feat. the classic "Cha, Cha 2000." An essential record, released domestically for the 1st time ever.
2nd LP, originally released in 1956. Continues the NYC street performer's exploration of minimalist composition & field recording, mixing percussion & sparse melodies w/ piano solos, street sounds, & monologues. Surprisingly accessible despite it's avant-garde nature, bridging the gap between the familiar & the bizarre. Another all out masterwork from one of 20th century America's most unique minds.
Released 1999 from Mayo Thompson & crew, this recording feat. unreleased songs from the distant days of 1966. The 90s RED KRAYOLA group then shuffles these ancient pre-Parable Red Crayola songs w/ the sounds of neo-freakouts, live on the world's stage - free, familiar & ugly, for new generations to come. Feat. both the latter day Krayola & the original Red Crayola, from 30 yrs back, bringing it all full circle & thus allowing another circle to be formed as soon as possible.
Dispenses a sinister frailty of howling swells in hissing static that combusts into crawling shock heaps, to the effect of Mayhem performing Twin Peaks incidentals in a prairie recorded by The KLF. A brief description casts them as black metal's answer to Throbbing Gristle.
Gary War's thick synth-heavy psychedelia occupies a space between spacey bedroom experimentalists like R. Stevie Moore or the more contemporary Kurt Vile & the abrasive proto-punk of Chrome & Debris. This album expands on the more stripped down sounds of his "Zontag" single, plying layers of warm fuzz & feedback on top of psychedelic pop song structures.
3rd LP from NYC street performer & avant-garde/minimalist composer, originally released in 1957. Perhaps the least accessible of his early releases, this album is made up of percussive jams, usually on instruments of his own creation, street sounds, poetry, & Far East melodies, despite opening w/ a swinging number that is, oddly, the most bizarre thing on the album.
Debut album, originally released in 1956. The blind Kansas native showcases his talent for the minimal & avant-garde here, w/ compositions driven by percussion & Japanese-inspired melodies, complimented by street sounds, recitations, & animal noises. Bizarre even for today's standards, it's a wonder this was released over a half-century ago.
The exotic follow up to "Dreamers." Featuring the same dynamic band of masters from Zorn's inner circle, this presents 12 more lyrical & adventurous instrumentals combining world music, surf, exotica, soundtracks, easy listening, minimalism & more into a fabulous & exciting new music.
Risil is a collective of musicians that are all somehow connected to each other in some form or fashion. Risil's membership includes Guillermo Herren (Prefuse 73/Savath & Savallas), Zach Hill (Hella), Tyondai Braxton (Battles), John McEntire (Tortoise), Alejandra Deheza (School of Seven Bells), Eva Puyuelo Muns (Savath & Savalas).The project started as a chance for a large number of people to freely collaborate without a set goal for the end result or achieving a certain sound. This turned into …
Enormous 7-1/2 hour 6 CD compilation featuring almost everyone from the label roster along with plenty of new faces. Each artist has contributed an EP's worth of exclusive material (10-20 mins) specifically recorded for this release (not the normal throw away material that appears on other comps.) Feat. BLACK FOREST/BLACK SEA, BARDO POND, BIRCHVILLE CAT MOTEL, FURSAXA, URDOG, AVARUS, members of DEAD RAVEN CHOIR, HALA STRANA, THUJA, CIRLCE, & many, many others.
Released in '00, The Manifestation was a clear, one-sided vinyl 12Ó featuring a primitive etching of the sun on the B-side. The music is an extended raga of genre-defying madness, a dizzy melding of acoustic fingerstyle, shamanic chants, chimes, hand percussion, space jam & ghostly vocals that effectively blurs the cultural boundaries of eastern & western folk music. Completely remastered, the reissue is housed in a lovely 6-panel digipak foldout & includes 20+ minutes of music made exclusively …
ground-breaking CD edition: God is Good is Om’s fourth studio album, and the first with new drummer Emil Amos (Amos made his first official recording with Om in the single “Gebel Barkal/Version” on Sub Pop last summer). It’s a big change, obviously, for a two-piece, and a fairly unqualified success. Amos, who also records with Grails, Holy Sons and Shrinebuilder, is far more flamboyant than Chris Hakius, less tethered to the steady chink of cymbals, more apt to range free-form over toms, rims an…
Two stunning exclusive tracks finally unleashed after (too many) years on the shelf, just in time to coincide with Samara's wonderful new album Future Slip on Thurston Moore's Ecstatic Peace! label. A sweet little dose of hushed and fragile melancholy folk-pop-drone fluttering. Samara's unmistakable slow-bliss songforms are at their most stripped down and psychedelically entwined, with thick hovering violin tones, distant reverbed atmospheres and gentle swirls of quivering guitar feedback all li…
Brand new album by the experimental duo made up by Xabier Iriondo and Paolo Cantù. Lots of adjectives could define this album made by Paolo Cantu and Xabier Iriondo, talentuous italian musician who also worked to A Short Apnea, Tasaday, Minute War Madness, Four gardens in one. This project began more by an idea, a conversation or a project but the audio result is impressive.
Their amazing 2nd album!! Paolo Cantù e Xabier Iriondo one more time together for a second chapter following s/t release of 2005 ( read past komareview ), - coming from previous series of free-jazz voltage to a new album somewhat tantric and stoned, untypical altough with kraut explosions (let me cite Kroko): i mean, it's the suicidal well-known sound of Wallace rec - that one wisely well-grounded in its sinister slants - perfect for a quarantine room.
Federico Ciappini (formerly from Six Minute…