The Garden of Forking Paths
"I leave to several futures (not to all) my garden of forking paths" - Ts'ui Pen
The Garden of Forking Paths was compiled for Important Records by guitarist James Blackshaw. Compositions were recorded especially for this collection by Helena Espeval (Espers), James Blackshaw, Jozef van Wissem and Chieko Mori. Beautifully assembled, The Garden Of Forking Paths serves as a singular and particularly unique musical statement.
"The story of how this compilation came into being is, unlike many other s…
Challenger
Burning Star Core began in 1993 in Cincinnati, OH where it currently resides with primary member C. Spencer Yeh. It is considered a project and not a pseudonym. While the Burning Star Core project has included much wider ensembles, Challenger is a direct solo composition of C. Spencer Yeh. This recording is perhaps Yeh's most revealing, unguarded work. Challenger is a composed work, not an improvisation, with each piece revolving around a central melodic theme, featuring field recordings, which …
Judy\'s Dust
Judy's Dust is the debut full-length LP by Car Commercials of New Brunswick, New Jersey. Here, the duo of David Sutton (Friends and Family, Current Amnesia, Ladderwoe) and Daniel DiMaggio (Home Blitz) expand on the rock/mumble strategies from the self-released Jar 7" (Leaf Leaf, 2007) and a couple cassettes kicked around the New Jersey underpasses. Contains twelve songs of missing spaces, too much Center Ice, drums and wires, varispeed recording techniques, and facing backwards -- all from the o…
Edinburgh 1997
Live at the Flux New Music Festival in Edinburgh. "Three weeks of festival, theatre, pantomime, experimental arts and music. In amongst these, Faust: A legend for the connoisseur, with constantly changing sound experiments over the past 25 years. Faust mixes industrial noise with tattered sounds, jazzy harmonies and rock rhythms. Unfettered and minimalist. A concert at a venue resembling a low, hot cave. There is a huge metal sheet in front of the stage beyond the reach of the audience. Guardian…
Home Cookin'
A series of duets between Ibarra (drummer for David Ware, William Parker's In Order to Survive, etc) and Tsahar (previous recordings on Eremite, Silkheart). Consists of home recordings and material from the Knitting Factory 2/28/98. Ibarra on drums, thumb piano, Balafon, Kulintang, vibes, Djembe, Tympani, Toy Gamelan, clay whistle, etc. Tsahar on saxophone, violin, talking drum, bass clarinet, flute, bells, bamboo recorder.
Designed Land Limit And
Technical hard core unit. Screaming Pinch Hitter is so called Kyoto's No Mean's No. This new album was produced by Hoppy Kamiyama.
Pet
Son of Earth began life in early 2000 as Son of Earth-Flesh on Bone Trio. Aaron Rosenblum, Matt Krefting and John Shaw, inspired by many spirited late-night experimenting sessions, began to play out using wild arrays of sound-making devices. As the years have gone on, the group has chiseled away at the number of instruments used and brought their once maximalist and varied sound creation down to a whisper, a murmur, a sound that hints at and flirts with texture and atmosphere; a music made from …
The Inexplicable Flyswatter (Works On Paper: 1959-64)
A very special, full-color 48-page perfectbound Gallery Edition Book+CD: "FLYSWATTER", commemorating Peter Brötzmann's first-ever exhibition of visual art, featuring his works on paper from 1959-1964 at the Art Institute of Chicago this coming March 7-23, 2003. Includes essays, interviews, unseen photos, and Enhanced-CD includes 2 tracks of music (1965, quartet), an interview (1965) and three films (1963/4). Everything is previously unpublished/unavailable.
Slow Crimes
This disc is Ad Hoc Records' definitive digital release of the first album by the English underground band, The Work. Originally issued on vinyl in 1982, this music, along with that of compatriots This Heat and Unrest Work & Play, set the stage for a unique type of new British Invasion; one that seemed to absorb the complexity and slickness of progressive rock, whilst throwing its aesthetics to the dogs, in lieu of the energy and power of early punk. The Work were amongst the first few to purpos…
strings
strings is primarily an attempt to reconcile the aesthetics of digital sound with that of the more traditional music instruments and to enrich the respective domains with the qualities of each other. In a larger scale, the album targets the stereotypes in today's perception of music, trying to smooth out the borders between academic and popular, traditional and contemporary, serious and amusing - all in favour of music. The choice of instruments follows coh's own experience in music: from years …
Please just leave me
1996 flare-out from mr. T... dedicated to Dave Brubeck's right (left?) hand man & composer of 'suicide is painless.' Pure was started in 1994 by RRRecords as a series of very affordable cds by a wide range of experimental and noise musicians. All releases were packaged in identical black & white slipcases, with a sticker on the front giving the artist and title. Most also included a fold-over insert advertising other releases in the series. The release notes were typically part of the cd artwork…
Batztoutai with material gadgets
CD1 : 'Batztoutai with material gadgets'. Re-create version of 'Batztoutai with memorial gadgets' Previously released on RRR-04. CD2 : 'Loop panic limited'.
transform
'transform', originally released on mille plateaux (mp 102, 2001), is now being re-released on raster-noton. the album, released as cd, comes with a new cover and digitally remastered. On 'transform', alva noto means to reduce the aesthetic of pop to the bone. Rather than in pop music, where the basic focus lies on harmonic and melodic forms, on transform they give way to pure rhythm structures derived from only sine tones and white noise, which nevertheless convey an emotional level. transform …
Plays Cosey
Coh plays cosey CD is the first part of an ongoing collaborative project between Ivan Pavlov-COH and cosey Fanni Tutti known for her solo performances and work with Chris Carter-CTI as well as for being a part of the radical cultural phenomena COUM Transmissions and Throbbing Gristle. Very much a statement rather than just a musical venture, Coh plays cosey deals with concepts of honesty, trust, privacy, communication as well as (perception of) sexuality. The work represents a very close, if an …
The End Of An Ear
At this point Wyatt was in between work with the Soft Machine and Matching Mole and was aided by the likes of Elton Dean (alto saxello), David Sinclair (organ), Mark Charig (cornet), Neville Whitehead (bass), Mark Ellidge (piano) & Cyril Ayers (percussion). Wyatt himself on drums, mouth, piano, organ. The album opens & closes with a baffling space-jazz 'cover' of Gil Evans' 'Las Vegas Tango' that is quite deep, and proceeds through various settings of psychedelic jazz, Gong-like jamming and free…
Glassworks
In 1982 Philip Glass became the first composer since Aaron Copland to join the CBS Masterworks label. Glass had formed the Philip Glass Ensemble in 1968, but it wasn't until his opera Einstein on the Beach (1976) that he achieved great critical and popular success. His first album for Masterworks, Glassworks, tripled all sales projections, pleasing audiences, critics and Glass himself: "I'm very pleased with it, the way it's received in performance. The pieces seem to have an emotional quality t…
Inner Cities
Performed by Daan Vandewalle (piano), 4 hours, 24 minutes worth. "Alvin Curran's music-making embraces all the contradictions (composed/improvises, tonal/atonal, maximal/minimal) in a serene dialectical encounter. His more than 100 works feature taped/sampled natural sounds, piano, synthesizers, computers, violin, percussion, shofar, ship horns, accordion and chorus. Whether in the intimate form of his well-known solo performances, or pure chamber music, experimental radio works or large-scale s…
Music for the Bluegrass States
Native Kentuckian R. Keenan Lawler speaks a private, fundamental language via his trademark metal-bodied resonator guitar. With an intensely focused technique, he sets bluegrass and blues-inflected tonalities against dense masses of harmonic overtones and sustained textures. It is a mesmerizing sound, one that conjures the effect of various global trance-musics and has beguiled a series of collaborators including Pelt, Matmos, Charalambides and My Morning Jacket. Inhabiting the mysterious string…
Live 1974
Though they only released two albums (1974's Musik Von Harmonia and 1975's Deluxe), in their brief existence Harmonia were considered one of the most important and influential bands of the German Krautrock/Kosmiche scene. Composed of Michael Rother from Neu! and Hans-Joachim Roedelius and Dieter Moebius from Cluster, this live recording captures Harmonia at their peak on March 23, 1974 at Penny Station in Griessem, Germany. Previously unreleased and featuring 5 extended, never before heard songs…
Birds
Collections of Colonies of Bees sweep in grandly, in billowing swarms of sound, borne aloft on a thousand wings of minuscule, elegant detail. Guitars chime and soar, recalling the best campaigns of the guitar armies of both Glenn Branca and Rhys Chatham; deft yet intensely focused percussion propels towards an inevitable dawn; covering it all is a gossamer veil of subtly nuanced electronica. Their CD Birds is joyous, epic minimalism in exquisite registration, a sound that is dazzling -- and as s…