G2, 44+/x2
"Yep, in this day and age, there's money in this minimalism thing. Which is nice for a fellow like Phill Niblock, a man who's been out in the field for over thirty years. While some may be happy to dabble in approximate music, or that only hinted at in whispered tones by those who still subscribe to the idea of the 'tonal auteur,' Phill Niblock makes the very stuff around which this particular world of music revolves. Thusly (and finally and thankfully), a finished record, to add to the handful …
Unheard spaces
'Absence and Presence (2006). Absence and Presence was originally written for five musicians and four loudspeakers positioned throughout the site of performance in order to explore the traction between amplified and acoustic space. The performance was predicated on a set of directions that determined the combination of musicians at specific times and the duration of their performance. Within these structural parameters the musicians chose what they played and how they responded to one another. T…
Surf
Surf is the second CD from the British experimenter whose sound manipulations begin with record players and tape machines. His work "Vinyl Requiem" (with Lol Sargent) for 120 Dansette record players was awarded Time Out magazine's 1993 Performance Award. On these seven pieces (many commissioned for theatre companies) orchestras, rhythms, voices and rhythms ("Surf Finger") are borrowed, manipulated or run backwards (the ethereal tones of "Box Of Lamb" and "1986 (Frank Was 70 Years Old)"). Jeck's …
A doughnut in both hands
Solo singing. The variety of sounds that this man can make with his voice and mouth is totally unbelievable. Reissue of Rift 3 with extra material from the same and slightly later sessions. 56 minutes.
Experimenting with household chemicals
Experimenting With Household Chemicals' is a 1995 album by the laregly elusive post-minimalist Downtown experimenter Peter Zummo. Whilst possibly best known for his work on classic Arthur Russell recordings, he's been a mainstay of New York's vaunted experimental scene since the the mid-late '70s, but only released three solo albums proper. This is his 2nd, exploring "a trombone-specific method for generating melodic movement, as well as a collection of related, "spinoff" melodic material for en…
Desolation Beauty Violence
Born in New Zealand, currently residing in London England, Peter Wright has spent the past decade or more producing limited release recordings of drift-guitar space walks of mesmerising beauty. Desolation Beauty Violence is his third CD release proper, after Distant Bombs (Last Visible Dog, 2004), and Yellow Horizon (Pseudoarcana, 2005). Recorded in London, spring 2003 along with Yellow Horizon, Desolation Beauty Violence is a very personal take on environment and landscape. Peter Wright uses a …
Depiction is a crime. Video works 1969-1975
Born on March 5, 1945 in Odessa, Ukraine. Having fled to Austria, he grew up in Ried im Innkreis, Upper Austria. When graduating from school in 1963 he studied French, film and comparative literature for a year in Paris before transferring to medicine in Vienna in 1964, later changing to mathematics specialising in logic. Peter Weibel´s artistic work may be chiefly subsumed under such categories as concept art, performance, experimental film, video art, computer art and generally, so-called “med…
Baikal Ice (Spring 2003)
Over the last thirty years Peter Cusack has built a reputation as an improvising musician, and is often to be found plucking an array of string instruments, including guitar and balalaika, while simultaneously triggering live electronics. Peter had known for some time about the extraordinary Lake Baikal, a 600 kilometre long lake in Siberia. It is thought to be the world's oldest and deepest lake and holds one fifth of the earth's fresh water. It was only recently, however, that he came across a…
Madam I'm Adam
2015 restock. The music of of the Finnish experimental music pioneer Pekka Airaksinen has been far ahead of it's time for most of his 40-year long career. His finest recordings from the 60's are more reminiscent of Industrial Music and Noise (which would emerge ten years later) than of the music of his precursors and contemporaries. Later, in the early 80's, few people, if any, were mixing mechanic beats and free jazz like he did. Favourable conditions for this kind of music didn't really exist …
The Minexcio Connection: Live at the Rosendale Cafe
One of the most unexpected yet fruitful partnerships of recent years: in the mid-1990s, Pauline Oliveros, electronic music pioneer and sage of the environmental drone, began working with Reynols, the prolific and resolutely undefinable Argentinian group. Their first joint effort sent Oliveros' music through the rigours of Reynols' heavily processed studio treatments.
The Minexcio Connection: Live! At The Rosendale Cafe finds them collaborating on-stage in real time. Recorded in August 2000 duri…
No mo
"In the summer of 1966 I worked in the classical Electronic Music Studio at the University of Toronto for six weeks. The system I used to create No Mo and Something Else consisted of Layfette tone generators, noise source and tape delay. In the Fall of 1966 I was the newly appointed director of the Mills Tape Music Center formerly the San Francisco Tape Music Center and now the Center for Contemporary Music at Mills College. Bog Road was created at the Mills Tape Music Center in the Summer of 19…
Neuph (1978-80)
Compositions for Euphonium and Trombone, recorded 1978-80. To make his third solo album, Rutherford went into a studio with both trombone and euphonium and used over-dubbing techniques to create unique pieces involving up to four brass instruments. The only completely solo performance features the euphonium. A couple of short tracks feature the trombone played back at double speed -- one of them accompanied by a howling dog (the only other performer involved). This CD also includes two superb so…
Awareness response
Dunmall and Rogers have performed together for years both as a duo and as part of larger groups, such as the quartet Mujician. The three improvisations feature Dunmall on border bagpipes, tenor and soprano saxophones respectively. This is their earliest duo recording on which Rogers uses his A.L.L. bass. 60 minutes.
Ethnicities
Ethnicities is an electro-acoustical scope of unreleased recordings of PACIFIC 231's post-industrial period. Successive and consecutive cuts were made until he put together the concept of the album as: pluri-cultural diversity of the sounds, tropical steams, exotic journeys & electronic man-made build-up manipulations, urban dins and industrial mazes, ' Ethnicities ' is a psychedelic and unexpected patchwork from PACIFIC 231.
Guitar solo
Guitar solo performed by otomo Yoshihide. Recorded on12th Octber 2004 @ Shinjuku Pit Inn, Tokyo. First otomo's guitar solo work. This work include beautiful acoustic pieces and intense electric pieces, recorded on 12th Oct, 2004 at Shinjuku Pit Inn and new studio recording piece.
99 explosions
"Orton Socket is mainly comprised of main-man and mouthpiece Rob Mazurek, known for blowing horns (as well as eardrums and minds etcetera) on a variety of efforts by Stereolab, Isotope 217, his own Chicago Underground Duo, and some other folks you probably have’nt heard of. Plus Rob's done a series of records under his own name. See, he's been a spotlight kid for years now. But for 99 Explosions, Rob has reemerged incognito, armed with synthesizer and powerbook, wearing the shimmering cloak of O…
Tocsin - 6 Thru +2
Following their maxi CD »Tinnitus Vu« on Touch in 2004 »Tocsin« is the first full lenght album produced together by these two renowned sound artists. Whereas »Tinnitus VU« was mostly the result of Z'ev reworking material by Jackman, »Tocsin« is the result of the artists agreeing to meet and work together in the studio. They created and recorded sounds from a piano (which can be found at RMS Studios London) and a stainless steel instrument (built by Z'ev circa 1989), over the course of several ho…
s/t
Textile is proud to announce the fourth installment in its split 12" series, oren ambarchi / hado ho. oren ambarchi is an electronic guitarist and percussionist with longstanding interests in transcending conventional instrumental approaches. Born in sydney in 1969, he has been performing live since 1986. his recent solo releases triste (southern lord - usa), and grape from the estate (touch uk) have transcended the guitar into a zone of alien beauty and sonic impossibilities to critical acclaim…