I/T selected poems
'It's an elegant CD and Book set of Amanda Stewart's solo work in sound, visual, concrete, political, and text-based poetry, covering a period of 16 years from 1981 - 1997. Those who know Amanda's virtuosic work in the Machine for Making Sense will be delighted at the intensity, clarity, and focus which pervades her solo work as well. Those who don't know her work will be amazed to discover a major voice in Australian composition. This CD-Book is clearly in the must-have category, both from the …
Ever Present
Awesome collection of new, post-2000 works by Alvin Lucier. It's a been a long time since "I Am Sitting In A Room" for sure, but the dude clearly understands how to fill a room with sound as well as most anyone alive. "Alvin Lucier's (b. 1931) works on this CD, for solos and trios, continue to explore his unique sound world, exploration of microtones, and use of unusual instrumentation. 'Piper' is probably one of the few avant-garde pieces composed for the bagpipe. The piper is asked to walk slo…
Bluffs ii
Altered States are improvised group who pursue 16 years as same members -Uchihashi, Nasuno, Yoshigaki in Japan. This work consists of all improvisations, no overdub, no edit. You will be surprised to listen this telepathic improvisation. Their play is more instant compositions as their playing than improvisation... All music improvised by Altered States. Altered States are Uchihashi Kazuhisa (guitar), Nasuno Mitsuru (bass), Yoshigaki Yasuhiro (drums, percussions, trumpet.) Recorded, mixed and ma…
Fluxsweet
CD audio with the 6 pieces. DVD video with the 5 first pieces. 1. PLAY PAPER by Alison Knowles (2003). 'Consider fragments of onion skins as musical notations. Perform with handmade musical instruments and toys.' Performed by Alison Knowles, Larry Miller and Taketo Shimada. 2. MUSIC BOX (homage to FLUX MUSIC BOX by Joe Jones) by Taketo Shimada (2004). 'Modify two or more music boxes and play them simultaneously with the recording of Joe Jones FLUX MUSIC BOX, if possible use children to play the …
Commencements
Four pieces of musique concrète around the four elements going with a painting installation. Powerfull !
Charlemagne, la vue attachée sur son lac de Constance, amoureux
Two electro acoustic compositions from Alessandro Bosetti from 2000 and 2002 and a recent text sound composition of Antje Vowinckel. It is very fine composed abstract music that starting from microscopic sound details develops organic and highly dynamic although very reduced structures. All the pieces make an extended use of silence, space and very small, carefully shaped, sound particles creating a feeling of natural “breath” and flow. Although this music shares some techniques with the “musiqu…
Rabbi sky
Mr. Ubiquitous lends his formidable name and image to a Siltbreeze project. Experimental drones and noises with nods to Phill Niblock and noted pop subversive James iDumpi McNew. A big, clanging, obstreperous, kosher meatloaf of an album.
A New York Minute
"Alan Licht wears many hats. Over the years, he's been a curator of music as well as a tireless performer. And he's as well-known an author as he is a musician. It's one thing to have eclectic tastes; it's another to make a practice of them. While Licht's earlier records have seamlessly melded his improvisational guitar playing with extended plundered sounds, A New York Minute takes things a few steps further. Instead of fusing the many sides of Licht into one monolithic mega-mix, this disc sepa…
Recorded 27/2/02 In Auckland, New Zealand
Limited edition of 197 copies.
Live
Nine tracks, including covers of a Spiders tune, The Ronettes' "Be My Baby", etc. Most staggering of all is the cover of the Stones' "Satisfaction", which neatly transforms Jagger's baby-in-a-Perspex-box mixture of rage and boredom into truly on-the-edge jumpy paranoia.
Agents At Midnight
2006 release ** "Agents at Midnight, eh? Sounds like the kind of film noir title Barry Adamson might like. But the music doesn't: it's a collection of raw, powerful improvisations for saxophone (Chang) and electronics (and harmonica) (Howard), a fine example of how the fences that used to separate Noise and Improv have been bulldozed into the dirt by the younguns across the pond (and a few of them here in Europe too). Chang's playing – alto sax, is it? not always easy to tell for sure – is rough…
Aizier. St-Martin-sur-Mer. Dieppe
Featuring Eric La Casa (processing, contact microphone recording), Eric Cordier (long string recording devices, mixing), and Jean Luc Guionnet (condenser & contact microphone recordings, filtering, processing, mixing). Afflux employs an on-site electroacoustic device in order to work out a set of live interactions with the site. The device connects the three improvisers to the place at the same time. This set of connections creates an infinite interplay of interactions and possibilities. The dev…
Reality Fandango
Recorded 11th December 2004 (track 2 & 4) and 22nd July 2006 in Roger Smith's kitchen. All instruments used without amplification or other electronics (except for some amplified guitar on track 3).
Music and Words
As a member of British experimental group Morphogenesis, Adam Bohman was no stranger to wayward sound experiments when recording this solo CD. Favoring acoustic sounds over electronic he explores the minute tendrils of sounds coaxed from any number of non-musical instruments. The standout on this Paradigm CD is a cassette piece which the artist made of candid recordings of mundane experiences and conversations, using the stop-start technique to construct a collage of text and environmental sound…
Orla
A.M is Antony Milton, once again stripping back to just his initials for a noise/sound based record. The concept for this album is a pretty simple one, Milton received an Orla chord organ (an instrument that pretty much begs to be used for drones) as a present from a friend and decided to use it as the primary source material for this album. You might be tempted to think Antony has gone and sabotaged himself by chaining himself to such an instrument for an entire album but, through some skilful …
Å
Å (which is the first and the last letter of some Scandinavian alphabet) is a young trio of musicians on violin, exotic percussions, theremin, guitar, synth and piano, who have created a remarkably original world of sound. Although one can hear occasional influences from kraut rock style and the early minimalism, this sound is uniquely Italian in its sense of sound, space and time. An imaginative, meditative, bizarre, courageous and nostalgic music consisting in spontaneous compositions and impr…
Take Your Time
2003 release. A CD of works for solo piano from "Blue" Gene Tyranny.
Thirty-five of the 36 songs in this "audio storyboard" are individually
built around an atmospheric primary chord, counter-rhythms, and a body
of notes which creates a potential melody that unfolds bit by bit. The Driver's Son
is scored for a narrator, a chorus of five people creating fifteen
voices, an electronically modified orchestra of folk and concert
instruments and parts for a lighting designer and a live video ani…
L'Ombra di Mezzogiorno
An extended voice album by Enomìsossab (or, vice versa, Simone Basso) suspended between rock and experimentation, between popular culture and avant-garde roots, to testify of a complex artistic personality and of a “physical” and “emotional” attitude, absolutely uncommon. Overtone chant, guttural sounds, linguistic deformations, the “calembour” and the vocal contortions.Sometimes few notes or a little melody are enough to fell in love with an artist. Sometimes you need to search, to go deep in t…
Azioni
** very last copies ** Il Gruppo was a brilliant and prolific composer's collective exploring extended techniques and new sound sources through the medium of improvisation. Although very much a product of its time, their music remains timeless. They were instrumental in founding a radical tradition of western musical improvisation that owed little or nothing to anybody and created some of the strangest music ever made. They were utterly unique. (from John Zorn liner notes, NYC 2006)
This delu…