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Ivan Wyschnegradsky

La Journée De L'Existence

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Wyschnegradsky's visionary poem for narrator and orchestra, conceived in 1916 and first heard only in 1978: the live premiere with Mario Haniotis and the Orchestre Philharmonique de Radio-France, plus interviews with the composer.

Ivan Wyschnegradsky had to wait sixty years to hear the first performance of his masterwork, La Journée de l'Existence, which he had conceived and composed beginning in 1916 in Saint Petersburg. And we have had to wait another thirty years to have it on disc and be able to listen to it as we please. This is also the outcome of twenty-five years of work within the Association Ivan Wyschnegradsky, founded in 1983 under the chairmanship of Claude Ballif. The emotion was tremendous the evening of the premiere, which took place in the Large Auditorium of Radio-France. Listeners were swept away by the work's intensity, the conviction and dramatic power of the narrator, Mario Haniotis, and the presence of the composer, who, in the dusk of his life, had come to attend the realization of the score conceived in his youth in a moment of illumination and exaltation. We've come full circle, and miraculously, the emotion of the premiere is fully intact on the disc. This work in itself is a veritable alchemy of speech and sound.

After the piece, the CD also offers two interviews. Excerpts come from nine half-hour programmes recorded in 1976 by Robert Pfeiffer and broadcast on France-Culture during the summer of 1977. At the head of these excerpts, we are publishing the beginning of Daniel Charles's interview with the composer the day of the premiere of La Journée de l'Existence. We endeavoured to present essentially the remarks directly concerning this work, followed by several childhood and youthful memories. Moreover, in the course of this series of interviews, Ivan Wyschnegradsky analysed several of his works and evoked with Robert Pfeiffer his attempts at building quartertone pianos, his theory of non-octaviating spaces and inaudible spaces, his vision of ultra-chromaticism, rhythm, the sound continuum and the cosmic conscience, his 'ultra-chromatic' drawings, the problems of notation, the need for new instruments, spatial densities... all thoughts relating to the research undertaken immediately after the composition of La Journée de l'Existence and continuing throughout his whole life.

La Journée de l'Existence (The Day of Existence), confession of life before life, for orchestra and narrator. Text and music by Ivan Wyschnegradsky (1893-1979). Mario Haniotis, narrator; Nouvel Orchestre Philharmonique de Radio-France conducted by Alexandre Myrat. Recorded live at the premiere, Paris, 21 January 1978.

Details
Instruments: OrchestraVoice
Cat. number: SHIIIN 4
Year: 2009

Format

Track 1 and 2:

Enregistrement réalisé en public lors de la création le 21 Janvier 1978 à Paris au Grand Auditorium de Radio-France dans le cadre des Journées Perspectives du XXème siècle.

Comes with a 62 pages booklet.

Release notes

Track 1 and 2: Enregistrement réalisé en public lors de la création le 21 Janvier 1978 à Paris au Grand Auditorium de Radio-France dans le cadre des Journées Perspectives du XXème siècle. Comes with a 62 pages booklet.

Tracklist
1La Journée De L'Existence 1ere Partie
2La Journée De L'Existence 2eme Partie
3Entretien D'Ivan Wyschnegradsky Avec Daneil Charles - Janvier 1978 (Extrait)
Entretiens D'Ivan Wyschnegradsky Avec Robert Pfeiffer, Enregistrés Le 1er Mars 1976 Et Diffusés Du 8 Juilllet Au 18 Août 1977 Sur France-Culture (Extraits)
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Credits
Jean-François Pontefract
Edited By
Séverine Henrot
Graphic Design
Alain Bancquart
Liner Notes
Ivan Wyschnegradsky
Liner Notes
Martine Joste
Liner Notes
Michel Ellenberger
Liner Notes
Pascale Criton
Liner Notes
Solange Ancona
Liner Notes
Beate E. Renner
Liner Notes [Translated]
Elena Chalot
Liner Notes [Translated]
John Tyler Tuttle
Liner Notes [Translated]
Isabelle De Rouville
Photography By
Jean Jusforgues
Producer
Pierre Carn
Producer

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