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There are few sound artists out there that rival the diverse and extensive modus operandi that Jos Smolders brings to his work. Recently, Smolders releases have focused around self-similar sequences, loose narratives, or some kind of overarching central theme that ties the pieces together. Harking back to his early working methods here (Freebasing A Is For Me) and simply homing in on the sounds themselves with apparently diffuse and disconnected themes, Smolders brings us into a world of shape-s…
Non-Collaboration began as a collaboration between Heribert Friedl and Will Montgomery in spring 2006. Will began by processing some of Heribert's Hackbrett improvisations and adding his own sounds. Over time, it became clear that the two strands of sound Ð Heribert's acoustic and Will's electronic - weren't working well together. So Will absorbed Heribert's material into his own. The Hackbrett and the pace and shape of Heribert's improvisations have left their mark on these pieces. However, thi…
Recorded at Newsonic Studios Brooklyn, New Yok february 2005. Brian Chase (Yeah, Yeah, Yeahs- drums) in duet with Seth Misterka (Dynasty Electric Duo-saxophone).
Dinosaurs with Horns was formed in 1982 by Joseph Hammer and Rick Potts who had collaborated on several projects both individually and as members of the loosely formed collective, the Los Angeles Free Music Society (LAFMS). In the early 90's they began performing and recording extensively with ex-Monitor, Steve Thomsen, as the trio Solid Eye including a month-long tour of Japan in 2002. Over the years Potts and Hammer have each collaborated with an impressive array of noise/sound musicians. Some…
In June 2006 North of the North explored the sounds in a small area of North Norway. On the islands Skjervy and Arny at 70¡N they collected sounds from meetings with local fishermen, staff at a ferry, a flock of reindeer, arctic birdlife and more. These recordings are phonographies - sound pictures - used in an improvisational electro acoustic dialogue with the other instruments in the group. The sounds from Skjerv¿y and Arn¿y are part of an artificial sound world when the musicians present thei…
DVD Audio with Surround and Stereo version of Studie 18. In Studie 18, Neukom takes a natural and mathematical phenomenon, the golden ratio, as the basis for the patterns in his thirteen studies, all 3.19 minutes in length. The golden ratio, a mathematical constant, is at the centre of many aspects of beauty and regularity in nature, science, art and architecture, as well as being a core component of the minimalism, preciseness and refined aesthetics of Neukom's compositions. The golden ratio ha…
Beautiful picture disc LP featuring two full-color reproductions of visual works by Jim Haynes and two new side-long solo compositions. 'The ideal companion pieces to Jim Haynes' masterful album, Telegraphy by the Sea, Eraldus and Eravaldus are both shadowy concoctions built from agitated objects and amplified spaces (a lighthouse, some high-tension wires driven by wind, a very large pile of sand, etc.). These are subtly manipulated field recordings, rusted to perfection and fine-tuned into scra…
Source material for the nineteen Fragments are recorded improvisations with the electric guitar. In a process of cutting, re-arranging and transforming, on which he has worked for several years, Archetti explores the possibilities and limitations of reduction and the states of transformation of recorded musical material. Archetti describes his work in Fragments as a process of crystallisation. In chemistry, this process is described as a liquid-solid separation technique: Acoustic states transfo…
Tetuzi Akiyama - acoustic and electric guitar. Martin Taxt - tuba. Eivind Lønning - trumpet. Espen Reinertsen - tenor saxophone and flute. On Varianter av døde trær the young Norwegian musicians Martin Taxt, Eivind Lønning and Espen Reinertsen meet the internationally acclaimed guitarist Tetuzi Akiyama from Tokyo. The three Norwegians are highly experienced young improvisers with background from groups like Trondheim Jazzorkester and Music for a Weill. Akiyama says he aims to create music with e…
Not much explanation needed for this one, an incredibly well-conceived 7' (white vinyl, letterpress cover, housed in plastic sleeve) from Los Angeles sound artist G.X. Jupitter-Larsen. The result of one simple question: Have you ever worked with animal recordings?
7' vinyl only. Limited edition. Artwork and photography by Jon Wozencroft. Cut by Jason at Transition. Locked grooves. Mika Vainio continues the series of Touch Sevens, 7' vinyl-only releases, with this stunning record. The crackle... The fire of the analogue... Mika Vainio is the most adept at using crackle as a voice. Sound artists have used crackle ever since the reality of digital audio hit home, however there's a big difference between this and how other practitioners use it... Here are two…
The Japanese phrase Kiri No Oto loosely translates to the sound of fog or sound of mist. In many ways it's a collection that meditates on the sense of displacement and distortion that occurs in environments which undergo extreme mists, snowstorms and sea sprays. In the same way that visual objects loose their perspective, form and shape in these environments, the sound components that make up Kiri No Oto are not quite as they first might appear. Utilising a range of divergent mixing techniques, …
Extraordinary homage to pioneering instrument-builder and improviser Hugh Davies (1943-2005), recorded in January 2008. Adam Bohman (prepared balalaika & amplified objects), Lee Patterson (amplified objects) and Mark Wastell (cello) - three improvisers heavily influenced by Davies's work - improvising alongside solo recordings Davies made in the 1970s. A virtual quartet where one voice is fixed, unable to respond.
Davies - who worked as Karlheinz Stockhausen's assistant in Cologne in the mid-60s…
Two different live cuts from 2006 of the guitar duo Sun stabbed. One was recorded in an empty big space, playing for an exhibition at St Etienne. The live was recorded out of the room by Christian Malfray of Nappe, while he was drinking a beer. So the music is made of guitars and ambiant noise with people, animals and cars. An ambiant drony shit track made with guitar feedback and effects. The other selection, was directly taken from the mixing board of the Sonic at Lyon. Here, it was more nervo…
Kraanerg (1968) for 23 instruments and 4-channel tape. Callithumpian Consort. Stephen Drury, conductor. First recording with restored analog tape. Kraanerg is one of Xenakis' most popular - and infamous - works. A visceral and highly charged score for woodwinds, brass, and strings along with quadrophonic tape. The title, Kraanerg, is a composite of two Greek words: 'kraan', meaning to perfect, to accomplish; and erg, signifying energy. Commissioned for the gala opening of the National Arts Centr…
2nd album by this French trio made up Gilbert Artman (post-Lard Free, Urban Sax), Jac Berrocal and Jean-Francois Pauvros. here's the utterly fantastic third album from this brilliantly anarchic supergroup of stalwart iconoclasts. While their debut featured a largely improvised live dialogue between Jac Berrocal and Jean-Francois Pauvros, their two follow-up releases would find them a radically conceptually altered three piece with the inclusion of one of the greatest and most radical artists to …
Two of Tamio & Sean's annual summer concerts in New York City recorded in binaural pedestrian splendor by Geoff Dugan, Tamio (sax), Sean (percussion) and the city. Binaural recordings are optimal for headphone listening but I recommend listening via stereo speakers in a room, on a summer day with the window open and the volume turned up. Playing records is a recreational activity. A handmade multiple edition of 500; 12', 180-gram vinyl in a screenprinted kraftboard jacket. Illustration by Nichol…
Conops is a work created from recordings of environments which are dominated by networks of insect sound. It is a composition of sound immersion that is not designed to represent reality, but rather transform it into a new sound universe, absolute and hyper. Original environmental sound matter recorded at multiple locations in Brazil, Canada, Costa Rica, Greece, Japan, Senegal, and the USA between 1990 and 2005. Edited and mastered at Mobile Messor, spring 2007. Compact disc in an all white digi…
Founded in 1998, the LIO has been a focal point for the community of improvising musicians in London. This CD features four total improvisations (from 2003 & 2007) selected from the archive of concert recordings made at their monthly appearances at the Red Rose. With among others musicians, Roland Ramanan, Ian Smith, Neil Metcalfe, John Rangecroft, Harrison Smith, Lol Coxhill, Adrian Northover, Evan Parker, Caroline Kraabel, John Butcher, Philipp Wachsmann, Charlotte Hug, David Leahy, B.J. Cole,…