Folk /
Salt Of The Sun
2007 release “New minimal full-length album from Family Underground that abandons the drug-hit-sally-inside feel of early Velvets jags for the sound of the last gasp of Lou Reed’s long-suffering amp in the final seconds of ‘Black Angel’s Death Song’ extended to oblivion. Comes in a fold-out four panel digipak.”
Neverending Blues
2008 release "According to Indian mythology everything was born and will be born with vibration, sound. What Western civilization calls music, is narrow, nothing but strictly controlled thread in that vibrating area. Other kind of threads have been mastered elsewhere. Inevitably these threads will also face each other and become one. Basic note chimes in blues, raga and mantra. I dreamt of musics and players who can modulate with music, no matter which cultural background they come from – I felt…
Michael Lee Yonkers
2025 stock "Limited restock, last copies... An original sealed pressing of Michael Yonkers's Michael Lee Yonkers from 1974. Self-recorded in 1971 and '72, Michael Lee Yonkers has often been referred to as Michael's "country" album. It is many folks' favorite of his early works, and is likely the weirdest. The roughhewn quality of these recordings has caused listeners to make comparisons with other "real people" outsiders like Grudzien and the Holy Modal Rounders, but there are more obvious, well…
Bump Lam Phloen: Essential Hongthong Dao-udon
How can we explain the power of music? How can songs delivered in a language which we don't understand move us so? This collection contains the very best songs from Hongthong Dao-udon, one of the great Thai singers of the "third generation" of Molam singers, one of the artists who succeeded in fusing Molam with Luk Thung, thus triggering a new generation of singers; in fact she was the first to sing both genres from the beginning of her career, considering herself to be situated happily between …
Never Forget Me
Never Forget Me is the second release on EM Records from Angkanang Kunchai, one of the greatest Thai singers; the original 1979 vinyl release, now extremely rare, was a collection of her self-produced songs, backed by her own band. This radically independent stance, though admirable, caused the album to languish in relative obscurity, due to her lack of support from the business masters of the Thai music scene of the time. "Never Forget Me" is a plea to her fans, and although the original album …
Their Greatest Hits
Super Mazembe's "Greatest Hits," serves as a definitive collection celebrating the band's remarkable contributions to East African music. Released in 1986, this compilation features a carefully curated selection of the band's most iconic tracks, encapsulating their vibrant sound and the infectious energy that made them a household name. Highlights include fan favorites like "Shauri Yako" and "Kasongo" each track showcasing the band's skillful musicianship and unique ability to blend traditional…
Angkhanang Khunchai & The Ubon Phatthana Band
Born in the province of Ubon Ratchathani in Isan (the northeastern region of Thailand), Angkhanang Khunchai was a young female prodigy who emerged on the molam scene, and became one of the first generation of molam performers who were able to "sing" popular music. From an early age she was mentored by renowned national molam artist Chawiwan Damnoen, and in her mid-teens joined the legendary musical troupe the Ubon Phatthana Band as the lead vocalist.
In 1971 at the age of 16 she released a singl…
The Essential Doi Inthanon : Classic Isan Pops From The 70s - 80s
A revered figure in his native Isan region, and indeed throughout Thailand, Doi Inthanon is a legendary composer, producer, visionary and talent-spotter, a man who combines business acumen with an unerring ability to both predict and engender new directions in Thai popular music. Fittingly naming himself after the tallest mountain in the nation, he has towered over Thai music since the early 70s, and is still active today. This compilation, the first "various artists" collection in the EM Record…
Man on a Water Buffalo
For reasons unknowable, certain places in certain eras become hotbeds of music, fertile in their growth and flowering of musical talent. Thailand in the 1970s was such a place, and Dao Bandon is one of the enduring greats of that era. Born in the farm country of the Isan region, Bandon came from a poor family and was a monk during his teens, two great influences which shaped him, with his farm roots grounding the earthy heart of his lyrics, and his years of monastic chanting lending a unique res…
Patience
“I keep thinking about this idea that once you think you’re on the path, you’ve lost the path,” says New York musician Devin Shaffer, explaining the ethos behind Patience, her first studio album. “There is no certainty, there is no knowing. It’s all about surrender.” Written between 2021 and 2023 and Shaffer’s move from Chicago to New York City, Patience mirrors life’s highs and lows on the search for spiritual meaning, purpose, and connection. For the first time, Shaffer leads a group of sensit…
Gagaku Suites
Tip! Gagaku is the oldest of the Japanese performing arts, with a history more than a thousand years old. The term refers to Japanese classical music and dance, traditionally performed by families of musicians linked to the ancient Imperial court, and later passed down in Buddhist temple ceremonies and Shinto shrines. Shiba Sukeyasu, founder and director of the Reigakusha ensemble, descends from the Koma clan, whose origins date back to the end of the 10th century.
The recordings partly reflect …
Barry Dransfield
*2025 stock* In 1972, Barry Dransfield recorded his debut solo album. Just called “Barry Dransfield”, the album is a real delight from start to finish. It features an array of traditional songs arranged by Barry, some original ones and some fantastic covers from people like Michael Hurley (“The werewolf”) and David Ackles (“Be my friend”). Sadly, the album was deleted just after nine months from his initial release, because it was released on Folk Mill, a Polydor sublabel created to enter the fo…
Sum Variations
We are delighted to welcome American singer and folk artist Joesphine Foster to Nyahh Records!! This wonderful and strange recording features Victor Herrero , Paz Lenchantin, Michael Zerang and musicians from the village of Joujouka, Morocco. This latest release has Josephine digging deep into her archives. Raw and wonderful field recordings from Morocco and Spain. Enjoy!!
Japanese Traditional Music: Koto • Shamisen (Kokusai Bunka Shinkokai 1941)
2025 restock. The World Arbiter label presents 1941 recordings of the Kokusai Bunka Shinkokai -- masters of the koto and shamisen, heard with excerpts from theater and songs performed by many artists born in the Meiji period. They represent the earliest examples of ancient classical traditions. In the late 1930s, Japanese musicologists and experts completed years of work on a project to record their country's musical cultures, starting with ritualized shamanic traditions of the palace's gagaku, …
Japanese Traditional Music: Songs Of People At Work And Play
The fifth and final volume of World Arbiter's Japanese Traditional Music marks the completion of the label's excavation and restoration of 60 10" 78RPM discs of Japanese traditional music, bringing a great body of lost music to light and offering in full a legacy that has been almost entirely unavailable until now, even in Japan. The original set was manufactured in 1941 by a company now called the Japan Foundation, and was intended to be presented exclusively to libraries (though the Japan Foun…
Via Lattea
Via Lattea is the new recording project of the music and performance research ensemble Enten Hitti. The work takes inspiration from research on the “feminine” and from the matrilineal transmission of life. It is the result of various research trips to the places where the culture of the “sacred female” took shape over 4000 years ago: Cyprus, Crete, Turkey, Ireland, South Africa, Indonesia … The historical and geographical suggestions have been freely reinterpreted and transformed into musical pi…
Life Is A Constant Journey Home
Originally released in 1968. Jerry Moore was working as a folksinger in Greenwich Village when ESP-Disk' artist Randy Burns brought him to the label's attention. Recorded in August 1967 at Impact Studios, NYC, the soulful Life Is a Constant Journey Home (also issued at one point as Ballad of Birmingham, acknowledging its most famous and important song) is so legendary that we'll just let the press quotation below describe it. But please also consider this: that's a heckuva band Mr. Moore's backe…
Excavated Shellac: Reeds
Reed instruments are capable of some of the most impassioned music on the planet, all due to the malleability of the reeds, themselves—historically made of plant tissue – which vibrate when air hits them. The origin of most reed instruments is steeped in rural, pastoral culture. Many insistent, loud, often joyful, reed instruments have always been played outdoors as traditional accompaniment for dancing and celebrations.
This compelling album is the second volume in the Excavated Shellac release…
Tender Revolutions
Expansive and ambitious, Tender Revolutions is the latest from Vietnam-born, Portland-based multimedia artist Dao Strom. A fluid album, existing between genres—part ambient folk, part sound collage, part spoken word, part post rock—it blurs the line between the work of an experimental composer and the work of an accomplished singer-songwriter. Instruments slip in and out (guitar, piano, synthesizer, strings, drums, percussion) amid field recordings and samples, all anchored by Strom’s singular v…
Puritan
Chris Brokaw is the consummate underground rock musician. In a career spanning thirty-plus years he has been in countless bands (Come, Codeine, Charnel Ground, The Lemonheads, to name a few) has been a sideman with everyone from Thurston Moore to GG Allin, pounded countless stages on nonstop tours, and played on over seventy recordings, including lp's, ep's, cassettes and soundtracks. 'Puritan' is his tenth solo lp and it's a killer.
From the hypnotic repetition on the extended instrumental outr…