Folk /
This Forest and the Sea
Excellent 1976 private press acoustic album, self-recorded at various places in Colorado, and filled with beautiful fingerstyle acoustic guitar, plus some atonal bottleneck slide, string scrapes and drones (at times, very Ry Cooder/Paris, Texas about six years before that soundtrack existed). Although almost completely instrumental, what lyrics there are tend towards the dark and the satiric. The obvious points of comparison are John Fahey and Leo Kottke, although Scott Key certainly has h…
In My Own Time
Recorded over a six month period in 1970/71 at Bearsville, In My Own Time was Karen Dalton's only fully planned and realized studio album. The material was carefully selected and crafted for her by producer/musician Harvey Brooks, the Renaissance man of rock-jazz who played bass on Dylan’s Highway 61 Revisited and Miles’ Bitches Brew. It features ten songs that reflected Dalton's incredible ability to break just about anybodys heart – from her spectral evocation of Joe Tates “One Night of Love”,…
One Night on Earth: Music from the Strings of Mali
Matsuli Music presents an album of kora interpretations that astonished John Williams into saying he thought it was “absolutely impossible until I heard Derek Gripper do it”. When Kora maestro Toumani Diabate heard these recordings he disbelievingly asked his host and producer Lucy Duran to confirm that she had actually seen one guitarist play this music on just one guitar. Recorded at an all-night session Gripper’s guitar magically counjures anew a centuries-old ancient African musical heritage…
Corn
It has been seven years since Audika last issued an album of Arthur Russell material. The wait ends this summer with Corn, nine tracks Russell recorded in 1982 and 1983. In collaboration with Russell’s partner Tom Lee, Audika’s Steve Knutson compiled Corn from Arthur’s original, completed 1/4” tape masters. Russell himself compiled this material on three separate test pressings—labeled El Dinosaur, Indian Ocean, and Untitled, respectively — in 1985. Russell fans know something of the Corn sound …
I Am All Your Own
Ilyas Ahmed's songs exist in a sublime moment of suspended animation, calmly dwelling in between modes of music making both timeless and contemporary – deeply imbued with stillness and peace. On I Am All Your Own, his first album in three years, Ahmed employs strategies gleaned from experimental and ambient musicians, such as Lawrence English and Fripp & Eno, and applies them to song-based guitar music. Building slowly and purposefully, each individual track adds to the album's overall, scrupulo…
Alasdair Roberts
"Alasdair Roberts is the name of the new solo record from the well-known Scottish songwriter, guitarist and singer Alasdair Roberts -- his eighth Drag City Records release under that name... Alasdair Roberts' ten songs are sparse, intimate and concise. The focus throughout is on Alasdair's deft acoustic fingerstyle guitar and his voice. The songs are variously elliptical and gnomic, direct and personal, romantic and tender. There are occasional guest appearances from fellow Glasgow-dwellers Alex…
Into The Ahl Srif
Restocked, few copies available / mythologized by Brian Jones' 1968 recordings for Rolling Stones Records, The Master Musicians Of Joujouka have since been the subject of much attention from outside their native Morocco. The first recorded group were the house band at Brion Gysin's 1001 Nights restaurant, Ornette Coleman collaborated with them on Dancing In Your Head, they are featured on William S. Burroughs' Break Through In Grey Room, and Timothy Leary hyperbolically referred to the musicians…
Isswat
Few copies available, sold out at source - Tuareg drone recordings from Azawad region of the Sahara desert. Music of nostalgia, longing, and revolutionaries, sung by Fadimoutou Wallet Inamoud in her debut recording, a local production from 2008. Sparse rhythms and hand claps punctuate the meditative hypnosis, accompanied by a the signature vocal drone of her group. Lyric translations insert, some of the first ever translated isswat. Comes in beautiful printed and hand glued covers. Edition of 50…
Lahcen Akil And The Chaabi Brothers
Lahcen was born in 1969 in the village of Tamlalte in the Moroccan High Atlas. Influenced by acoustic music and traditional songs, he started making music at a very young age. Lahcen perfroms his songs on a lothar, an instrument that he made himself, with a wooden handle, a palm soundboard and goatskin. He is regularly accompanied by his brother on percussion.
Dauphin Elegies
First new studio recordings from Pelt in 3 years finds them picking up where 2005's Untitled CD left off - delivering massive slabs of heavy, all-acoustic drone action. "Waning Crescent" is an ominous workout for three large gongs, rich with overtones and subsonic rumble. "Fire Signs Along the Field" offers a slightly jarring quartet of spare string noise, with Nathan Bowles (Black Twigs, Spiral Joy Band) sitting in on double bass. "Cast Out to Deep Waters" is an immense 30 minute epic that fits…
Cosmic Driftwood
"Second Crystalline Roses LP by local Renaissance man, Tony Pasquarosa, is a goddamn monster of readymade acid folk transcendentalism. Since Feeding Tube released the One Man Cult LP back in 2010, Tony has done a wonderful solo guitar album for VDSQ, the insane space-sludge of World Domination (FTR 123LP), the raunch zonk of Gluebag, and various other projects far too numerous to name. On this album, Tony creates a classic late night smoker soundtrack. A brilliant journey into and beyond ego,…
The Cycle Is Complete
restocked, 180 grams edition, long out of print, few copies available...A really great trance psychedelic album from 1972, with only 4 mainly instrumental tracks spread across it's 2 sides. The Palmer group is largely made up of unknowns but I do recognize Paul Lagos (drums ) and Templeton Parcely ( violin ) as members of "Incredible" era Kaliedoscope but then again I should mention the ever popular Big Black on congas.The music presented here is a loose trippy sound that reminds me a great deal…
Music of Tanzania
Music of Tanzania is a spectacular collection of field recordings gathered by Laurent Jeanneau between December 1999 and March 2000. This debut volume of Sublime Frequencies' exploration of indigenous Tanzanian music compiles sacred and profane songs and dances of the Hadza, Datoga, and Makonde people. Highlights include stoned ecstatic dancing in a Hadza encampment; a drunken celebration of preteen sexual initiation from a Makonde fishing village; baboon imitations performed on the malimba…
A Distant Invitation: Street & Ceremonial Recordings from Burma
A hallucinogenic splatter-drift audio meltdown through the streets and back alleys of Southeast Asia recorded and assembled by Seattle-based multi-sword-wielding artist Jesse Paul Miller (Factums/Secret Records/Liver & Bacon/Big Tribal Balls). This limited edition LP includes street and folk music, situational ambience, radio excerpts, and psychedelic atmospheres from Burma, Cambodia, India, Indonesia, Malaysia, and Thailand. "We heard them from a distance, bells in the back alleys of Su…
Solo Acoustic Volume Eight
2015 restock. "First new solo acoustic recordings from the master guitarist in years, SRB returns to familiar themes and introduces new ideas simultaneously on this tour de force performance of his singular style."
"Need flamenco picking on the streets, but Jungian consciousness symbols in the sheets? Sleepy & even polite on the surface, due to SRB borrowing someone's very un-Andalusian acoustic while staying by Lake Geneva in Switzerland for several months to work with a dance troupe. Undern…
Record Plant, Sausalito CA, September 9th 1973
Taped for broadcast on KSAN-FM, this remarkable 1973 set at the Record Plant in Sausalito, California, finds John Fahey, the master of American primitive guitar, at the peak of his mesmerizing powers, performing a series of lengthy medleys that incorporate a wide variety of influences and styles. It's presented here with rare images and background notes.
- "There's no shortage of Fahey live material in the hands of collectors, but this 1973 KSAN broadcast is up there with the very best, as t…
Native North America (Vol. 1): Aboriginal Folk, Rock, and Countr
Largely unheard, criminally undocumented, but at their core, utterly revolutionary, the recordings of the diverse North American Aboriginal community will finally take their rightful place in our collective history in the form of Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985. An anthology of music that was once near-extinct and off-the-grid is now available for all to hear, in what is, without a doubt, Light In The Attic’s most ambitious and historically signi…
Musicawi Silt / Tche Belew
"Musicawi Silt" is the best known Ethiopian song from Addis Ababa's golden era of 1970s pop music. The insistent drive of the rhythm and the mighty blast of the horns - a sublime, angular burst - are unmistakable. Hailu Mergia's concept for the Walias first LP "Tche Belew" was to include compositions by various band members. Since Girma Beyene, a member of the Walias, wrote this addictive song in the mid-70s and the Walias band began including it in their sets, it has spread around the wo…
Midnight: Raga Malkauns
Finally restocked: two full-cd recordings of raga malkauns by Pandit Pran Nath are accompanied by a 20-page enclosed booklet with texts of the vocal compositions (presented in devanagri script and phonetic english), word-by-word translation and poetic interpretation by sri karunamayee, a longtime senior disciple of the master.This double cd set is the first of many recordings by Pandit Pran Nath scheduled for release on the just dreams label. it features an earlier 1971 recording of a live perfo…
I Line My Days Along Your Weight
LP edition. Brooklyn duo Mark Rogers and Mary Byrne recorded their debut, I Line My Days Along Your Weight, as a true duet: facing each other inches apart, intent upon listening. They wove together archaic instruments -- baritone acoustic, tricone resonator, golden-era flattop, space-age lap steel, upright piano, and hundred-year-old mandolin -- into a new and vibrant third voice. All the songs were recorded live to two-inch analog tape, the studio equivalent of tightrope-walking without…