*In process of stocking* No Business Records presents Fertile Garden by Rob Brown (Selfpropelled Music BMI) and Juan Pablo Carletti (BigMateSongs BMI)Recorded on the 25th August, 2020 at Park West Studios (Brooklyn) by Jim ClousePhotos by by Peter Gannushkin Design by Oskaras Anosovas
Rob Brown - alto saxophoneJuan Pablo Carletti - drums, cymbals
Stunning performance by tenor sax titan Peter Brotzmann and incredible drummer Sabu Toyozumi. Recorded live on December 4th, 1987 at OHM, Koiwa, Tokyo, Japan by Ohm Hirosh
**333 copies, one-time pressing** Volume 11. 2 disc set documenting the Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - April 27, 1980. This is the eleventh and final concert that Tom Albach recorded at Immanuel United Church of Christ. Easily ranking as one of our favorite performances of the series, its also destined to be considered one of the greatest Arkestra live recordings, brimming with intense energy and culminating in the 1-2 punch of a blazing “Lelan…
** 333 copies, one-time pressing ** 2CD SET in gatefold slipcase 2 disc set documenting the Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - November 25, 1979. This is the eighth in a series of eleven concerts recorded at the church. This month sees the Arkestra stretching out and reaching blissful heights… the 30+ minute long version of “Carnival” is worth the price of admission alone, but the same could be said for the monumental “Nation Rising” or the deep ta…
Volume 2 out of 11. Edition of 333 copies, one-time pressing. This is the last recording with Jesse Sharps as the Bandleader before he left for the Army. An incredible afternoon of music and a fitting “Departure” for a Jesse, a true pillar of the 70’s Arkestra. Macrame was originally released in 1979 on the IUCC 2LP, it is presented here, in a raw transfer of the master reel. Mykowski’s 1st Fifth is nothing but pure fire with those blistering solos by Sharps, Session, and a very special reading …
**333 copies, one-time pressing** Volume 6 out of 11. This is the last recording with Jesse Sharps as the Bandleader before he left for the Army.. An incredible afternoon of music and a fitting “Departure” for a Jesse, a true pillar of the 70’s Arkestra. Macrame was originally released in 1979 on the IUCC 2LP, it is presented here, in a raw transfer of the master reel. Mykowski’s 1st Fifth is nothing but pure fire with those blistering solos by Sharps, Session, and a very special reading by Kam…
In a truly monumental event, De Occulta Records launches their brand new Willisau Jazz Series - drawing on 30 years (1968 - 1998) of incredible live recordings made at the legendary Swiss musical institution, Willisau Jazz Festival, by its founder Niklaus Troxler - with “Live at Mohren, March 25th 1984”, comprising an astounding and never before heard, 75-minute performance by Sun Ra and his Arkestra.
*2024 stock*I n his review of Exta, the critic Brian Olewnick commented that “there's a tendency on the part of [John Tilbury's] younger companions to defer a bit to him”, adding that, in his view, this was not “necessarily a bad strategy”. In this encounter, their first as a trio, John Edwards and Mark Sanders do not defer to Tilbury at all, and it proves to be perhaps the best strategy of all. This is a vigorous music of equals, the democratic clamour of three distinct personalities committed …
"It's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.…
First issue since 1969 of the Malombo Jazz Maker’s unknown third album, fully licensed from Julian Bahula, with liner notes featuring interviews with Julian Bahula and Lucky Ranku. ‘Malombo music is an indigenous kind of music,’ says Lucky Ranku. ‘If you listen to it, you can feel that it can heal you, if you’ve got something wrong. It’s healing music.’Lucky was one of the greatest African guitarists of his generation. The deep and hypnotic Down Lucky’s Way was the Jazz Makers’ third album. Reco…
*Limited edition of 555 copies.* Atalaya is new work by bassist Dezron Douglas, and it is alive. That is, ‘alive’ in all the ways that jazz is at its best – as a pure and personal expression of Black Music channeled through time-honored traditions by a group of musicians who practice sonic coherence through musical unity. As Dezron puts it in the opening statement of his liner notes for the album: “Mysticism, Magic, Faith, Love, Power, Discernment! These are words that embody the creative proces…
Fly or Die II. Bird Dogs of Paradise is the much-anticipated follow-up to composer, trumpeter, and (now) singer Jaimie Branch's debut Fly or Die, which was dubbed one of the “Best Albums of 2017” by The New York Times, Los Angeles Times, NPR Music, WIRE, Stereogum, Aquarium Drunkard, and more. Written (mostly) while on her first European tour with Fly or Die in November 2018; and recorded (mostly) in studio at Total Refreshment Centre and live at Café OTO in London UK at the end of that tour, Bi…
PNL Records and Audiographic Records are thrilled to announce the release of the seven CD boxset, Paal Nilssen-Love & Ken Vandermark: Japan 2019. This co-production includes live recordings by this long-standing duo from their 16-date concert tour of Japan, as well as new collaborations with legendary Japanese musicians: Akira Sakata (reeds/voice), Masahiko Satoh (piano), and Yuji Takahashi (piano).
The Nilssen-Love/Vandermark is an internationally acclaimed percussion/reed duo and has been in c…
*In process of stocking. 2022 stock.* Research diver, underwater videographer, world traveler, film director and guitarist extraordinaire, Henry Kaiser has been a central figure in the Bay Area music scene since the late 1970s. A member of the first generation of American free improvisers, his style is completely unique and touches on Rock, Blues, World Music, Folk, Jazz, Classical and so much more. Here he steps out on his own for a solo guitar album that pays tribute to a handful of his heroes…
After the release of the celebrated The Storyteller, saxophonist and bandleader Uri Gurvich's widely acclaimed debut on Tzadik, he became quite busy as a sideman, with Chris Potter, John Zorn, Joe Lovano, Dave Liebman, and others, as well as becoming a member of his drummer Francisco Mela's Cuban Safari. For BabEl, Gurvich brings back the same international ensemble: the Cuban-born Mela, Argentinian keyboardist Leo Genovese, and Bulgarian bassist, Peter Slavov. The guest spot this time out is fi…
Mishagas: John Colpitts (drums), Scott Daniel (alto sax), Chris Lee (guitar).As the original CD says, “all music born in Brooklyn”.Remastered by Josh Bonati in 2021-2022Art and design by Dan SchechterOriginal CD was self-released on POE (Proof of Existence) Records in 1998.
*In process of stocking. Limited edition of 200 copies.* Alto sax player Devin Brahja Waldman lives in New York and leads his own group Brahja and is a member of Heroes Are Gang Leaders and Land of Kush. He also helps run the label Fast Speaking Music with his aunt, celebrated poet Anne Waldman. Master drummer Hamid Drake needs no introduction.
Waldman and Drake’s duo was recorded live at Elastic Arts in Chicago in December 2019. The title of the album, "Mediumistic Methodology", relates to a se…
The music on this album was created using only Electric Guitar * Using a single instrument - Electric Guitar - As A frame and the studio as the limit ie :The sound of ‘Harp’The layering of a single, guitar chord. The sound of ‘Trumpets’ & ‘Saxophone’Were designed and treated using fuzz / Wah Wah / Pitch Box / Delay & Mic Gate.
The sound of ‘hi hat’ was designed through the scratching of two guitar strings repeatedlyetc. Thank you for listening Michael Grossman & Jai Morris-Smith
Curious Music.
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'At its best moments – throughout most of the album in fact – Heisse Scheisse is joyous chaos. The quintet seems to relish playing two or three different overlapping pieces of music. Case in point, Lapsarian begins with a labyrinthine riff-like structure that rapidly deteriorates into Eisenberg and Neuburg heading in their own directions. After a relatively calm and short interlude, Pitsiokos and Eisenberg both solo at the same time, but in an orthogonal fashion, before the overall structure is …
** First pressing of 250 copies on aqua blue cassette shells with artwork by Jaime Zuverza ** Wicken and Debden are tributaries of the River Cam, North Essex and the inspiration for this music. These systems were written by Jack Cooper. The music was arranged, recorded and performed by Jeff Tobias and Jack Cooper. Additional mixing and mastering by Ed Deegan at Gizzard Recording, London. Artwork and layout by Jaime Zuverza.
With virtually the same lineup as their Feeding Tube album Ourania, the Chicago-based duo of Mako Sica--Brent Fuscaldo (electric bass, voice, harmonica & percussion) and Przemyslaw Krys Drazek (electric trumpet, electric guitar & mandolin)--again join with Tatsu Aoki on bass & shamisen and Thymme Jones on keyboards, trumpet, balloon & voice, subbing drummer Jacob Fawcett.
First pressing of 200 on gold foil cassette shells. Tracks A1-B5 recorded July 5th & 6th, 2003 at The Black Eye by Jeff Ottenbacher, and mixed at Funsize Studio by Jeff Ottenbacher. Track B6 is a live improvisation by Vernacular & Black Ox Orkestar at the Grog Shop in Cleveland Heights, Ohio, in the Fall of 2004. J-card text: Thanks to Ed Sotelo, Jason Schafer, Cynthia Piper, Clinton Holley, and Jeff Ottenbacher. Extra special thanks to Amiri Baraka (rest in power), the members of Black Ox Orkes…
*200 copies limited edition*
Recorded live 2nd October 2022 at Café OTO, London by Pedro SubtilMixed December 2022 by Alex BonneyMastered by Mikey Young
All compositions by Nicole Mitchell (Wheatgoddess Creations ASCAP) and Alexander Hawkins (PRS), except "There is a Balm in Gilead" (traditional, arr. Mitchell/Hawkins)
If Brandon Seabrook’s previous trio album, Convulsionaries, was quietly pummeled by a modified chamber jazz vibe, Exultations, featuring the ever-versatile drummer Gerald Cleaver and the inimitable Cooper-Moore on diddley-bow, leaves no holds barred. A makeover doesn’t even begin to describe what has happened to Seabrook with the shift in personnel, now a vehicle in full flight; while the faint of heart had better clear out, everyone else should buckle up!
For those unfamiliar with Cooper-Moore’…
It is intended with the utmost respect that this album is entitled Apura!, which in the Filipino language Tagalog translates to “Very Urgent” (the name of an epochal record by the Blue Notes, the pioneering South African jazz sextet of which drummer Louis Moholo-Moholo was the heartbeat). The musicians of Louis and Trevor Watts’s generation cast a tremendous shadow over the legacy of improvised music. It’s not difficult to romanticize the era in which these musicians first made their marks, exer…
Brandon Lopez (contrabass), Steve Baczkowski (saxophones), and Gerald Cleaver (percussion) freely play propulsive grooves drawing as much from heavy metal aggression as free jazz freakouts. Baczkowski’s reeds with their acoustic distortions impart a crunch to the music and their snaking lines dance over the sinister and doomed romp of the rhythm section. Lopez and Cleaver are most often locked into a martial groove, assembled and disassembled, sometimes faltering and reeling from their own displ…
"The question to be answered during this live performance was, "Will there be enough space for all the musicians' voices to be heard?" Recorded at Firehouse 12, in June 2019, this new ensemble is an adaptation of various duos and familiar trios. Saxophonist Paul Flaherty and drummer Chris Corsano have performed and recorded numerous discs together since the late '90s, releasing high-octane free jazz. The same can be said of the drummer's duo work with Danish saxophonist Mette Rasmussen; their tw…
Photographs by Roberto Masotti, Lelli e Masotti Forewords by Joan La Barbara, Franco Masotti, Veniero Rizzardi . The book "John Cage, in a landscape" is based on a rich photographic material taken to the American composer and theorist between 1977 and 1991, mainly by Roberto Masotti and in the remaining part by Lelli and Masotti, both during events that took place in Italy and abroad, like in his New York house. To John Cage correspond such a multiplicity of aspects that it is even difficult …
2023 Repress Knockout! Real spiritual jazz — frank, deep, reaching; no fakery. John Tchicai appears on Ascension and Albert Ayler’s New York Eye And Ear Control; he’s on Witchdoctor’s Son, with Johnny Dyani and Dudu Pukwana, besides landmark recordings with Archie Shepp, including Four For Trane; and his Mohawk LP on Fontana is a five-star affair. Yet still Richard Williams in The Guardian reckoned this ‘wise and lyrical’ album ‘one of his best recordings’. Here his playing is somewhere new, osc…
The never before released Bird Curtis's second album, equally great as the first one, comes with UK flip sleeve. Limited to 500 copies. The critically acclaimed quintet is back with their second album! Finally available for the first time after it was recorded 50 years ago. ‘Needs B’ is a beautifully crafted set with one traditional and 9 original songs, filed under the classic British jazz sound blending modernism and bop with a strong focus on melody. With a top line-up of London musicians Ian…
A sensational, previously unheard session by legendary British free jazz saxophonist Mike Osborne, recorded in December 1970 at London's famous 100 Club. From Osborne's personal tape collection. Feautures two compositions currently thought to be unrecorded in any other setting. Lineup: Mike Osborne - alto saxm Alan Skidmore - tenor sax, Harry Miller - double bass, Louis Moholo - drums. Original mastering by Mike King. Additional mastering by Matt Parker for British Progressive Jazz in associati…
** 2021 Repress ** In the years following World War Two, Japan developed one of the most insatiable, dynamic and diverse markets for jazz. For a crucial period of little over a decade – from the late 1960s to the early 1980s – Japanese jazz culture progressed at an astonishing rate, producing an extraordinary array of artists, recordings and record labels that created some of the most forward thinking and impressive jazz to be committed to tape. This amazing journey is explored on J Jazz: Deep M…
BBE Music presents J Jazz volume 3, the latest in its definitive compilation series exploring the finest modern jazz from Japan. Since the first volume in February 2018, the J Jazz compilation series has showcased some of the most creative, inspired, and sought-after jazz recorded in Japan during a golden period spanning the 1960s to the 1980s. Illustrating the richness and versatility of the composers and musicians on this collection, the music spans a wide yet coherent range of styles: samba, …
A live recording of the trio comprised of John Butcher (saxophones, feedback) Thomas Lehn (analogue synthesizer) Matthew Shipp (piano) performing at Cafe Oto, London on 19 February 2014. "the standout album of 2016. There’s a raw vitality to the performance, and the music is unabashed and direct in channeling relatively conventional lyricism: Tangle is supremely listenable, and should grab listeners who usually find improvised free music elusive, as well as devotees . . . This is thrilling…
Soprano saxophonist Steve Lacy continued his early exploration of Thelonious Monk’s compositions on this 1961’s Evidence Lacy worked extensively with Monk, absorbing the pianist’s intricate music and adding his individualist soprano saxophone mark to it. On this date, he employs the equally impressive Don Cherry on trumpet, who was playing with the Ornette Coleman quartet at the time, drummer Billy Higgins, who played with both Coleman and Monk, and bassist Carl Brown. Cherry proved capable of p…
Since 2018, BBE Music has been leading the field in reissuing rare modern jazz from Japan’s golden period spanning the late 60s to the early 80s. The J Jazz Masterclass Series continues to present the finest in Japanese jazz with 'Planets' by Masaru Imada Trio + 1. Originally released in 1977 as a private press album, 'Planets' showcases the refined playing and sophisticated compositions of one of Japan’s leading pianists, Masaru Imada. In a fifty- plus year career he has released over 40 albums…
The Classic Greg Foat Group line-up returns with special guests Art Themen on Soprano Saxophone and Morgan Simpson (Black Midi) on Drums. Heavy synth and percussive grooves.
s of the two following albums from Cinedelic's Orient Series:- Masahiko Togashi, Isao Suzuki "A Day of the Sun" LP, 1979- Takeshi Inomata & Sound Limited "Innocent Canon" LP, 1971Masahiko Togashi, Isao Suzuki "A Day of the Sun"A spiritual jazz masterpiece full of poetry by two geniuses of the Japanese musical scene. Masahiko Togashi and Isao Suzuki, pivotal figures in jazz with a unique talent and sensitivity that transcends conventional jazz forms and styles. In addition to being skilled perfor…
“Volume 2” is the 2nd and rarest album which had been recorded by the French Jazz-Funk band legend, Cortex. The obscure French jazz group that's been a favorite of jazz collectors for years! Reissued last in 2002 by Follow Me Records, it’s now back in stock in a final limited repressing of 500 copies, reissued by Trad Vibe Records under official license from Alain Mion. It really is another absolute killer album of dope Jazz-Groove tracks! Unlike their first album it's all instrumental (save fo…