Jazz & Improvisation / All styles

Not Two Records presents Beauty / Resistance by Joelle Leandre. Recorded live at the Krakow Jazz Autumn Festival 2019, in Club Alchemia, in Krakow, Poland, Fall, 2019, by Rafal Drewniany. Joelle Leandre, bass. Zlatko Kaucic, drums, percussion. Mateusz Rybicki, clarinets. Zbigniew Kozera, bass. Rafa Mazur, acoustic, bass guitar.

Sun Ra said he came from Saturn, because white America treated him like an alien, like a creature from outer space, so he became one, an anarcho-emperor of the fantastic, who made it to the moon before America or Russia, because the moon was nowhere near as far out as he could really go.“ – Paul Morley Strut and Art Yard join forces for a special release to mark what would have been Sun Ra’s 100th birthday with ’In The Orbit Of Ra’, a new collection presented by the longest serving member of the…

Strut present the part one of the definitive collection of singles released by Sun Ra across his illustrious career, spanning 1952 to 1991 - including all Saturn releases, planned singles, posthumous releases and magazine giveaways!

Back in 2001, the first edition of Nigeria 70 on Strut broke the mould for African compilations, featuring a wide spectrum of musical styles from across the 1970's, and an audio documentary tracing the music's history. For 2008, Strut delve deeper into the Lagos underground for another box of essential West African dynamite. From the heavy jazz of Peter King to Bola Johnson's scratchy afro funk and the rolling grooves of Juju legend Sir Shina Peters, this is some of the best music ever to emerge…

New volume by Strut in their pioneering ‘Nigeria 70’ series., here bringing together rare highlife, Afro-funk and juju from the ‘70s and early ‘80s - Compiled by collector and DJ Duncan Brooker.. The compilation returns to a fertile heyday in Nigerian music when established styles like highlife and juju became infused with elements of Western jazz, soul and funk and musicians brought a proud new message post-independence. Brooker places the spotlight particularly on some of the incredible Ukwuan…

Limited Clear Vinyl edition, 500 copies! Besides playing with the likes of T. Monk, J.Coltrane, A. Blakey and R. Weston,  bassist and oud player Abdul Malik is mostly remembered as one of the first to explore how elements of Middle Eastern and North African music can integrate with Jazz idioms. Originally released in 1962 on Prestige Records, this is his fifth studio effort featuring  - Ahmed on bass and oud, Bilal Abdurrahman on alto, Korean reed flute, and percussion, and William Henry Allen o…

A pair of contemporary music giants re-release a long-lost 2003 live recording, previously available only as a CD-R.

This newfound quartet was conceived in 2019, as a way to celebrate Austrian pianist Elisabeth Harnik’s 50th birthday in 2020. For the occasion, Harnik called on several longtime collaborators from Chicago with whom she’d connected at the Umbrella Music Festival back in 2008, on her first visit to the city. Since that time, she’s continued to stoke the fires she started there, not only in various collaborations with these three musicians, but also with Chicago legends like Ken Vandermark, Michael…

This special 60th Anniversary reissue of groundbreaking jazz artist Sun Ra’s iconic 1962 album The Futuristic Sounds of Sun Ra features all-analog re-mastering by Kevin Gray at Cohearent Audio, pressed on 180-gram vinyl at RTI. The package includes Tom Wilson’s original liner notes, plus insightful new essays by jazz historian Ben Young, as well as by Irwin Chusid, who is also a journalist, radio personality, and author.   Engineered by Paul Cady, the sessions featured nine players, including Ra…

Tip! *Silkscreen printed cover. Limited edition of 200 copies. Totally sold out at source * Choking hazard: An extra heavy portion of greasy & salty vegetarian freedom music! Ho Chi Moon breaks free from all jazz tradition, including the free jazz tradition. Psychedelic, poetic, ass-kicking, soothing, painful, ecstatic & inconsolable. Tasty & nutritious. Too unhealthy for everyday consumption, yet perfect for special occasions of self-indulgence. Killer stuff!

‘58 issue, the title carried by Jazz Hot magazine was: »Revelation at the Chat Qui Pêche. The spirit of jazz (which some thought was dying) is sparkling with life in the Donald Byrd Quintet.« And indeed, on its first appearance at the Cannes Festival in July (the Jazz Festival, not the other one), the Donald Byrd Quintet brought the house down. Its members were hardly the Who’s Who of jazz, however. People vaguely knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug W…

'It was in Paris that John Lewis co-led this 1956 date with Sacha Distel, a French guitarist who never became well-known in the U.S. but commanded a lot of respect in French jazz circles. The same can be said about the other French players employed on Afternoon in Paris -- neither tenor saxophonist Barney Wilen nor bassist Pierre Michelot were huge names in the U.S., although both were well-known in European jazz circles. With Lewis on piano, Distel on guitar, Wilen on tenor, Michelot or Percy H…

“One of the first true moments of genius from saxophonist Nathan Davis – originally released in the mid 60s for the tiny SFP label – and a record that’s even rarer than his early classics for MPS! The sound here is similar to the MPS sides – a mixture of soul jazz and modal jazz – served up with a bit more freedoms than Davis might have gotten on the US scene, and featuring a lineup that includes Woody Shaw on trumpet, Jean-Louis Chautemps on baritone sax, Rene Urtreger on piano, Jimmy Woode on …

Graham Collier is one of the best known and most important British jazz composers and over a 40 year career, his list of compositions and commissions has grown to encompass ensembles around the world. He is well-known as an author and educator, having written seven books on jazz. Hoarded Dreams is a previously unreleased long-form composition heard here in a powerful live performance from 1983 by an international all-star band that includes Tomasz Stanko, Conny Bauer, Malcolm Griffiths, Eje Thel…

Tip! King Of Kings was recorded in 1974 and features a wider array of instruments including Ugandan Harp and Balafon. Perhaps best known for the expansive "Nsorama (The Stars)" a seminal work of Spiritual Jazz.

** original copy ** Angedras is the mirror image of Sardegna (the Italian name for Sardinia). The long tale which unfolds in this record has been dedicated by Marcello Melis to this island, morred at the center of the Mediterranean Sea. It is a tale narrated in a language that draws its substance from several different worlds: the urban reality of jazz, the deep rhythms of Africa, the melodic tradition of Sardinian shepherds. ...The work is formed in four parts and immediately reveals the musica…

** original copy ** Altschul is the common denominator on these two excellent reissues of early ’80s records, and if anyone is unconvinced that he is one of the great drummers of his generation, there’s proof on every track here. He is joined on Irina by Enrico Rava, John Surman and Mark Helias in a program ranging from originals to “Jitterbug Waltz.” It’s great to hear the two hornmen in such fine fettle. Their solos are excellent, and much of the music involves group improvs with the horns in …

** original copy ** Recorded in Italy in 1986, this solo set by Mal Waldron draws from a rich range of sources and traditions. Update songs An inventive composer, arranger and player, these six pieces combines melodic directness with percussive harmonic support. Update album for sale Opening with his own "Free for C. Update CD music T., " he moves into the realm of standards for most of the set, visiting works by Dizzy Gillespie, Sammy Cahn, and Frank Loesser, among others. His "Variations on a …

* Original 1979 vinyl edition of the album. Few copies available. Sealed copies * Drummer Andrew Cyrille and alto saxophonist Jimmy Lyons developed an impressive chemistry during their years with Cecil Taylor. Cyrille's array of percussion instruments and mastery of multiple styles, from hard bop to Afro-Latin, enabled him to play rippling rhythms or light, tinkling lines, attack, or lay back. Lyons' alto solos were alternately driving and soft, sometimes searing in their intensity, sometimes mo…

* Gatefold sleeve. 2022 small repress* By 1971 Pharoah Sanders' playing essentially alternated between two moods: ferocious and peaceful. This live record gives one a good example of how the passionate tenor sounded in clubs during the early '70s. Sanders is joined by an impressive group of players: trumpeter Marvin "Hannibal" Peterson, flutist Carlos Garnett, Harold Vick on tenor, pianist Joe Bonner, the basses of Stanley Clarke and Cecil McBee, drummers Norman Connors and Billy Hart, and percu…

First-ever release of cult Freddie Hubbard live performance recorded in 1973 at Maison De La Radio (ORTF) in Paris. Released in collaboration with Duane Hubbard and French Institut National De L'audiovisuel (INA), the double-LP set has been remastered for vinyl from the original tapes and comes in a gatefold sleeve including liner notes by Kevin Le Gendre. A mesmerizing live performance by Freddie Hubbard and his quintet recorded in Paris at Maison de la Radio (ORTF) on March 25, 1973. Featurin…

Renowned Swedish musician Tomas Hallonsten’s debut solo recording started out as a Mark Hollis-influenced project featuring Hallonsten’s instrumental compositions sparsly performed with acoustic guitar,piano, bass and drums at its core. Gradually the music morphed and eventually it turned out as a solo album where the compositions came to life mainly via Hallonsten’s unique treatment of drum machine and synths.

By the time poet, singer-songwriter, and artist Lizzy Mercier Descloux recorded 1984’s Zulu Rock, she’d marked herself out as both a globe trotter with more passport stamps than Tintin and a musical innovator whose loose, arty spirit could be applied to styles as varied as no wave, Bavarian oompa and Soweto jive. She’d also established a tight-knit threesome with muse/former lover Michel Esteban and producer/on-off lover Adam Kidron, who all reunited to follow Zulu Rock – a surprise hit in her n…

Born in 1981 in Mdantsane in the Eastern Cape, Ayanda Sikade is one of South African jazz’s most in-demand and respected drummers, a familiar face on the scene for years and a driving force behind its growing prominence on the world stage. Dedicated to his grandmother who raised him, Sikade’s long-awaited sophomore album as a bandleader, Umakhulu, follows his 2018 debut Movements. Recorded in Johannesburg in early 2021, it features the talents of frequent collaborator Nduduzo Makhathini on piano…

*Limited edition of 250 copies.* Were We Where We Were is a recording of set of compositions by Michael Formanek, and performed here by him, saxophonist and clarinetist Chet Doxas, and drummer Vinnie Sperrazza, collectively as the Michael Formanek Drome Trio. These pieces were loosely grouped together as Palindrome Series 1 and Palindrome Series 2, from 2020. They started out as a series graphic scores that were then reinterpreted as conventionally notated music for this trio. The Drome trio lea…

Tip! Not unlike the supernatural deities from which they take their name, DJINN - the Swedish collective featuring members of Hills and Goat in their ranks - have proven themselves a potent and mysterious force. Their first release for Rocket Recordings was a portrait of open-minded explorers foraying into the realms of free and cosmic jazz, but never overly reverential or in thrall to their own influences. Following the ‘Avant De Servir’ tape which was released on Swedish label Zeon Light last …

'The British trumpeter and composer Henry Lowther, who first made an impact in the 1960s and released the well received album Can't Believe, Won't Believe (Village Life) in 2018, came to jazz via a circuitous route. After playing cornet in a provincial Salvation Army band, he moved to London around 1960 to study violin at the Royal Academy of Music. While a student, he encountered improvised Indian music and albums by Sonny Rollins, discoveries which encouraged him to commit to jazz, playing tru…

Tip! There’s not another album on the planet that sounds even remotely like vibraphonist Khan Jamal’s eccentric, one-of-a-kind masterpiece, Drum Dance To The Motherland. Thirty years after its release, the album’s tapestry of sound, fearless abstractions, relentless grooves, cool swing, flashes of ecstasy, & pan cultural embrace remain powerful & beyond category. One of only three albums released on the Philadelphia-based Dogtown label, it was barely distributed beyond the city’s limits when it …

*Blue vinyl limited edition* In 1973 the Blue Note Records label landed at the Montreux Jazz Festival, showcasing some of the showcasing some of the top artists of those years under the banner of the soulful and muscular jazz of which the blue label was then the standard-bearer. Muscular jazz of which the blue label was then the standard-bearer. This resulted in several albums entitled Live: Cookin' with Blue Note at Montreux (by Bobby Hutcherson, Ronnie Foster, Bobbi Humphrey, Marlena Shaw), bu…

The International Nothing is a Berlin-based psycho-acoustic clarinet duo formed by Michael Thieke and Kai Fagaschinski in 2000. They collectively compose multilayered sound sculptures using multiphonics, beat frequencies and difference tones as an integral part of their language. Both musicians might be known as improvisers but in this project they develop and perform exclusively their own compositions crafted with an extreme care for detail and precision. The duo's works have been released on f…

The International Nothing is a Berlin-based psycho-acoustic clarinet duo formed by Michael Thieke and Kai Fagaschinski in 2000. They collectively compose multilayered sound sculptures using multiphonics, beat frequencies and difference tones as an integral part of their language. Both musicians are well known as improvisers but in this project they develop and perform exclusively their own compositions. The duo’s progression from release to release is subtle, but with "The Dark Side Of Success t…

The International Nothing is a Berlin-based psycho-acoustic clarinet duo formed by Michael Thieke and Kai Fagaschinski in 2000. They collectively compose multilayered sound sculptures using multiphonics, beat frequencies and difference tones as an integral part of their language. Both musicians are well known as improvisers but in this project they develop and perform exclusively their own compositions.Every four years the duo releases an album on the Japanese Ftarri Label. In 2018 they are pres…

*200 copies limited edition* “Costa and Ernsting are assertive and confident players who don’t hesitate to claim their positions, but most of all, they are keeping up with each other, using their dialogue to explore and expand. And that is what it is about, a quest for ideas and a way for them to co-exist, make sense, keep the story moving forward on all levels. And as far as the greater story is concerned: this album is another fine addition to an endlessly fascinating mosaic of sounds.” - Guy …

The third instalment of Trevor’s accounts of the seeds and growth of free improvisation in the UK, The London Musicians’ Collective (LMC), spans a 30 + year period and tells the story of one of the most celebrated of all British organisations for the experimentally inclined. With many illustrations of LMC festivals, adverts, fliers, posters, etc, the book follows the twists and turns of this most polymorphic of collectives, interleaving these with contemporaneous societal, cultural and political…

Futura Marge presents Hors Pistes by Laurent Geniez (alto & soprano saxophones, effects, machines, synthesizer, children's toys, washing machine pipes, guitar, electric bass, percussion, tins, various objects & vocals), Paco el Lobo (vocals, guitar & hand clapping) & Octave Z (trumpet, keyboards, programming & decks. Recorded between 2005 & 2007 at studio Z, and at l'Auditorium in Paris

*Limited edition of 500 copies.* The debut LP from RedGreenBlue posits a mesmeric, minimalist extension of Chicago's groove-based improvised music tradition. Over the course of two introverted, side-long pieces, the band patiently crafts hypnotic—yet still dynamic—sonic spaces using languid pulsations, careful shifts in colour, and occasional bursts of virtuosic urgency. It's music that hovers between worlds, unfurling a foundation of almost-ambient weightlessness that's inflected with audible s…

**500 copies** The Nick Mazzarella Trio was formed in 2008 and for several years remained one of the most active working bands in Chicago’s vibrant jazz scene, performing regularly at clubs and festivals across the city, and recording three albums before drummer Frank Rosaly moved to Amsterdam in 2016. When Rosaly returned for a visit in early 2018, Mazzarella composed a suite of six new pieces for a concert commemorating the trio’s tenth anniversary. That performance, given before a full house …

Bocian Records presents Four Sure a live performance by Roscoe Mitchell, Jerzy Mazzoll, Sławek Janicki and Qba Janicki. Recorded at the Polish Theatre in Bydgoszcz (TPB) as part of the 11th Mózg Festival (on 24.10.2015). Sound recording - Janusz Czado. Sound mixing and mastering - Michał Kupicz. Cover artwork and design - Jarosław Pawlicki.

*  CD version includes one additional track * Extended instrumental tracks from the nocturnal studio session of director and musician Jim Jarmusch, Sonic Youth's Lee Ranaldo, Balázs Pándi (Keiji Haino, Venetian Snares, Merzbow) and producer Marc Urselli (John Zorn, Mike Patton, Laurie Anderson, a.o). All was recorded live and analog, and in the moment. Mixed, mastered, recorded and produced by Marc Urselli at EastSide Sound Studios, NYC, 2019. Artwork by Italian artist Sara D'Uva. Press quotes f…

Dale Gorfinkel is a multi-instrumentalist, improvisor, instrument creator, installation artist, educator, and community builder. His work aims to reflect an awareness of the dynamic nature of culture & the value of listening as a mode of knowing people & places. He is interested in finding fresh ways of presenting and making music, bringing creative communities together & shifting perceived boundaries of scenes, styles & artforms. His first solo release reflects this diversity of interest…