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2016 Release. Seven Storey Mountain V is the fifth of seven evening length works that
began with a Festival of New Trumpet commission in 2007. Recorded live
at Abrons Art Center in New York City as part of the 2015 Tectonics NY
festival, SSMV continues Nate Wooley’s idea of creating an ecstatic and
communal music that is non-religious and non-genre based. The massive
collective group includes international stars from the jazz, new music,
electronic, and noise worlds–working together to rea…
The Balance is the fourth edition in the DSW-ARC Series; it presents an outstanding and incendiary David S. Ware concert, in trio with William Parker and Warren Smith. A tenor sax / bass / drums excursion of full intensity from the first note, this suite of spontaneous form was created at NYC's Vision Festival in 2010. Ware had been a perennial at this vital annual gathering since its beginning; this was his first time back since his revered Quartet bid farewell there in 2006, and it was a wholl…
Chicago Edge Ensemble is a special project of the finest Chicago musicians dealing in free jazz and improvisation, put together by Dan Phillips. Insidious Anthem is their second album, and first on Trost. Personnel: Dan Phillips - guitar; Hamid Drake - drums; Mars Williams - saxophones and percussion; Jeb Bishop - trombone; Krzysztof Pabian - double bass. "Dan Phillips leads a quintet with muscle and a big Chicago sound and memorable compositions." --The Wire. "Chicago jazz is the complexity of …
At The Hill Of James Magee presents the duos complete performance at the extraordinary monument "The Hill" in the Chihuahuan Desert in the middle of nowhere in Texas. John Butcher and Joe McPhee had never shared a stage before which ended up being an attentive collaboration, starting with a long duo, alternating solo performances, and closing the atmospheric set with another duo. Personnel: Joe McPhee - alto sax; John Butcher - tenor sax.
CD version, with 4 extra tracks non available on the LP version. Sparrow Nights is the first studio album from the furious duo of pedal steel player Heather Leigh and saxophone legend Peter Brötzmann.
Their collaboration has quickly gained a well-earned reputation for
their cutting-edge music and frenetic but sensuous playing. Recorded and
mastered in Vienna by Martin Siewert. Features artwork by Brötzmann; LP version comes in a heavy, '60s style tip-on cover."There is complexity in simplicit…
**Last Copies** Edition of 300. A long and profound relationship between two radical improvisors has transformed into a multiverse of sound in three pieces. On a curious day in Paris, John Butcher fell into his saxophone and ventured deep into its farthest corners. At the same time Rhodri Davies and his harp slowly merged into an otherwise unknown creature. As always John and Rhodri were adventurously exploring their respective instruments, and in its own singular fashion ‘Drunk on Dreams’ shows…
Doxy presents a reissue of the George Russell Septet's The Stratus Seekers, originally issued in 1962. Joe Goldberg, from the original liner notes: "'Color'
is a word that crops up with great frequency whenever George Russell
discusses music. 'Dixieland has a color,' he has said; 'bop is a
definite color, and so is atonality.' Following that train of thought,
one might extend Russell's thesis and refer to him as a kaleidoscopic
musical figure: so many different 'colors,' to use his phrase, …
Japanese RSD 2018 release of Akira Ishikawa's awesome cover versions of Fela Kuti's 'Let's Start' and Incredible Bongo Band's 'Bongo Rock'. On 7" vinyl for the first time. Two fantastic funky numbers from this hip Japanese drummer! "Let's
Start" is a tight take on an early tune by Fela – with this cool chanted
vocal in the mix – and "Bongo Rock" is a fantastic update of the
Preston Epps classic, taken into the same funky territory as the version
by Incredible Bongo Band
The few recordings made by the Modern Jazz Group, based in Freiburg, Germany, are scarcely documented. The MJGF was founded around 1954 by pianist Ewald "Waldi" Heidepriem, one of the pioneers of modern jazz in Germany in the 1950s. The music of the Modern Jazz Group Freiburg was truly excellent. Even today it sounds incredibly modern and energetic. This release documents a wonderful chapter of German jazz history. European modern jazz at its finest! Vinyl-edition.
** Edition of 300**A new chapter in a series of unreleased concerts from the 90s recorded in Japan by Chap-Chap Records, acquired by NoBusiness to bring them to light; this incredible live album, recorded at a concert in Yamaguchi, in March of 1994. Those in the know, free/jazz freaks worldwide, should know of drummer Sabu Toyozumi from his work with Peter Brotzmann, Derek Bailey, Misha Mengelberg and Haino Keiji - here setting up a continuum made of reverberations from cymbals, hi hat and misce…
Edition of 300 copies. Brand new album for the trio comprised of Larry Ochs (tenor and sopranino saxophones), Mark Dresser (bass) and Vladimir Tarasov (drums and percussion)
Edition of 300 copies. Recorded live on 15th January, 2017 at the Blue Whale, Los Angeles. Bobby Bradford - cornet, Hafez Modirzadeh - soprano saxophone, karna and khaen, Roberto Miguel Miranda - bass and Vijay Anderson - drums
Edition of 300 copies. All compositions by Martin Küchen and Rafał Mazur. Recorded live on March 6th, 2017 at BAZA Club, Krakow, Poland by Rafał Driewniany. Born 1966 in Sweden, Martin Kuchen plays alto-, tenor-, soprano-, and baritone saxophone. Tours internationally within the fields of jazz and impro related music. Rafal Mazur’s involvement with music began in his youth with violoncello studies in Krakow. He switched to bass guitar in the late 1980’s. Sinc…
Two giants of improvised music Barry Guy and Gerry Hemingway joining pianist/composer Simon Nabatov, for a concert recorded live in Loft, Cologne, Germany on 30-31st October. Simon Nabatov - piano, Barry Guy - double bass Gerry Hemingway - drums, marimba
Lovely live album that collects material recorded during Howard Riley 1976 tour in the US (taken from concerts held in New York and Buffalo, in the fall of that year). A work of deep musical contemplation, freedom and lyricism.
Completely wonderful album from pianist Dave Burrell and reedman genius Marion Brown on alto. Recorded at the Black Musicians’ Conference, University of Massachusetts Amherst, Massachusetts, 10th April, 1981.
In process of restock. Brace Up! is the first ever studio release from the duo of Chris Corsano (drums) and Bill Orcutt (guitar). Recorded in Brussels at Les Ateliers Claus by Christophe Albertijn on March 19th and 20th, 2018. Stage dive photograph by Jason Penner. "Over the past six years or so, drummer Chris Corsano has proven to be one of Bill Orcutt's most reliably flexible collusionists. Regardless of whether Bill is cluster-busting electric guitar strings, weaseling around with cracked ele…
** Holy-grail spiritual jazz, available again as an LP for the first time. Another key document of the Los Angeles radical jazz underground** Outernational Sounds proudly presents a Nimbus West spirit jazz essential: the Creative Arts Ensemble’s classic debut One Step Out. Mastered at 45rpm on double vinyl for enhanced sound, this release features all tracks at full length for the first time on wax.One of the most sought after and highly regarded titles to have appeared on Tom Albach’s celebrate…
** Issued on vinyl for the first time, Outernational Sounds proudly presents a monumental spirit music document from the Los Angeles underground** The saxophonist Jesse Sharps took over from Arthur Blythe as leader of Horace Tapscott’s Pan-Afrikan People’s Arkestra. ‘He became the Ark leader…he was hardcore,’ the pianist recalls. ‘They’d all be quiet and listen to him when he talked.’ This was the period of such classic PAPA recordings as Flight 17, Live At IUCC and The Call; lit up by the funky…
Corbett Vs. Dempsey presents a reissue of Joe McPhee's Nation Time, originally issued in 1971. It's been nearly five decades since McPhee assembled a group of musicians to perform the weekend concerts that would become Nation Time, his second LP. It was December 1970; thirty-one-year-old McPhee was inspired by Amiri Baraka's poem It's Nation Time, and the students at Vassar College didn't know what hit them. "What time is it?", shouted McPhee. "Come on, you can do better than that. What time is …