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Jazz /

Cry, Want
Very loosely related in selected affinity to the late Austrian saxophonist and artist Hans Koller, this younger version has played football with clubs such as TSV Oberlauringen and Dynamo Kebab, has studied ethnomusicology at the School of Oriental and African Studies in London, and also jazz composition with Mike Gibbs and Bob Brookmeyer.Over the past decade Hans Koller has played and worked with Steve Lacy, Evan Parker, Phil Woods, Harry Becket, Kenny Wheeler, Bill Frisell, Steve Swallow, Jeff…
Ep
This recording is my attempt to play Evan Parker. Seven tracks were recorded in STEIM's Studio 3, trying to reflect the liveness of Parker's solo recordings. All of these are single takes with minor edits at the beginnings or ends. Two interlude tracks are short experiments looking at timbral characteristics when the rotation of the turntable is extremely slowed down. The last three tracks are compositions made from both Parker's and other improvisors' records.
Vents
A keenly awaited recording from the long standing collaboration and friendship between Fernandez and Saura. They have worked together in many different groupings but this is the first time their specific duo music involving piano and live sampling has been documented.
Fléchettes
“Jean Derome (flute, alto saxophone, etc.) and Lê Quan Ninh (percussion) are both leading figures in improvised music. They are also active in other musical genres such as jazz and contemporary music. They were invited by Tour de Bras make an entirely improvised concert that was a time of intense music. Such a sublime moment. Fléchettes documents this encounter, this dialogue while surprises and smiles apart, both fun and physical, both calm and truely energic.”
Where jazz has gone?
New Jooklo finnish formation, this time with great guitarist Topias Tiheasalo joining the compact trio of saxophonist Virginia Genta, drummer David Vanzan and bassist Tero Kemppainen, whom have been working together for the past three years now. The first time that the four played together was for a live concert in Turku, Finland, in 2009: meeting up just few minutes before the show started, and immediately throwing out a mighty jam of superfast free jazz. After one year, they met again for a sh…
Sin Asunto
Jason Kahn - amplified percussion. Vincent Millioud - violin. Bo Wiget - cello. Christian Weber - contrabass. Recorded in Zürich, 2008. Cover design Jason Kahn.
Day before one
Frode Gjerstad (alto sax, bass clarinet) and Paal Nilssen-Love (drums) recorded 2000 by Frode. Cover art by Terry Nilssen-Love. 'Two men sitting on a balcony, old friends, right before dawn. Maybe sipping some nice cups of tea, maybe even something stronger. Talking about anything, things shared, opinions, the way of the world. From time to time the conversation heats up a bit, touches things that are not seen completely eye to eye, then (eventually, always) understanding, friendship, trust take…
The Art of the Improviser
"The Art of the Improviser", a 2XCD, is Shipp's most audacious attempt yet to answer the enigmatic question of what it means to be a modern jazz musician. Already having explored the possibilities of electronically infused jazz on critically acclaimed projects with the likes of DJ Spooky, Scanner, and Anti-Pop Consortium, Shipp revisits an acoustic sound for this fearless voyage into the psyche of the improviser. Shipp's "idiosyncratic genius" shines through on this album, explaining once again …
Music Of Group Ongaku
"Group ONGAKU, founded mainly by students at Tokyo National University of Fine Art & Music, was the 1st collective musical improvisation group. The group began their activities in 1958, & from the naming of the group in 1960 onward continued until somewhere around 1962. They attempted to create acoustics corresponding to actual time & space by means of collective improvisation. Although methodically different, the music that they pursued incidentally shared common directions with contemporaries …
Life Amid The Artefacts
Two releases in one, Otherways was a 2nd generation free improvising group from London performing in '73; and Free Space was a group assembled in '73 by John Stevens with Trevor Watts, John Russell, &c.  The bulk of this CD features Otherways, a 'second generation' London group that has not appeared on record before. This delayed publication, combined with the general lack of recognition of the musicians involved, does not prepare one for the excellent music they made together, distinctly differ…
Horizon
An amazing live date from Sun Ra & The Arkestra – recorded in Cairo in 1971, with a very transcendent sound overall! Ra and the group are clearly inspired to be working in the shadow of the pyramids – and their music sometimes has Eastern overtones, a bit in the manner of Salah Ragab – their associate in Egypt – yet at other times, things get quite outside and noisy too! The keyboards are especially wonderful – as Ray plays "tiger organ" and moog, in addition to conventional piano – adding in th…
Cosmo Sun Connection
A CD containing the limited edition Recommended LP release that has been out of print for the last 12 years - though much in demand, since it comprehensively covers the diversity of the Arkestra's work - via Africa, through Ellington and all the way on to Pure Electronics. Given to us by Ra over a decade ago, we intend to apply the royalties of this re-release directly to the Arkestra. A Classic
Townsville
The Necks in quiet mood recorded at a concert recording in Townsville, Thuringowa, Northern Queensland. Though many Necks' pieces open with - or eventually arrive at - some discernable groove, Townsville just floats in a state of suspension from beginning to end. It's like watching the ocean as wave follows wave follows wave: each the same; each different; assymetric. Bassist Lloyd Swanton who, on this occasion, provides the motif that set Townsville running says he had had no idea where it woul…
Beyond The Purple Star Zone / Oblique Parallax
Two related classic Saturn LP reissues on a single CD, both recorded at the Detroit Jazz Centre - in 1980 and 1981 respectively. They share an excellent sound quality and great playing - there's a classic version of Rocket No.9 and plenty of otherworldly Moog and electronic keyboards - up there with Ra's best on record. Rocket excepted, all the pieces are original to these LPs and don't appear elsewhere (though the first track of Purple is heard again at the end, with another name (exactl…
Binome
Recorded in 1984, this issue on vinyl of a performance by German bass clarinetist Michel Pilz and French drummer Jean-Noël Cognard is everything my heart needs today, bringing raw but lyrical improvisations on two short album sides (really too short). Both musicians are absolutely great to hear. Pilz's tone on the bass clarinet is excellent, and so are his improvisations. He did not release much under his own name, but performed amonst others with the Globe Unity Orchestra, Peter Kowald a…
The source
“A 4000 year old rock band" W. S. Burroughs. Recognised internationally, Jajouka goes back up to the late Rolling Stone Brian Jones, across his collaboration of 1968, but also to Paul Bowles, Brion Gysin, and William S.Burroughs which had already established their residences for some years together with these musicians of the mountains of Rif. "The Source" is the new record of The "true" Master Musicians of Jajouka and it goes back to the origins of their sacred music. Bachir Attar, last …
The complete short stories 1998-2010
Howard Riley : piano. CD 1 was recorded on 23rd July 1998. CD 2 was recorded on 11th April, 1999. CD 3 was recorded on 29th June 2004. CD 4 was recorded on 2nd August 2006. CD 5 was recorded on 27th June 2008. CD 6 was recorded on 22nd April 2010. All compositions by Howard Riley (PRS MCPS). Mastered by Ar nas Zujus at MAMAstudios. Design by Oskaras Anosovas. Producer Ð Danas Mikailionis. Co-producer : Valerij Anosov.' label info. 'The beauty of a short story, of course, is that it can be taken …
Live in Nashville & Louisville
arthur doyle- tenor sax, voice; vin paternostro- roland 505; ed wilcox- percussions; leslie q- bass ;rec. march 26 & 27, 2004 at springwater tavern & artswatch...the final available rec. i have left of Arthur, unfortunatly ?! i kept it for the last since i find it a really special goody: a more intimate 4et live dates from 2004
Revenge of the one-eyed hyena
Moody, open, and airy – not really a jazz record, but one that feels quite improvisational in nature – although more in the ways you might get from an extended minimalist jam at start of the 70s! Instrumentation here includes synth, music box, violins, guitar, kalimba, and toy keyboard – but often used in these really abstracted ways, so that the sounds float out in the air, and are circled back a bit – and getting nice and noisy by the end! (Limited edition.)
Tenor
Bertrand Denzler tenor saxophone. Recorded by Christophe Hauser on february 21st, 2010. 'As well as being part of such improvisation ensembles as Hubbub, Trio Sowari and Propagations Sax Quartet, Bertrand Denzler, who plays the tenor saxophone, also records solo music. Each of the three lengthy pieces on Tenor use a single note which are subsequently layered. Not by repeating them on the computer, like say Phill Niblock would do this, but by adding small variations in how he plays them. In Filte…