Jazz /
Prelude To Heart Is A Lotus
2013 release. Previously unavailable, this unearthed 1968 BBC Session contains markedly different versions from Michael Garrick's 1970 classic 'Heart Is A Lotus' album. A Londoner's rain-soaked riposte to modal jazz exotica, this long lost recording is already being hailed as an essential release. Michael Garrick’s 1970 LP Heart Is A Lotus went on to become one of the most important British jazz albums of the subsequent decade. For a few years prior to the record’s release Garrick and his sextet…
Peace and Blessings
** Original 1979 vinyl edition of the album. Few copies available. Sealed copies ** A fantastic album recorded in Italy, but with all the soulful roots of Kalaparusha's earlier years with the AACM – an incredible balance of tone and timing, handled by a quartet - this obscure set features passionate blowing by Kalaparusha Maurice McIntyre (heard on tenor, flute, clarinet, bass clarinet and percussion) along with the little-known Longineu Parson on trumpet, flugelhorn, flute, sopranino and record…
Four Pieces
**Original 1982 vinyl edition of the album. Few copies available** Four Pieces (recorder in November 1981) documents a long lost studio collaboration between pianist Giorgio Gaslini and Anthony Braxton. Alto and Soprano Saxophone and Piano, beautifully together in a set of free improvisations – really letting us hear the imagination that drives the duo. Two real masters of free music - the two exchanging lines that race beyond personality on an extended version of Braxton’s “Composition 191” an…
Swimming Pool Orchestra
**Original 1981 vinyl edition of the album. Few copies available** A real piece of creative madness. With "Swimming Pool Orchestra", Mario Schiano decided not only to continue with the humor of provocation (two musicians are locked in a dilapidated recording studio, where the sound engineer tries to repair the water pipes. The two try to wait, quarrel, until the studio is flooded and the record can no longer be made), but also inviting in the studio Umberto D'Ambrosio, aka Trottolino, a minstre…
Cioè...
**Original 1978 vinyl edition of the album. Few copies available** A beautiful illustration of the strength of cellist and double-bassist Paolo Damiani as a leader – that way he has of firmly directing a quartet from the place of the bass, yet always in a subtle way that never overpowers the rest of the group! The balance here is wonderful – as Strutture Di Supporto's sound drives free improvisation to great dramatic effect, and soulfully set the tune from the start – yet the lead lines are ofte…
Skies Of China
**Original 1985 vinyl edition of the album. Few copies available** What emerges from Giorgio Gaslini’s various suites is a happy explorer, recalling worldly journeys and launching musical adventures. He was the first Italian jazz musician to play in India and China and the result of each journey was an extended suite. Gaslini’s own language that emerges triumphant, a fondness for floating clusters and fractured boppish themes (his writing can hint at influences from Monk to Schoenberg, George R…
Murales - Giorgio Gaslini Quartetto Live
**Original 1976 vinyl edition of the album. Few copies available** Recorded live at Teatro Delle Arti in Roma, on January 5th, 1976, and released on his own Dischi Della Quercia (like many creative musicians in the ‘70s, Gaslini launched his own record label, both to document his own work and that of his associates) the same year, it is one of the Giorgio Gaslini's most representative works of his career in the 70's. An adventurous album, with bassist Bruno Tommaso and drummer Andrea Centazzo n…
Glass Bead Games
**180 gram LP x 2 gatefold sleeve Hi Res remastring** Fifth part of the Strata-East Dolphy Series, Glass Bead Games is arguably the crown jewel of the Strata East movement, an amorphous genre that treads an unusual path between post-bop, 70’s avant-garde and spiritual jazz, with a groove. Glass Bead Games is full of revelations at many levels. First, the decade of the 1970s did produce genuinely creative, "human" new music flowing from the jazz mainstream; second, Bill Lee was more than Spike's…
The Complete Remastered Recordings. Solos Duos Trios
In the Complete Remastered Recordings on Black Saint & Soul Note box set series, Steve Lacy's Solos, Duos, Trios volume is a standout. These recordings are not arranged chronologically, but according to the number of personnel involved on their individual dates. The set commences with 1985's Only Monk and is followed by More Monk from 1989. These are both brilliant recitals by the man who was one of the Thelonious Monk's greatest interpreters. The programs are a balance of canonical and lesser-k…
The Complete Remastered Recordings
The legendary jazz recordings made by Black Saint/Soul Note make a welcome return to the active catalog with this series of specially-priced boxed sets that highlight some of the label's finest artists. Roscoe Mitchell - The Complete Remastered Recordings features nine discs in slipcases with original album artwork housed in a clamshell box. Included are Mitchell's 3x4 Eye, Roscoe Mitchell and the Sound and Space Ensembles, The Flow of Things, Live at the Knitting Factory, Duets and Solos, This …
The Complete Remastered Recordings, vol 2
The story of the founding of AACM is repeated often enough that it’s
codified into legend: pianists Muhal Richard Abrams and Jodie Christian,
drummer Steve McCall and trumpeter Phil Cohran, having come together in
Abrams’ Experimental Band, met to lay the groundwork for what would be
an independent organization for the production and promotion of creative
jazz on Chicago’s South Side. As an organization committed to
egalitarianism and self-determination, Abrams’ clear role as the
spiritua…
I Heard A Sigh
Few artists from the 70s in Europe have generated as much excitement with the new generation as Cortex! For this unreleased album recorded in 1979, Cortex makes you travel with "I Heard A Sigh", and as usual the grooves are unstoppable, like on "A Winning Team" or "High On The Funk"... It's like the best instruments have found the best hands (Fender Rhodes, Moog, Prophet, Korg, Orange Drum...) Trad Vibe label, accompanied by Cortex' leader, Alain Mion, are pleased to present these rare recording…
New Japanese Noise
Akira Sakata: alto saxophone, Bb clarinet, voice. Kiko Dinucci:electric guitar. Kohei Gomi: electronics. Paal Nilssen-Love: drums. Toshiji Mikawa: electronics. Produced by Paal Nilssen-Love and Lasse Marhaug Recorded live in concert at Roskilde festival 2018, Roskilde, Denmark, July 4th 2018 by Christian Brynildsen Obermayer. Mixed and mastered by Lasse Marhaug. Cover by Lasse MarhaugFor the 2018 edition of the Roskilde festival in Denmark Paal Nilssen-Love was asked to put together two special …
New Brazilian Funk
For the 2018 edition of the Roskilde festival in Denmark Paal Nilssen-Love was asked to put together two special projects. Nilssen-Love chose to put together two groups: one Japanese and one Brazilian-based band. Nilssen-Love has for a long time been influenced and inspired by a wide range of Brazilian music, and has in the last ten years also made the connection by collaborating with Brazilian musicians and bringing his own projects to Brazil. For the Roskilde project (now to become a steady ba…
Monorails & Satellites: Works for Solo Piano Vols. 1, 2, 3
CD Edition. "Considering the monumental depth of Sun Ra's recorded oeuvre, there are surprisingly few solo piano albums. Monorails & Satellites Volumes 1 and 2 were the first commercial LPs of the artist's solo keyboard excursions. Recorded in 1966 and released on his Saturn imprint in 1968, Volume 1 featured seven idiosyncratic originals and one standard ('Easy Street') delivered in Sunny's singular manner. Volume 2 was released the following year, and contains five compositions, all originals.…
Complete Communion Live
Complete Communion was Don Cherry's first Blue Note release. One of the groundbreaking pieces of work from the mid-sixties Jazz scene, and here is the same great line up caught live in Hilversum (Holland) in May 1966, just five months after the studio recording session. Don Cherry - cornet, Gato Barbieri - tenor sax, Henry Grimes - bass and Ed Blackwell - drums, a marvelous quartet based on four of the most distinctive Free Jazz voices of the time. This highly energetic performance consists of a…
Change Of The Century
Wax Love present a reissue of Ornette Coleman's Change Of The Century, originally released in in 1960. The second album by Ornette Coleman's legendary quartet featuring Don Cherry, Charlie Haden, and Billy Higgins, Change Of The Century is every bit the equal of the monumental The Shape Of Jazz To Come (1959), showcasing a group that was growing ever more confident in its revolutionary approach and the chemistry in the bandmembers' interplay. When Coleman concentrates on melody, his main themes …
Long Play
Combining visual strategies, free improvisation, UK garage and punk, Still House Plants build melodic hierarchies scaffolded around ambiguities and intimacy. Fresh from being selected for the Cafe OTO Artistic Development fund, and following two sold out tapes on Glasgow label GLARC, the trio’s debut LP 'Long Play' collects their group's raw guitar-drum-vocal palette and stretches it to include violin, piano and intimate home recording. Ranging from seconds-long to seven:minute:somethings, the …
Keith Rowe: The Room Extended
In London, in the fall of 1965, a group of four musicians dissatisfied with the constrictions they had encountered in the British jazz scene, came together with a highly thought-out agenda to revolutionize the way music was created, rejecting rules firmly in place then (and still today) among even the most forward-looking of musicians: no repertoire, no solos, no regular rhythms, no melodies, no fear of silence, 100% improvised. Keith Rowe was one of the founding members. They called themselves …
Pourquoi
"Pourquoi" originally released in 1978 on French Crypto label. It sounds like a new side of Cortex: songs are mainly composed around the voice and the various keyboards of the band leader, Alain Mion, who also played bass lines on synthesizer. Besides, the band gave up the live recording to use the beloved Stevie Wonder or Quincy Jones' technique of "re-recording". But, in spite of these changes, their groove remains as spontaneous and as powerful. Also, the band collaborated with great backing…