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First ever UK CD release for this classic album from the master percussionist & ambient musician -- remastered from the original tapes. Extensive booklet with liner notes & fully restored artwork. Stomu Yamash'ta is a master percussionist who studied jazz drumming at Berklee School of Jazz. In the 1970s, he recorded a string of innovative albums for Island Records which utilized the talents of such leading musicians as Hugh Hopper, Maurice Pert, Steve Winwood, Michael Shrieve and Klaus Schulze, …
This is the first chance to hear a recently discovered recording from Command All Stars, a project involving widely recognized musicians from Keith Tippet Group, Soft Machine and King Crimson, among others. In February 1972, a group of young jazz musicians gathered in London's Command Studios, with producer Robert Fripp, to record a double album intended for Ronnie Scott's productions. The cast, consisting of pianist Keith Tippet, saxophonist Elton Dean, trombonist Nick Evans, trumpeter Mark Cha…
Originally recorded in 1964. Featured artists: Albert Ayler (tenor saxophone); Sunny Murray (percussion); Gary Peacock (bass); Don Cherry (cornet). The legendary recording, digitally remastered with new artwork, and liners by Russ Musto. Includes free 9.5 x 9.5 pullout poster!
Pharoah Sander's classic 1964 session, his first as a leader. Remastered from the original tapes and presented here for the first time with insightful and entertaining interview clips detailing Pharoah's early experiences as a young musician in New York. Includes over thirteen minutes of previously unreleased interviews with Pharoah Sanders and ESP-Disk founder/CEO Bernard Stollman. Pharoah Sanders (tenor saxophone); Stan Foster (trumpet); Jane Getz (piano); William Bennett (bass); Marvin Pattil…
Axel Dörner (trumpet), Thomas Lehn (analogue synthesiser) and Phil Minton (voice). two extended improvisations by three of Europe's most accomplished improvising musicians, taken from live performances in Austria (2005) and Germany (2008).
Since last year, those titles had been a hold by various matters but ONJO (Otomo Yoshihide's New Jazz Orchestra) Live CD are finally released at last. Those essential titles, 2CDs x 2 sets are organized various Live performances and indicate the future ONJO. The sound of ONJO contains every connection between tone, onkyo, sonority, melody, rhythm and so on. Disc 1 : Shichinin no Keiji (Berlin + Tokyo), Gazzelloni (Kyoto), Te recuerdo Amanda > Song For Che > Reducing Agent (Tokyo), Super Jetter (…
Since last year, those titles had been a hold by various matters but ONJO (Otomo Yoshihide's New Jazz Orchestra) Live CD are finally released at last. Those essential titles, 2CDs x 2 sets are organized various Live performances and indicate the future ONJO. The sound of ONJO contains every connection between tone, onkyo, sonority, melody, rhythm and so on. Disc 1 : Lost In The Rain (Berlin), Out To Lunch (Tokyo), Playgirl BGM (Berlin + Tokyo), Double Command II (Tokyo), Single Command (Tokyo), …
Classic spiritual soul jazz from Pharoah Sanders – recorded with an all star
lineup that includes Lonnie Liston Smith, Cecil McBee, Roy Haynes, and
Michael White. The album's got a strong influence from the members on
the set – particularly Lonnie Liston Smith, who seems to bring in a very
nicely soulful approach to a few of the numbers, and Michael White,
whose spiritual consciousness is still a bit rough-hewn and personal at
this point. The record oddly shifts mood from track to track …
Although introduced as a protégé of John Coltrane and touted by many as his heir apparent, reedman Pharoah Sanders quickly proved his own man. His shared interest in the "cosmic" music of Coltrane's final period belies the fact that Sanders frequently plays with an unhurried sense of peace and satisfaction rarely found in his mentor's music. His use of space, African and Asian motifs and instruments, and simple, repetitive melodies also pointed the way for jazz, rock, and new age musicians in th…
No one navigates a stormy sea and subsequent repose quite like avant garde pilot Pharoah Sanders. We are invited here to join the personnel in transcendental affirmations of peace, reassured by the yodeling of Leon Thomas and happy, revelatory ... Full Descriptionpiano work of the one and only Lonnie Liston Smith. Chimes, African thumb piano, and the talking hourglass drum are just some of the other elements which make this album musically and culturally compelling. The compositional minimali…
Digitally remastered by Erick Labson (MCA Music Media Studios). Hannibal Marvin Peterson's trumpet and Pharoah's tenor screech out of the melody in accord--their amity is in the process and the product.. Characteristic of Pharoah's other ... Full Descriptionwork at this time, "Black Unity" rides an often static bass figure. In this way, while the improvisations may evoke the reflective or the frantic, an assertive central theme pervades in the lower register: determination (Does "A Love Supre…
In 1966, she replaced pianist McCoy Tyner in her husband John Coltrane's group. Coltrane's work became a spiritual wellspring for her, but she surely developed her own style on piano, organ, harp, and later, Indian instruments such as the tamboura. After Coltrane's death in 1967, Alice began recording under her own name for Impulse!, leading groups that included at various times saxophonists Pharoah Sanders, Archie Shepp, Joe Henderson, Frank Lowe, and Carlos Ward, double bass players Cecil McBe…
Ptah, the El Daoud was the third solo album by Alice Coltrane. This was Coltrane's first album with horns (aside from one track on A Monastic Trio (1968), on which Pharoah Sanders had played bass clarinet). Sanders is recorded on the right channel and Joe Henderson on the left channel throughout. All the compositions were written by Coltrane. The title track is named for the Egyptian god Ptah, "the El Daoud" meaning "the beloved". "Turiya", according to the liner notes, "was defined by Alice as …
Originally issued by Impulse in 1971, this is definitely one of the best truly cosmic jazz orchestrations ever realized. Recorded at the Coltrane home studio, Dix Hills, New York on November 8, 1970. Alice Coltrane (harp, piano); Pharoah Sanders (soprano saxophone, perc); Charlie Haden (bass); Rashied Ali (drums); Cecil McBee (bass); Vishnu Wood (oud); Tulsi (tamboura); Majid Shabazz (bells, tambourine). "Swamiji is the first example I have seen in recent years of Universal Love or God in actio…
Anthony Braxton's 9 Compositions (Iridium) 2006 is a nine-CD-plus-one-DVD box set documenting what Time Out New York called "last Spring's epochal run" at New York's Iridium Jazz Club with his 12+1tet. Described by Braxton as "THE point of definition in my work thus far," these concerts featured the world premieres of Compositions 350 through 358, the final works in his Ghost Trance Music series, recorded over the course of this rare four-night stand on an American stage. Included with the music…
Onze Danses Pour Combattre la Migraine (French for "Eleven Dances for Fighting Migraine") is the debut album by Belgian avant-garde rock band Aksak Maboul. It was largely the work of one of the band's co-founders, Marc Hollander and was credited to Marc Hollander/Aksak Maboul. It was released on LP in 1977 on a Belgian independent record label, Kamikaze Records, and later re-released twice on Hollander's own Crammed Discs label: on LP in 1981, and on CD in 2003. Onze Danses Pour Combattre la Mig…
An album properly realized for an the 'Arte Aborigena Australiana' exhibit, organized by Galleria Bolzani, Milano. Stefano Scala is a researcer and musician with a great experience in antropology and ethnic instruments collected all over the world.
Here it is, the Mosaic’s awesome Anthony Braxton set, The Complete Arista Recordings, is a long-awaited dream-come-true for fans of the jazz avant-garde. The set’s liner notes were written by musician and scholar Mike Heffley, who gave Mosaic a draft that was twice as long as what they were able to use. Anthony Braxton is the sort of artist who triggers those heated “Is it jazz?” debates; whatever his music is, it is brilliant. By the time he signed with Arista Records in 1974 at the age of 29, …
long deleted, very few availabe...Many if not most of Derek Bailey's fans (I was going to write "hardcore fans," but aren't we all?) will be surprised at the existence of these extremely early solo recordings, originally issued by Incus back in 1973. Even for a label as unorthodox as Incus, the TAPS represented a unique but very short-lived experiment in "marketing"; basically, Derek decided that it would be interesting, cheaper, and "less formal" to issue some of his favorite recent solo improv…
Long awaited reissue of this historic pre-FMP album by Peter Brotzmann. Known to many for it's placement on "The List" (T. Moore's Top Ten list of free jazz artifacts as published in Grand Royal of course), this is one of the most desirable and completely unseen albums in the genre of modern improvisation. Recorded April 18/24, 1969 and released on the Calig-Verlag label. Simply put, Nipples is one of the rarest and most influential European energy jazz recordings of all time. The incendiary Sex…