Jazz /
Lonely Woman
*2022 stock* Guitarist Masayuki "Jojo" Takayanagi (1932-1991) was a towering leader in the Japanese jazz world. His first influence was Lennie Tristano, but through the 1960s and 1970s he explored and pushed the boundaries in free form jazz, leading a group called New Direction, among others. Ever a fighting spirit, in 1982, shortly after recovering from a life-threatening medical condition and surgery, Takayanagi decided to take on a challenging task for any guitarist: To record an entire solo …
Green Caterpillar
Pianist Imada Masaru was 42 years old when he recorded this album in 1975. His adventurous spirit led him to use the electric piano for the first time in a recording, and thanks to his musicianship, he made it sound like he'd been playing the instrument for years. The program opens with the title track, a sophisticated urban funk. Guitarist Kazumi Watanabe plays a big role here. It is followed by a more intricate, fusion-like "Straight Flash."The all-original-composition program switches gear on…
Poppy
Poppy was pianist Masaru Imada's second album for the Three Blind Mice label. Imada brought the idea of playing slow ballads by himself to the TBM producer Takeshi Fujii, who greenlit the project but requested Imada to perform his original compositions with his current trio. The result was this album. Side A consists of four solo piano performances of jazz standards, and the trio takes on Imada's three originals on Side B.Produced by Takeshi Fujii. Recorded at Aoi Studio in Tokyo on January 25 a…
Moon Ray
"Otomo is an alto player from the Jackie McLean school of tone and the Art Pepper institute for improvisation. In other words, his tone has an edge, but he always phrases and improvises melodically. With Tsuyoshi Yamamoto leading the rhythm section, the other two members, Tamiko Kawabata on bass and Arihide Kurata on drums, had to be ever watchful and vigilant that these proceedings didn't escape them altogether. The set opens with the hard blues wing of the title cut by Artie Shaw. Otomo pushes…
Live at Hachioji Alone Sep.3 1977
Kaoru Abe was an influential Japanese free jazz alto saxophonist, who is often regarded as being the greatest abrasive sounding saxophonist.
He generally performed solo, and died young from a drug overdose, and has since been immortalized in the jazz scene. He became close friends with Milford Graves, Masayuki Takayanagi, Derek Bailey, and Motoharu Yoshizawa, and was married to the author Izumi Suzuki. His cousin was the famous singer Kyu Sakamoto.
Eternal Duo
One of the most compelling albums Steve Lacy recorded during the 80s – a spare set of duets with Japanese percussionist Masahiko Togashi, who really helps shape Steve's style on the record! Togashi approaches his instruments with a very introspective, almost tentative style – hardly the bold rhythms of other drummers, and instead this subtle stepping forward that almost feels, at times, as if Masahiko is discovering his instruments for the first time – and figuring out the sounds in a careful wa…
Three Improvised Variations On A Theme Of Qadhafi
Jinya Disc presents Three Improvised Variations On a Theme of Qadhafi. A live recording board that includes live performances of improvisation by Action Direct, which was performed on the theme of "personal image" of Muanmar al-Gaddafi rather than ideology or political position. Jim O'Rourke refers to Three Improvised Variations On a Theme of Qadhafi as "a constellation of moving celestial bodies, expanding gas, exploding stars densely packed" and "a corridor of endless possibilities and discove…
Mass Hysterism: In Another Situation
Mass Hysterism: In Another Situation, a 1983 record by the late Japanese noise-guitar hellion Masayuki Takayanagi (1932–1991) is one of those albums that always going to be lurking in my attic, so to speak. I can put it away for a while, but it never goes to sleep—it's always calling me. Even if it takes a few years, I'll be back. (As an illustration of this, I obsessed over Takayanagi in a February 2007 post as well.) It's a bashing, clanging exorcism: two electric guitars (the other played by …
Adams Apple
Further distanced in time from John Coltrane's spiritual new-jazz and the influential second Miles Davis quintet, Doug Carn showed a close affinity with R&B when recording his fourth and final Black Jazz album Adam's Apple. Sharing his interest in R&B was a platoon of committed, resourceful jazz musicians including young star-in-the-making Ronnie Laws, who had worked with Earth, Wind & Fire before that band's big commercial breakthrough. Of the others, ace guitarists Nathan Page and Calvin Keys …
Fjordgata
John Butcher, saxophones. Michael Duch, contrabass. Jazzfest Trondheim, Trondelag Senter for Samtidskunst, 9th May 2015. Recorded in concert by Jonas Krossli and mastered by Karl Klaseie. Thanks to Ernst-Wiggo Sandbakk and Randi Martine Brockmann. 'I first heard John Butcher in 2001 playing duos with Rhodri Davies and Derek Bailey on the CD Vortices and Angels. I was completely mesmerized, particularly by the two tracks in the end with John and Rhodri playing together. Vortices and Angels is sti…
Angry Waves Vol.2
Masayukia Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.
Angry Waves Vol.1
Masayuki Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.
She Sleeps, She Sleeps
LP version that includes bonus CD, edition of 500. Fire! is a Swedish trio comprising Mats Gustafsson (The Thing), Johan Berthling (Tape), and Andreas Werliin (Wildbirds & Peacedrums), which came together with the idea of a fresh approach to improvised music drawing upon a number of influences from free jazz, psychedelic rock, and noise. Fire! is also these musicians' vehicle for rekindling their instrumental skills, playing outside their comfort zones, and collaborating with such prestigio…
At the Funkhaus LP
rec. 1973 live at the Funkhaus, Hamburg, Germany - ltd/numbered 1/69, with paste-on cover (front & back with notes) "two sides long pieces, available here for the 1st time, top sound quality/pressing" punzmann
Friendly Love
A vibrant Sun Ra recording session held in NYC at Variety Studio in 1973, ltd/numbered 1/79, with paste-on cover (front & back with notes) "meager, raw and totally oblique Arkestra rec. available here for the 1st time. very difficult record to do, came out amazing" punzmann
The Boston Creative Jazz Scene 1970-1983
Cultures Of Soul compile a selection of music culled from rare private press Jazz LPs, pressed in small quantities of a few hundred for band members and the local jazz community. This group existed in the creatively fertile, Boston jazz scene at the time. Presented as a double LP set, packaged in deluxe box with each piece of vinyl housed in its own euro-style glossy jacket. In the 1970s Boston was a fertile ground for a very creative jazz scene. Small, independent venues ranging from lofts…
Beyond Jazz: Plink, Plonk and Scratch
**2016 revised edition** Utterly essential!!How did Free Improvisation, aka Free Music emerge? And how has this most arcane of musical forms survived so long and gained such loyal adherents? Trevor Barre seeks to answer these questions in Beyond Jazz, the first book solely devoted to the so-called First Generation of Free improvisers.
Beyond Jazz is an account of the genre's formative London years. It retraces the road that led from the music's emergence in late 1965/early 1966, through t…
Melt
Begun as a temporary project in 2014 by Mats Gustafsson(The Thing, Fire!), Brian Chippendale (Lightning Bolt), and Massimo Pupillo (Zu), this trio soon evolved into a band project. They're now releasing their first album on Trost Records, with a tour to follow in 2016. Mats Gustafsson: saxophone; Brian Chippendale: drums; Massimo Pupillo: bass.
Clarinet Record
A five part suite evoking the memory of Jimmy Guiffre and Giancinto Scelsi. Alex's brilliant clarinet playing perfecty complements Coxon's musical experiments in which the listener's spatial perspectives are constantly being challenged-extremely vivid recordings of guitars, kalimbas, 78rpm recordings,pebbles, metal objects and handbells form surreal landscapes as he takes the listener on an extended musical journey.
Clapham Duos
In the only studio recording of this duo, John Tchicai and Evan Parker improvise a set of pieces at once reflective and joyful, introspective and responsive by turns. Recorded in 2005 during John's visit to London at the invitation of John Coxon and Ashley Wales. A beautiful dialogue between these two great figures.