Jazz /
The beloved music
The most thoroughly realized blueprint for a post-hardcore take on improvised jazz to date from the duo of legendarily long-serving New England saxophonist Paul Flaherty and young firebrand drummer Chris Corsano. Forsaking the call and response modes of countless improvising ensembles, the duo deal more in a simultaneity of sound, an elemental non-stop gush of ideas, rhythms and epiglottal forms that at points feels like a small-group response to the orchestral conceptions of the Peter Brotzmann…
Most Materiall
"Double album, double solos of two distinctive musicians, becoming duets in a relatively rare space between solo playing and ensemble. Reed and percussion start at different places, the working through breath, the other pulse of materials being struck, one typically characterised by line, the other by attack, producing in the first pitch configurations, in the second beat patterns (Eddie Prévost doesn't use the specifically pitched mallet instruments). Each player comes with a distinctive sonic …
America 2003
From last year's North American tour: Evan Parker (saxophones), Alexander Von Schlippenbach (piano), Paul Lytton (percussion) in concert recordings at the Contemporary Arts Center New Orleans and the Seattle Asian Arts Museum.
Out to lunch
2nd works is the covers of famous Eric Dolphy's Out To lunch! otomo's post-modern interpretation of Dolphy's compositions by Orchestra is very beautiful and intensive. Gazzelloni is translated to hardcore punk version, or Straight Up And Down ? Will Be Back is translated to improvisation that is swift to respond each other and most beautiful onkyo sound. This is the marvels of jazz! otomo Yoshihide (guitar, conduct on 4), Axel Doerner (trumpet, slide trumpet), Aoki Taisei (trombone, bamboo flute…
Dentro
Somewhere between Musique Concrete and a kind of abstract improvisational work, using extended techniques and electrification that disconnects sound from any recognisable source. A fascinating first record that sits between studio improvisation and extensive post production processing composition.
Adult guitar
Adult guitar is a startling anthology of twenty unreleased tracks from Noël Akchoté's first twenty-one years of recording. Adult guitar (it is twenty-one years, after all) is the first record to attempt to represent the breadth of Noël's music. The project began when Noël dumped ten hours of wonderfully heterogeneous archival recordings in the hands of David Grubbs, who served as project editor and created a number of pieces from the raw material of live recordings. The resulting collection incl…
Wrong Shape To Be A Storyteller
Recorded live in Jersey City, NJ on 8/8/2004.Mixed and mastered at Amme Studios in NYC 9/1/2004
Aporias
Tatsuga Nakatani (drums, percussion), Raymond MacDonald (alto saxophone), Neil Davidson (guitar), Peter Nicholson (cello), and Nick Fells (laptop.) Recorded December 2004, Glasgow.
Music + one
2006 release ** Music + One, created in collaboration with Myles Boisen, is a collection of solo improvisations that is meant to be played along with by improvisers. The instructions given to the participants before recording were simple: improvise for 3 to 4 minutes, as if you were playing music with your shadow. This was to allow room for others to improvise with the recording. To test this, we invited the musicians to play along with one of the tracks at the 21Grand Performance Space & Art Ga…
Yesterday night you were sleeping at my place
Flute, harp and percussion are the principal instruments on this recording, though you’d be hard pressed to identify them during the opening measures of “Hamida”, the longest track on the CD. But the buzzing, pulsing drone with which it begins gradually opens out into flute articulations that sound like jets of steam, a barrage of muffled percussion, and various harp-generated supplementary drones. The MUTA soundworld gets richer, louder and more pressurised as the track progresses, and…
1968-1971
Music Improvisation Company: 1968-1971 - one of the earliest recorded examples of the European school of Free ImprovisationImportante e fondamentale ristampa di uno dei primi dischi della Incus, Music Improvisation Company 1968-1971 (Incus 1971). La Company era una sorta di gruppo aperto fondato dal chitarrista Derek Bailey sul finire degli anni Sessanta. Il primo capitolo della Company, che raccoglie varie registrazioni che vanno dal 1968 al 1971, è sicuramente uno dei più rivoluzionari in sens…
Duo/Deep sea
Precious document of early Japanese improvised music scene. Tensional performance of heavy sounds from reeds and bass.
Gobbledygook
2024 Stock. Minor signs of wear from long-time storage. ** The late Japanese free-improvisation master Motoharu Yoshizawa was a bassist of extraordinary caliber and longstanding avatar of the Tokyo avant-garde scene. This album -- one of his many for PSF -- is a series excerpts from recordings made in New York with his avant-garde sympathizers in the land of the free. Elliott Sharp and Butch Morris contribute stunning performances, as does Tokyo ex-pat Ikue Mori, on this collection of highlights…
The hands of Caravaggio
A staggering achievement, one is tempted to call The Hands of Caravaggio the first great piano concerto of the 21st century. The work is the brainchild of Keith Rowe, eminence grise of MIMEO and co-founder of AMM who, inspired by the recently discovered painting The Taking of Christ by Caravaggio, imagined a piece combining the mighty forces of MIMEO's electronics with the pure, gorgeous sound of John Tilbury's piano. Technically, therefore, the work is not really freely improvised, as the music…
Flore de cataclysmo
This trio features very distinct musical personalities and caught us off guard simply by its appearance at all, but we sure did smile when we heard it as we knew it would pack the goods. Both Zach (percussion) and Doneda (reeds) lay sturdy frameworks with Ielasi (guitar) adding an almost alien warmth to the group sound. Intense sonic impact yet transparent and sparse enough to navigate with alert senses, the whole disc has an ambitious arc that one may miss when caught in the web. Doneda's comme…
From between
'It gives me great pleasure to announce the first release of the new label 'substance over surface editions' - SoSEDITIONS - an offering of recent live and studio recordings by the improvising trio of Michel Doneda, Jack Wright, and Tatsuya Nakatani. The recording is accompanied by a poem by renowned poet Jerome Rothenberg.
Number nine
Two Toronto musicians and a visitor from London formed this trio that has worked on both sides of the Atlantic. Group improvisations on acoustic guitar, alto saxophone and percussion that cover the whole gamut from dense high-energy to sparse interactions.
Hidros One
2025 stock A composed improvisation, or possibly the other way around – this is one way of describing the music played by Mats Gustafsson and the Nu Ensemble, a multinational group of improvisational musicians.
The saxophonist Mats Gustafsson, born in 1964, became interested in improvisational music at an early age, inspired by among others the German Peter Brötzmann and the Britt Evan Parker.
The Nu Ensemble was a loosely structured, irregularly convened radio and concert project built around …