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Carried by a blast of pure joy comes Black Sweat’s latest LP, the self-titled debut by the mysterious Milan based ensemble Fusione. Channeling free and spiritual jazz, funk, and a globally minded ear, all carried by heavy dose of druggy psychedelic experimentalism, it’s one of the most exciting sonic journeys that we’ve taken all year.
*Limited Edition* Japanese trumpeter Terumasa Hino delivers an exceptional moment in this early '70s session recorded in America, featuring the brilliant contributions of Gary Bartz on alto saxophone and Reggie Workman on bass. Unlike Hino's later fusion-based American dates, this album embodies a sublimely spiritual style with extended tracks that echo the energy of Bartz's early works. The music, much like Bartz's, stretches out without veering too far into avant-garde territory, maintaining a…
*2023 stock* Takehiro Honda joins forces with Reggie Workman on bass and Motohiko Hino on drums in this outstanding trio session. The album showcases a freer side of Honda, exploring open and lyrical modes that were gaining prominence in Japan during that period. Despite the freedom, a strong rhythmic sense prevails. While one track features Honda on electric piano, the acoustic numbers stand out with a proud and righteous energy.
*Limited Edition* Pianist Takashi Kako brings a uniquely subtle and poetic approach to his instrument in this improvised music setting. Supported by a talented quartet featuring Keiki Midorikawa, Masahiko Togashi, and Masami Nakagawa, Kako paints in space and color with a wonderfully abstract style.
*Limited Edition* In the early 1970s, while studying contemporary music composition in Paris, Takashi Kako discovered and fell in love with free jazz, and soon became active as a pianist there. He performed with Bob Reed, Noah Howard, Motoki Takagi, and Yoshisaburo Toyozumi, and his name quickly spread around the world. This work was recorded in Paris together with his allies. The unparalleled sound of reason and passion depicts his days in Paris. Originally released in 1977. Supervision and com…
*Limited Edition* Immerse yourself in a delightful offering of Japanese jazz from the 70s, featuring a straight-ahead approach complemented by captivating fusion elements, courtesy of keyboardist Mikio Masuda, whose electrifying presence enhances most tracks. Tenor saxophonist Takao Uematsu leads the ensemble, with the added brilliance of trumpeter Hitoshi Okano, whose bold lines infuse the record with a touch reminiscent of Freddie Hubbard's CTI-era sensibility. While certain tracks exude a fun…
*Limited Edition* Shoyuki Akedagawa is not only a pianist, but also an ocarina player, guitarist, and eventually a vocalist. Comical yet emotional. Melancholy in his humor. This is a masterpiece that explodes with Akutagawa's talent. Nakamura Masco gradually reveals his true nature, Umezu Kazutoki bursts out with his unique phrases without pause, and Miyasaka Takashi and Saito Makoto create dynamism like a big wave. All blend together to form a vortex that opens the door to the incomparable worl…
*Limited Edition* Pianist Shoji Aketagawa, the creative force behind the consistently unconventional Aketa's Disc label, presents an album with an unusual title that aligns with the label's distinctiveness. The material, while not explicitly erotic or grotesque, showcases Shoji's beautiful and robust notes on several solo tracks. The album takes a unique turn as Shoji collaborates with the trio on the final tune, offering a quality unlike any other artist we can think of. The piano, possessing t…
Vecchio's Afro-Rock is one big horn-heavy, bass-blasting, Latin groove funk-rock party. Only now, you're all invited because this, ladies and gentleman, is officially...a grail no more. With copies currently starting at 400 Euros for an original, this beautifully presented reissue, part of Be With's fresh campaign with Music De Wolfe, is well overdue. A magnificent and somewhat obscure library set that's just a total, cohesive joy from start to finish, this here is the soundtrack to all your smo…
Esteemed pianist Masabumi Kikuchi enjoyed a long and illustrious career in jazz that encompassed many forms. After playing in Lionel Hampton’s Japanese touring band, he played on five Sadao Watanabe albums in mid-1960s and backed Sonny Rollins before studying at the Berklee College of Music. Matrix was the first of five albums recorded with his Sextet and is rightly rated one of the greatest of his entire career, the album mixing well-executed covers of songs by Chick Corea, Miles Davis, Watanab…
*2023 stock* From 1960 era, Hiroshi Yamazaki played with Masayuki Takayanagi, Kaoru Abe, Masabumi Kikuchi, and so on. He plays from standard Jazz to Freeform Improvisation by his original drum sounds and now he put the focus on this unit called Tryangle. Also bassist Nobuyoshi Ino played with Masayuki Takayanagi and Yamazaki from 60 era. Tryangle is the unsettled unit that drummer Yamazaki and bassist Ino invite unique guest musician. For example, Takayuki Kato (g), Masayo Koketsu (as), Sachi Ha…
*2023 stock* Japanese prog. irregular time signature drum master, Tatsuya Yoshida and crazy beautiful jazz pianist, Dairo Suga met and improvised first time at the venue “7th Floor”, Tokyo on 2021. This CD is the all recorded memorable live performance then. The duo playing has a passion, a sense of speed, number of voices and mugginess ! Yoshida uses brushes ( unbelievable ! ) and singing by falsetto voice, and Suga send out a prog-rock-like phrase. They are getting closer to each other but don…
*2023 stock* "A critical point of explosive hardcore improv! A relentless mass of sound! The long-awaited first album of this hardcore trio, which has been steadily increasing its fan base by always running at full speed and radiating sound to the limits of their physical and mental strength, has finally made its debut! This group was formed based on Hirose's concept of packing condensed sounds to the limit, and there are no gaps between sounds, no interplay, and no formulaic improvisational ele…
Temporary Super Offer! “Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way – through the senses, theoretically, technically. I would talk to Monk about musical problems and he would sit at the piano and show me the answers just by playing them.“ – John Coltrane