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*Edition of 100, comes in hand-numbered jacket with bag* "The Chicago collective trio of tenor saxophonist Gerrit Hatcher, Lebanese bassist Eli Namay and drummer/percussionist Bill Harris are captured live at Chicago's The Whistler in the summer of 2019 for two extended and exploratory improvisations, showing both technical mastery and a curiosity for new modes of expression through inspired and intuitive conversation." - SquidCo.com
*Hand-numbered edition of 300. Digipak in resealable poly-bag* The Gerrit Hatcher Group—featuring Gerrit Hatcher (tenor sax), Katie Ernst (bass), Ben Lamar Gay (cornet), Keefe Jackson (tenor sax), and Julian Kirshner (drums)—delivers an electrifying blend of free improvisation and avant-garde jazz. Their latest release, The Good Instinct of the Morning, showcases their bold, spontaneous creativity and masterful technique. Hatcher and Jackson drive the melody with expressive, ever-shifting saxoph…
*Hand-numbered edition of 300. Digipak in resealable poly-bag* "Tenor saxophonist Gerrit Hatcher's latest solo recording – I believe it's his third solo document - is also the first title available from his new label, Kettle Hole. While he oversees a fairly prolific output, he's not into overkill. The CD's total time is under 30 minutes & it is limited to 300 numbered copies. Time is tight; copies are limited. Nothing is wasted. Economical and sharp." - The Free Jazz Collective
The only 'group' on the Black Jazz roster, The Awakening today should be heralded as one of the great bands in early '70s jazz. That they're not is the result of the Black Jazz label's distribution woes; witness the fact that original copies of both of their records for the imprint command prices in the hundreds of dollars if you can find them at all. Mirage is their second (1973) album, the last one they made together; it boasts the same Chicago-based, AACM-centric line-up as the first, with th…
This is the sequential classic of Freddie Hubbard‘s catalog. Bandmates on this musical journey are Herbie Hancock on Fender Rhodes, Ron Carter on electric & acoustic bass, Lenny White on drums & Joe Henderson on tenor sax & alto flute. ‘Red Clay’ is accessible, grooving and one of the first fusions of R&B & Funk with Post-Bop. “Red Clay” sprung from his memories of his childhood in Indianapolis, noting that many of the neighborhood’s residents had come from the deep South, and he wanted the tune…
On “The Blue Yusef Lateef” (1968), listeners get an amazing chapter from the late ’60s, an amazing period when everything in the world of Jazz was changing. Yusef Lateef was big on concept recordings. This album examines all the different ranges of emotion contained within the blues genre. With a band that included Detroit Jazz gods Roy Brooks on drums and Kenny Burrell on guitar, Blue Mitchell on trumpet, Hugh Lawson on piano, Sonny Red on alto, Bob Cranshaw on electric bass, and a very young C…
After the very well received, both by the audience and critics, debut album Repetitions (Letters to Krzysztof Komeda), focusing on the lesser-known works of the legendary Polish composer, the Wrocław-based EABS decided to further expand this lead and released two more vinyl records, "live" and "on tape", which crowned the "Komeda triptych". The astounding reception of the band's debut whet listeners' appetite for completely new recordings. It took 2 years for the new album to materialise, this t…
*CD Version* Celebrating 50 Years of The Ethnic Heritage Ensemble’s Legacy and Unwavering Contribution to Great Black Music. This is the new offering from Kahil El’Zabar and his Ethnic Heritage Ensemble, in conjunction with the legendary group’s 50th anniversary, Open Me, A Higher Consciousness of Sound and Spirit. Open Me is a joyous honoring of portent new directions of the Ethnic Heritage Ensemble; it’s a visionary journey into deep roots and future routes, channeling traditions old and new. …
Recorded in France in 1989, Sanders plays here with an all-star line-up consisting of Stafford James on bass, William Henderson on piano and Eddie Moore on drums. Great percussion work from Cheikh Tidiane Fall, particularly on “Moon Rays”, and as always Sanders’ sax work is rich, full and throaty. On this album, the legendary saxophonist clearly reinvented himself as a more traditional improviser, capable of thoughtful and pensive deliberations. Catchy mystical New Age vocals and astrological re…
On this 1987 album Pharoah Sanders is accompanied by the great Idris Muhammad on drums, John Hicks on piano and Curtis Lundy on bass. Five of the eight compositions are by Sanders, one track by pianist Hicks, Coltrane’s “Naima” is a tribute to Trane and “Speak Low” is a beautiful standard from Kurt Weill and Ogden Nash. A real smoky slower number “Heart To Heart” shows Sanders can be subdued and romantic and John Hicks plays some beautiful jazz piano. The whole album exudes energy and joy. On “D…
*2024 stock* ‘Live in Oslo’ is the sophomore album from Shifa, the outstanding UK trio featuring pianist extraordinaire Pat Thomas, celebrated saxophonist Rachel Musson, and sonic transcendent drummer Mark Sanders. The group derives its name from the Arabic word for healing and the music they make aspires to do just that.
This album follows their acclaimed, Downbeat 4-star debut ‘Shifa Live at Cafe Oto’. Listen to ‘Shifa Live in Oslo’ and discover contemporary master musicians celebrating the mo…
Limited and numbered edition of 100 copies. Hand printed recycled sleeves. Different ink color than on the first pressing. No OBI, no stamp on the label as the first one. Wild, slapping, bashing, tribal freak-outs - an acoustic tidal wave exploding into shards of dynamite from the legendary Finnish unit Paanin Kuoro.
'Uhlmann Johnson Wilkes' is the debut album from Gregory Uhlmann (SML, Anna Butterss, Duffy x Uhlmann, Perfume Genius), Josh Johnson (SML, Jeff Parker ETA IVtet & New Breed, Meshell Ndegeocello, Anna Butterss, Leon Bridges), and Sam Wilkes (Sam Gendel, Louis Cole, Chaka Khan). The three improviser/arranger/producers’ impressive individual credits encompass such a wide stylistic pendulum swing that a collection of group music from the trio could mine any number of musical territories with masterf…
Torche! is a Euro-Quebec supergroup bringing together French clarinetist Xavier Charles, Austrian trumpeter Franz Hautzinger, and Quebec musicians Philippe Lauzier (bass clarinet), Éric Normand (bass), and Michel F. Côté (drums). All specialists in extended techniques and textured noise, the quintet delivers music that is mesmerizing, hypnotic, and abstract."It’s a highly evolved art…" - Stuart Brommer, Musicworks
"…captivating bursts of fire, crackling energy, and beautiful incandescence—enough…
Absolute K.O. bout of free jazz poetry by a spry, 85 year old Joe McPhee, adapting his renowned improvised practice to words - juxtaposed with Mats Gustafson’s sparing brass and electric gestures. It’s an utterly timeless and transfixing salvo, another shiny notch for Smalltown Supersound’s brilliant Le Jazz Non Series.
*2025 stock* Debut album from the Judy Bailey Trio, recorded 1962. The theme is the night and the trio give you new and exciting arrangements of 'night' tunes like 'Night And Day', 'In The Still Of The Night' and 'Night In Tunesia'. Possibly the swingin’est jazz album ever to come from Australia.Pianist Judy Bailey was active on the Sydney studio scene in the early '60s, and was the choice rhythm section of Australian bandleaders. It was as a composer that her reputation began to grow in the fol…
*2025 stock* It's a fact that Bjarne Rostvold has won relatively little recognition to this day -in contrast to some of his Danish fellow jazz musicians. Quite unjustly, as we think. For many years Rostvold played with the Danish Radio Big Band before forming the Bjarne Rostvold Trio (Bent Axen: piano and Erik Moseholm: bass) and the Bjarne Rostvold Quartett, which included the trio's musicians plus trumpeter Allan Botschinsky. Both groups represent brilliant Danish jazz from the '60s. That's wh…
The hard-swinging Three Out were attracting large and enthusiastic crowds in Sydney and shared the bill with such names as Dizzy Gillespie, Coleman Hawkins, Teddy Wilson and Sarah Vaughan. Here we find them continuing in the same exciting manner as their first album, 'Move'. The Three Out are joined by four horns on the second half of this album from 1960. The session has the flavour of the hard jazz of the American Masters of the sixties, particularly the "Big Soul Band" type from Chicago and N…
*2025 stock* Jazz in Australia at its best with incredible sessions by The Three Out from autumn 1960 – three masters with unbelievable musical control and understanding. This album was recorded at the El Rocco club six weeks after the group was formed, and the boys claim they were only just becoming accustomed to one another’s playing. In all, they cut thirty different titles in two 3-hour sessions, all of which were one take only. This in itself is incredible as the resulting takes never fall …