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A celestial journey is just what Sun Ra and his Arkestra have created with Space is the Place. Sun Ra's opus is at its simplest, a trip through outer bound melodies! Planetary bodies, eras in time, crystals, space caravans
"Cairo, late 2013. In a city in turmoil, where the curfew had just been lifted after a second coup d'état, where the walls were still covered in dreams and revolt, where even the clubs of the city-centre echoed with anti-Islamist and anti-army slogans, I was deeply touched by the voice of Abdullah Miniawy at the 100Copies music studio, a stone's throw from Tahrir Square. A singer, writer, poet, poetry-slammer and student from the El-Fayoum oasis, this spokesman for Egyptian youth was shaking up …
*2023 stock* Secrets is a jazz-funk album by keyboard player Herbie Hancock. It is also Hancock's seventeenth album overall. Participating musicians include saxophonist Bennie Maupin and guitarist Wah Wah Watson.
The album clearly followed from its predecessor Man-Child. As ever, Paul Jackson's basslines were critical, and the other regular member Bennie Maupin continued to provide most of the solos alongside Hancock. Man-Child had seen the addition of electric guitar to Hancock's sound, and Sec…
A never-before released Donald Byrd & Bobby Jaspar 1958 studio recordings. First official release with the full permission and cooperation INA (Institut National de l’Audiovisuel). Available on vinyl only. No CD, No Digital is scheduled.In July 1958, Donald Byrd made a lengthy visit to Europe, not returning Stateside until December. He fronted a fine quintet that gave concert appearances at festivals held in many countries, Knokke-le-Zoute (Belgium), Cannes (France), Sweden, Norway, Germany – an…
European fusion at its best ! Philip Catherine has been on the forefront of the European jazz scene since the sixties, working with the likes Chet Baker, Larry Coryell, Tom Harrell, NHOP, Stéphane Grappelli, Charles Mingus. At the age of 18 he toured Europe with Lou Bennett and in 1971 Jean-Luc Ponty asked him to join his quintet. In 1971 he made his first record under his name - Stream – with a stellar line-up comprised of Freddie Deronde (bass), Frédéric Rottier (Drums), Giggs Whigham (trombon…
The magnificent Indo-Jazz suite by The Joe Harriott Double Quintet Under The Direction Of John Mayer. Features Kenny Wheeler on trumpet, band leader Joe Harriott on alto saxophone, sitar player Diwan Motihar and more. On Indo-Jazz Suite's release in 1966 its four tracks – ‘Overture’, ‘Contrasts’, ‘Raga Megha’ and ‘Raga Gaud-Saranga’ – freeze-framed something in Indo-jazz fusion that was unique to Britain. The States may have had ‘happening’ notables like Don Ellis but never a John Mayer or a Jo…
'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the a…
Adroit jazz guitar, prog rock fantasia, and Japanese environmental music all rest comfortably behind Leo Takami's Next Door. The follow up to the acclaimed Felis Catus & Silence, Next Door finds Takami ruminating on passages — of time, seasons, consciousness. Through music, Leo contemplates daily events and finds beauty in ordinary moments. He also seems to be questioning the value of being stuck in the world, allowing his mind to wander towards something beyond it. His music is earnest, deeply …
All of You is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at Jamal's own club in Chicago in 1961 and released originally on the Argo label. Jamal's group had a personal sound of its own, often playing quietly and leaving space but never losing the passion. These versions of "Time on My Hands," "Star Eyes" and "All of You" in particular are well worth hearing. On the cover, photographed by Don Bronstein, one of the first staff photographers for Playboy magazi…
'Mention of Motian and LaFaro brings us to this disc, perhaps belatedly. But other than observing that the music is presented here following immaculate and unprecedented sound restoration, what more needs to be said about it? What more, usefully, can be said? The performances are as close to perfection as makes no difference, and as close to immortality, too, and if you are still reading thesenotes, you will not need to be told why.' – Chris May
Executive producer’s notes: 'Once you start to …
Two long-lost recordings from Marc Moulin's Placebo band, and it's earliest incarnation, Kiosk. Debuting unreleased outtakes from Placebo's second album, '1973', and the first ever official reissue of the proto-Placebo single by Kiosk. Originally pressed in tiny numbers in 1970 as a promotional release for Moulin's Sunday night radio show, Dimanche Musique, at RTB, Brussels. Taken from the only existing mastertapes, just recently resurfaced!
*300 copies limited edition* Two long-lost recordings from Marc Moulin's Placebo band, and it's earliest incarnation, Kiosk. Debuting unreleased outtakes from Placebo's second album, '1973', and the first ever official reissue of the proto-Placebo single by Kiosk. Originally pressed in tiny numbers in 1970 as a promotional release for Moulin's Sunday night radio show, Dimanche Musique, at RTB, Brussels. Taken from the only existing mastertapes, just recently resurfaced!
Musician Paul Flaherty believes that the difference between pre-composed music and free-form improvisational music is a bifurcation of the mind, “The logical mind is reduced to a witness during free playing and the emotional mind is fully released.” Free from concept, outline or even leadership, the music is a free-form experience. This is realized on the newest release from Paul Flaherty (Tenor sax, alto sax) and his long-time collaborators Jim Matus (Electric guitar, Baritone guitar) and Larry…
Collaborations are unique to their combinations, producing totally original and innovative ideas with the addition of a single factor. In this case, legendary musicians and 577 mainstays join together in this unique arrangement for the first time, allowing for yet another reinvention. Saxophonist and multi-instrumentalist Daniel Carter, pianist Leo Genovese, bassist William Parker (also playing Gralla and Shakuhachi on this album), and drummer and vocalist Francisco Mela, unite for another impro…
Abstraction, with feeling. Saxophonist Paul Dunmall, a veteran experimental jazz musician, was feeling drawn to vitality. He wanted to organize a group of musicians that were driven by an underlying pulse and a central energy, beyond the abstract improvisations he had been familiar with for years. He had always appreciated jazz that had a driving, uplifting energy, and organized this quartet, inspired by these musicians’ previous improvisational performances. Alongside guitarist Steven Saunders,…
What does it sound like to be a working artist? Here, flutist Joe Melnicove, joined by his mentor, saxophonist George Garzone, drummer Billy Hart and bassist Ben Street, tries to convey it. ‘You is You’ is inspired by a spirit of radical self-acceptance and self-knowledge, from a single melody he composed at home in Rosh Pinna, Israel. Recorded in New York, the songs have clear allusions to the experience of being musicians. Tracks like “Monday Night” and “No Applause” invoke the experience of a…
*2023 stock* 'The chief attraction of this album is an almost 50 minute, previously unreleased solo performance by Taylor given at New York University in November 1976 as part of the Bösendorfer Festival, a benefit series for the Kitchen performance centre. His previous solo recital that year had been in August at Moosham Castle in the Lungau region of Salzburg during an open-air festival, subsequently released as Air Above Mountains (Buildings Within) (Enja, 1977). Taylor had come across a Böse…
*2023 stock* In 1973, Indent marked a new direction for one of the founders and masters of what was to be called »free jazz«; yet it turned out to have defined styles and highly sophisticated rules of its own. It was radically new and initially difficult to tune into for some. Cecil Taylor was composing in fractions of seconds. He was free to decide what to compose but in the end intelligent structures can be perceived with a multitude of »cells« being introduced, developed and layered one upon …
*2023 stock* 'If you had to pick three architects of modern jazz piano, you could just about cover everything with Bill Evans, McCoy Tyner and Cecil Taylor. Despite his phenomenal talent, Taylor may have seemed like the lesser influence at first, as most of his followers were relegated to the avant-garde end of things, but over the years his influence has grown and these days you are liable to hear Taylor type assaults on the piano from guys like Craig Taborn, Jason Moran or others, while they p…
*2023 stock* In the life of every artist comes the time when toward the end of his existence, he will create a monument to his ever-lasting artistic efforts. It is the Swan-Song for which he wishes to remain being known; for centuries, this has crossed the borderlines between cultures and arts. Poschiavo was recorded when Cecil Taylor was sixty-nine years old, very much at the height of his musical and poetic powers. Recorded in Europe on a fine Bösendorfer grand piano in perfect digital clarity…