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"After hitting Paris in 1950, saxophonist Bobby Jaspar enthralled jazz fans and jazzmen alike with his smooth, elegant playing, with the lyricism of his tranquil phrases heavily influenced by Stan Getz in particular. So when Jaspar began regularly performing with a small ensemble at the Club St-Germain five years later, he adopted the same instrumentation as that of his idol’s illustrious quintet, with Sacha Distel on guitar and René Urtreger on piano in the roles of Jimmy Raney and Al Haig, res…
*2024 repress* Belgian jazz artist Bobby Jaspar died far too young at age 37 in 1963, but fortunately made a handful of memorable dates as a leader. This is the last studio session under his name. Jaspar sticks exclusively to flute on these December 1958 studio recordings. He’s joined by drummer Kenny Clarke, Sadi Lallemand or Michel Hausser (who also doubles on xylophone) on vibes, and either Paul Rovere or Jymie Merritt on bass, as well as percussionist Humberto Canto (on one of the two sessio…
A never-before released Art Blakey 1965 live recordings. First official release with the full permission and cooperation of the Art Blakey Estate & INA (Institut National de l’Audiovisuel).
Live rec. at June 21st, 2024 by Udo Schindler at Kulturbahnhof München-GiesingMix by Wolfgang Obrecht / Tonstudio RichArt. Cover photo by Udo Schindler.All compositions by Udo Schindler, Erhard Hirt, Ove Volquartz. Produced by Udo SchindlerUdo Schindler plays a bflat-clarinet mod.3000 by Seggelke Klarinetten, a Leblanc metal doublebass clarinet modified till low C by Bruno Waltersbacher (& Benedikt Eppelsheim†) with a mouthpiece by Max Geller & use a bass clarinet heavy neck by Martin Suter (Bla…
A live recording of an amazing performance by Sabu Toyozumi, Claudia Cervenca and Jean-Michel Van Schouwburg. Recorded live at Schnittpunkte Festival, Heiligenkreuz, Austria, 2015 and at Karel, Brussels on 26 June 2012.
The inspiration for 'Album l' and 'Album Il' began with a performance by Japanese musician Eiko Ishibashi at Cologne's Week-End Fest in 2019. For this appearance the renowned experimental musician and composer of the Oscar-winning film „Drive My Car" was joined on drums by Tatsuhisa Yamamoto and Joe Talia; both integral members of the top-level improvisational/ experimental scene in Tokyo. While in town for the festival, Ishibashi met up with the members of the Cologne-Berlin based group Von Spa…
*CD Version* Reissue of this legendary album from 1970 featuring Hiro Yanagida, Kimio Mizutani, Mototeru Takagi. Number seven on the Japrocksampler Top 50. Divine excessive jazz-rock stylings by this batch of period-visionaries presumably recorded sometime in 1970 by Rudy Van Gelder and Creed Taylor at the Toshiba Records 1st Studio. All of that "real" psychedelic goo gets smeared about quite a bit; acoustic string flap AND electric gonzo-muff battle overdriven organ lines played by said Masahik…
The inspiration for 'Album l' and 'Album Il' began with a performance by Japanese musician Eiko Ishibashi at Cologne's Week-End Fest in 2019. For this appearance the renowned experimental musician and composer of the Oscar-winning film „Drive My Car" was joined on drums by Tatsuhisa Yamamoto and Joe Talia; both integral members of the top-level improvisational/ experimental scene in Tokyo. While in town for the festival, Ishibashi met up with the members of the Cologne-Berlin based group Von Spa…
John Butcher is interested in particular people and their personalities. He prefers not to work in a generic situation, where there's an agreement in advance to play a certain kind of thing, and the music cannot swerve in a sudden fresh direction.
As he told me a few years back: "What got me so interested in the type of improvising I ended up really spending time on was, at least at a personal level, there was a feeling you could start from scratch. Now you might well be mistaken, and rediscover…
The record can be considered a sort of farewell note to one of London’s most crucial venues for improvised music and sound art after its unexpected closure in late 2023 due to gentrification. John Butcher had previously collaborated with these three musicians in different contexts, but Unlockings documents a first-of-its-kind quartet line-up.
"I wanted a new combination, but made of players I’d worked with over the years" says Butcher. "Choosing is probably 75 % about the player and 25 % about t…
With a Yamaha organ and a dream, Pops Mohamed started his musical journey in mid-1970s South Africa as the founder of Black Disco, creating a hip and innovative blend of chill-out jazz with spiritual overtones. Playing original compositions as well as reimagined soul and pop hits, the group appeared on producer Rashid Vally's As-Shams/The Sun label alongside Abdullah Ibrahim and Harari.
On the band's self-titled debut from 1975, Mohamed's cosmic organ is supported by two of the most sought-after…
With a Yamaha organ and a dream, Pops Mohamed started his musical journey in mid-1970s South Africa as the founder of Black Disco, creating a hip and innovative blend of chill-out jazz with spiritual overtones. Playing original compositions as well as reimagined soul and pop hits, the group appeared on producer Rashid Vally's As-Shams/The Sun label alongside Abdullah Ibrahim and Harari. On the band's self-titled debut from 1975, Mohamed's cosmic organ is supported by two of the most sought-after…
Saxophonist Omicil builds atmospheres then upends expectations in this free-jazz homage to Haiti’s successful 18th-century slave insurrection - The Guardian
The collaborative album 5 Na Bossa was originally released in 1965 on Philips Brazil and featured some of the top player of the genre. If you are into the sound of Nara Leão, Edu Lobo and Tamba Trio this is a magical encounter, bringing together Nara's soft voice, Edu's battering guitar and Tamba's swinging vocals. Featuring classic compositions like ‘Reza’ and ‘Zambi’ this album is a must have for any fans of the latin jazz legacy. The set was recorded live at the Paramount Theater in Sao Paulo…
*2024 stock* A collaboration between saxofonist Evan Parker and drummer John Stevens. Recorded on 8 June 1993 at Angel Studio, Islington, London Recorded direct to U-Matic master using Schoeps and Neumann microphones.
Limited Edition 180 Gram Gatefold LP Reissue. Released on the Verve label in 1965, Bumpin' was Wes Montgomery's first album to reach the charts, climbing to #116 on the Billboard 200 chart. In his All Music review, Shawn M. Haney gave the LP four-and-a-half stars (out of five) and praised it by stating that, "Not only is Wes' brilliant command of the six-string present here, so is the vivid color tones of notes and blue notes played between. Backed up by a hauntingly beautiful and mesmerizing or…
*Back in print by popular demand!* Joao Gilberto's self titled third album, is the fruit of the collaboration between Gilberto and the great composer and arranger Antonio Carlos Jobim and Walter Wanderley and his ensemble. This is one of the greatest pieces of work in the field of Brazilian music. Gilberto's delicate singing moves on top of extremely subtle, elegant orchestral arrangements of various songs from the classic repertoire, "Samba da Minha Terra" and "Saudade da Bahia" (Dorival Caymmi…
*Back in print by popular demand!* This is Dorothy Ashby's debut album, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a jazz voice, here Ashby is at the head of a highly distinctive combo featuring Frank Wess on flute, Eddie Jones or Wendell Marshall on bass and master Ed Thigpen on drums. The Jazz Harpist is an unprecedented mix of evocative classic sounds and jazz soul, awarded by Allmusic as her first and best album, period!
Remastered from the original analog tapes of the duet between Anthony Braxton and Gino Robair from sessions recorded on August 6th and October 9th 1987 at Cal State University, Hayward, California. This release includes all of the music from the original, limited-edition LP as well as extra tracks from the same sessions.
What becomes quickly apparent when the music ends is that the parts of the brain wired for multi-tasking and instant contextualization have been swamped by Masaoka and Braxton’s palette, their bold strokes and the vaulting arcs they form.