Noise /
Wrapped In The Flame Of Illusion, Masked In The Clay Of Behavior
Recorded within the bleak transitional period immediately prior to the sessions that would now become known as Bermuda Drain, Dominick Fernow sketched out four compositions which can only be framed as “ambient power electronics”. Some of Fernow’s most destitute works to date, this release captures Prurient at its most vulnerable and sedate, reflective and rapt. Compositions that throw away that past decade of experience, only to start at the foundation of his art. Uniquely different from anythin…
Lack Of Attention
46 minutes unique blend of failed electronics, crude tape manipulations, fieldrecordings and feedback from Italy’s finest, Matteo Castro & Riccardo Mazza. Closing the album is a 15 minute feedback piece. Airy, delicate and just stunning. Sounds like a drone piece someone dug out from the 60’s or something. Do not miss out!
Dash
Dash' is just over eight minutes long, and it's forty-three tracks. If you've heard the band before then you might know what this means - short hyperactive bursts of the finest extreme noise punk the world has likely ever witnessed. And I don't say that lightly, noise punk that is; there are instruments or at least there were, at some point, but these are chiselled away by hellish jackhammer beats and electrical blasts. It is telling that Lasse Marhaug joins the core duo of John Wiese and …
Rip
Recorded up and down the West Coast by JESSE JACKSON, CORYDON RONNAU, and JOHN WIESE and featuring appearances by YELLOW SWANS, PETER KOLOVOS (OPEN CITY) and PAUL COSTUROS (DEATH SENTENCE: PANDA!). Studio and live recordings with concrète witcery.
Freaked With Jet
No guitars and fuck two-second gaps. A collection of six 7"s (Gutter Splint, Fortune b/w The Eyes Of Men, Epistasis, Vacuum, Vanishing Point, and the split with Agathocles). Performed by CHARLIE MUMMA, CORYDON RONNAU, JOHN WIESE. The only band to make a Milton and a Mentors reference on the same album. Typically I think noisecore is best in small blasts, but for those who can't find or play the records, this collection is still pretty terse, don't worry.
III
Macronympha side project focusing on the heavy low end sound often the basis for Macronympha compositions. OVMN III removes the layers of sound to reveal the thick crumbling distorted base. Constantly moving forward while seemingly static, this piece is enveloped by and progresses in a wave of distortion. Recorded in 1995 by Joe Roemer and Rodger Stella with cover art by Sam McKinlay. Lp comes in a deluxe silver silkscreen on black cardboard sleeve. Edition of 99 copies w/insert.
Latex
This fourth audio document, in a series of six, is a split Lp, titled LATEX. It involves two of the most dissolute and sinful names in the Noise scene : Black Leather Jesus and Richard Ramirez. Texas legends for almost 23 years, Black Leather Jesus have destroyed minds, ears, and stereos with their extreme soundart. An orgy of blood, junk metal, chains, screaming electronics, and gay pornography. The band has become a staple of the harsh noise scene. Noise legend, Richard Ramirez has become an i…
A Dissembly
A Dissembly is the legendary first album by UK Industrial pioneers Konstruktivists. Heavily influenced by German music, the band recorded an album that is hard to classify. Krautrock meets Electronica, the Kon trademark sound is appearing for the first time. Never before available on proper CD, we bring you this classic with three bonus tracks from the same era. The album was recorded in 1982 with band members Glenn Wall…
Anti-Clockwise
From the same session of Dash LP, on side A 17 new short hyperactive bursts of the finest extreme noisecore . Lasse Marhaug joins the core duo of John Wiese and Corydon Ronnau. On side B live capture recorded in Baltimore, march 2010.
Parallel Lines
Two new tracks for Mammal. Two ballats for the the perfect single. If you loved Lonesome Drifter, you love this one too. Silk screen cover, 45 rpm
Kvalt
Amplified metal, electronics and tapes from Denmark. Alleypisser takes inspirations from italian industrial gods like M.B. and Mauthausen Orchestra and his phenomenal use of tapes and metal ensures that Alleypisser is one of the best industrial act in Europe.. The result for Kvalt is a 7" and a c38 for something like 50 minutes of music. All package in a reel to reel box with insert.
Angelic gematria
Brand new full length cassette from Clay Ruby's amazing Burial Hex project. Cascades of blackened electronics, distant and buried wailing electronics drenched in throbbing rhythms and grumbling thunderous reverberations, swelling across the two 20 minute compositions, steadily building to utter decay. Limited to 100, pro-dubbed with black and white covers printed on parchment paper
Glossy black fruits
A powerful exemplar of long time electro-acoustic artist, Christian Renou. Glossy Black Fruits was composed in two parts and features contributions from G. Guiggia & Mamma Baer + KHJ.
Salicylat
Back in stock. Few copies left. 'Collaborative release from Brume (Christian Renou) & Kommisar Hjuler und Frau (Mama Baer). Features Antizipation Des Generalised Other Parts 1-7. Psychotic, essential, & highly recommended!' label info
Carcinosi
Originally issued as a private LP in an edition of 400 copies in 1983. De-composition for bionic organisms and concrete sounds. A sound that refuses both the cold logic of the fetish electronic computer-man-of-the-year and the sterile exasperation of the negative. A sound that dilutes and coagulates, eluding the listeners with minimal variations that make the cyclic style of Phillip Glass resemble a carousel of colors. This CD also features two untitled tracks first issued on compilation …
Gesamtkunstwerk - Dokument 81-86
Incredible release!! This ultra-deluxe leather-bound box set comes in a cross-like holder for the five Vinyl discs and also includes a DVD with two outstanding live-performances from 1982 and 1984 plus a large poster,10 postcards, a metal enamel-badge as well as an extensive 36-page booklet illustrated with archive photos of Laibach's hometown Trbovlje.The Box focusses on Laibach's early years as a provocative performance-music-and-multimedia-group and includes early studio and unreleased…
Vital 1983-89
Grim is an absolutely amazing, almost skizophrenic and obscure power-electronics and noise-one-man project of Jun Konagaya. Jun’s sound change its mood and athmosphere in seconds. From extreme harsh and hard power electronic noise-walls to ingenious folk-songs and tunes as you know it from Charles Manson.In the very early 80s Jun formed White Hospital together with Tomosada Kuwabara. They released one album called "Holocaust" in 1984 and split. At that time Jun had already released the „Vital“ T…
Die Arbeiter von Wien
'The third part in Jupitter-Larsen's series of old trade union / battle songs follows Internationale (Banned Production 2010) and Solidarity CD (Banned Production 2010). Written by the Viennese lyricist and essayist Fritz Brügel, presumably in the late 1920s, this piece deals with the events during the so-called July Revolt in the capital of Austria on July 15, 1927, caused by a court verdict which acquitted three members of the right-wing Frontkmpfervereinigung Deutsch-Österreichs (the sa…
Industrial Murder / Menstrual Bleeding
Another classic album reissued by Phage Tapes and R.O.N.F. Records. An early work of Maurizio Bianchi recorded at Mectpyo Studio in 1981 and originally released by Banned Productions (US) back in 1992 as a vinyl LP. CD packaged in beautiful 5 colour screen printed arigato packs. 2 tracks totalling. 50 minutes in length. Limited edition of 300 copies. As with any early 80’s Bianchi this comes highly recommended.
As loud as possible: the noise culture magazine - 1
As Loud As Possible is a dense, perfect-bound UK-based magazine that debuted in late fall of 2010 to explore Noise music and culture with articles, interviews and reviews with both seminal and newly emerging sound artists that specialize in atonal sonic brutality. With ear-splitting frequencies and crumbling avalanches of layered sound, harsh noise is a provocative brand of sound art that frequently fascinates as much as it alienates. But in defence of this raging racket, I will say that Noise i…