Psych /
Exotic Moods
JJ Whitefield dives deep into the golden era of library music, drawing inspiration from KPM, De Wolfe, Bruton Music, CAM and the composers who shaped the genre. Slow Moods presents 14 original instrumentals packed with atmospheric grooves, exotic touches and meticulously layered overdubs. East Asian and East African influences meet locked-in rhythms and sharp arrangements.
The Lost Tapes
*100 copies limited edition* Without a shadow of a doubt, this release is surely the most astonishing and the strangest of Fractal Records' catalog, through the history of this band, and notably regarding the existence of this record, which seems to be one of the most enigmatic albums in the entire history of German rock from the end of the 60s to the present day! NB: The incredible story of Graograman is told in a 12-page booklet.
Absolutely no information is currently available on this group, …
In A Not C
More than 25 years after the start of collaboration with Acid Mothers Temple mastermind Makoto Kawabata (including the INUI series and the classic Kawabata/Youngs release) comes the first proper VHF LP by the prolific quintet. One of an occasional series of “minimalism” inspired LPs by the group, In A Not C is a not a barely changing drone, but a wild ride with the band in full flight, rushing along in a glorious swirl of psychedelic madness.
Like the band’s well-known 2001 version of Terry Rile…
Freedom North
Based in Montreal, and known as Freedom, Freedom of Choice (for the US release of their debut single on Wand) — and finally, Freedom North, the band had success with their first two singles, both released in 1970: ‘Doctor Tom’, which garnered radio airplay across Canada and attained the #2 spot on RPM’s Top 50 Canadian Chart; and 'Losing You’ which made it to #47 in the MAPL Top 50 Canadian Chart. Freedom North toured extensively, often with other Montreal bands such as Mashmakhan and April Wine…
Soft Power
*2026 repress!* Ezra Feinberg’s third album Soft Power sees the composer-guitarist enlist an impressive array of fellow musicians including Mary Lattimore, David Moore (Bing & Ruth), Jefre Cantu-Ledesma, Robbie Lee and share the life affirming lead single ‘Future Sand’.
Defined by its abundance of melodies, repeating figures and ecstatic improvisations, Soft Power exudes an enlightened and transformative spirit to empower the listener. Feinberg, a practising psychoanalyst and former founding me…
Fuera Del Cielo
‘La Balsa’ was the first Argentine massive rock hit. In 1967 Los Gatos became the most famous local rock band with this song. At the front, as composer and singer, was Litto Nebbia. Although this milestone has remained eternally linked to Nebbia's name, almost eclipsing the rest of his work, it is really his solo career that unveils the artist's overwhelming talent and his determination to create music freely, regardless ofcommercial considerations.
“Fuera del cielo” (1975) is an art rock/space …
Satori
Originally released in 1971, "Satori" is Flower Travellin’ Band’s groundbreaking masterpiece and one of the most visionary albums of the early heavy rock era. It fused hard rock, psychedelia, progressive music and traditional Eastern influences into a sound unlike anything heard before. Unlike many rock albums of the era, “Satori” is structured as a continuous musical journey, with its five tracks presented as interconnected movements rather than conventional songs. The band’s powerful rhythm se…
Music To Set Everything On Fire
After a brief period during which they recorded only a couple of 7-inch singles for the Orfeón label that had a very limited distribution, Mexican rockers Antorcha fully embraced a DIY approach to managing their own career. They had evolved into a heavy psychedelic rock group, with no metaphors and no compromises. Anarchists in a country that could barely utter the word without trembling. It was the final years of the 1960s. Their influences came from Iron Butterfly, Black Sabbath, Blue Cheer, V…
Explosion Of Bad Music
"Explosion of Bad Music” captures Simon Steensland at his most gloriously unhinged. Built around two expansive pieces of roughly 27 minutes each, the album dives headfirst into his signature avant-prog chaos (dense, theatrical, and wildly inventive), unfolding like a delirious, self-contained masterpiece. Every passage mutates with intent, transforming unease into narrative drive. Wild, intricate, and unexpectedly playful, it feels like a parallel universe where avant-garde rigor collides with d…
Fapardokly
*Warehouse find!* Fapardokly was an American band from the West Coast. They’re sole self-titled album was effectively a 12 tracks developed by leader Merrell Fankhauser accompanied by a rotation of musicians. Originally released in 1967 on the small imprint UIP, the album is a perfectly fitting lost nugget from the psychedelic era, collecting a series of lysergic pop numbers with solemn orchestration and strong choral vocal efforts. One of the leading tracks – ‘Gone To Pot’ – has an aurea simila…
Hush
*Warehouse find!* Little we know about this long lost gem coming from the outskirts of the Commonwealth. But as far as we know, beautiness lies inside. That is the case of the sole album of mysterious australian band Extradition. Released in a small run on local independent label Sweet Peach in 1971, the self titled album stands as one of the most accurate acid folk rendition outside the UK realm. Formerly a three piece Extradition struggle on their personal behavior forging a rural set up that …
Heaven / Earth
*Warehouse find!* A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. B…
Barker Final
On Barker Final, Ivan The Tolerable closes the door on 1a Barker Road with a set of songs conceived, performed and mastered entirely by Oli Heffernan. The album feels like a final dispatch from a long‑running home studio, where restless experiments in tone and texture are distilled into a focused, late‑night farewell.
Hector’s Theme
*100 copies limited edition* Traum are delighted to share the first outcome of their current recording sessions with you in a physical, tangible and analog format: Say hello to “Hector’s Theme”, a manic, anxious, rumbling and tribal sculpture of a tune, inviting you to dive deep into its electrifying, tense and confusion-drenched atmosphere … This time the trio took a slightly different approach to their DIY recording and production style and kept everything more live and raw than before. We dea…
Comme a La Radio (2LP)
Double LP version. Wewantsounds reissues Brigitte Fontaine's landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem, Wadada Leo Smith, and the Art Ensemble of Chicago. This new edition pairs the original album with rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart, and Benjamin Barouh, plus a recent interview with Bri…
The Faust Tapes
There’s something perversely fabulous about the thought of this warped masterwork wandering into 60,000 unsuspecting British homes in 1973. Faust’s second-and-a-half album hit the shops to celebrate their signing to the nascent Virgin Records, who were looking to take advantage of the zeitgeist for German music at that time. Undeterred by the fact the band’s unwillingness to engage with the commercial landscape had seen them dropped from Polydor, Branson and co cooked up a suitably spectacular m…
Faust
Few debut albums arrive with the kind of self-contained logic and radical spirit found on Faust's self-titled 1971 statement. Released at the height of rock music's imperial phase, it marked the beginning of a project that would sidestep genre and expectation entirely, offering instead a fractured, exploratory take on what popular music could become. This Bureau B reissue offers a fresh opportunity to engage with one of the most curious and uncompromising records of its time. Faust emerged from …
Saat
Recording in a good studio in 1972 with an accomplished engineer/musician such as Dieter Dierks (Ash Ra Tempel, Cosmic Jokers, Tangerine Dream, and yes, the Scorpions), certainly enabled Emtidi to expand their musical style on 'Saat.' The end result was a shimmering, lush cosmic folk trip, with multi-tracked and treated acoustic guitars plus electric piano, fragile angelic femme vocals, vibes, and mellotron, (punctuated by the occasional acid guitar solo). Yes, 'Saat' is an elevated cosmic folk …
Nachtfalter
Günter Schickert's debut Samtvogel (1975) was one of the most significant guitar albums of the krautrock era. Points of comparison from today's perspective are Syd Barrett or Pink Floyd's more adventurous early recordings. Schickert's follow-up, Überfällig (1980) was released on the legendary Sky label. Once again a milestone recording, it showcased Schickert's hypnotic echo guitar which developed into one of the hallmarks of the krautrock sound. Schickert's new album Nachtfalter, translating as…
Cosmic Century
The third album from Wallenstein, originally released in 1973, stands as the band's definitive statement and one of the peak achievements of the entire Kosmische Musik movement. Led by keyboardist Jürgen Dollase and guitarist Bill Barone, the group had evolved from their earlier heavy progressive sound into something far more expansive and cosmic in scope.
Cosmic Century is exactly what its title promises - a journey through infinite space rendered in swirling synthesizers, celestial guitar work…