Psych /
In Green
On In Green, Ivan The Tolerable offers a one-sided LP of compact, colour-saturated psych drift: a private transmission from Oli Heffernan’s ever-restless studio world. Its singular format suits music that feels concentrated rather than slight - a bright pocket of guitar haze, electronic residue and intuitive, unhurried motion pressed onto one vivid side.
Anabelas
*100 copies limited edition* It is not with sheer joy, but with overwhelming jouissance that we undertook the demanding task to reissue on vinyl the behemoth that is called Anabelas. Heralded in its contemporary 70s music press in Argentina as a phenomenal release, and venerably revered globally for many years to come by progrock aficionados as a best-kept secret. Unfettered by the stealthily eroding repetitiveness that eventually forces aural innovations into the territory of trite and lacklust…
Salewski Parlamenti
Salewski is a drummer, composer, and a core member of the avant-garde pop scene. Between 2016 and 2018, he collaborated with various artists from his creative circle. Salewski arranged these songs, which were compiled into an LP and released on the Echokammer label in 2018: Salewski II "Chansons," featuring Inida Kreuz, Manuela Rzytki, Rosalie Eberle, Pico Be, Anna McCarthy, Anton Kaun, and Albert Pöschl.
To perform the music live, a band was formed consisting of Pico Be (Autoboy) (Vocals), Anna…
Schmetterlinge
*2026 stock* "A new step in the artistic development of Joy Unlimited was the composition and recording of the ballet music Butterflies for the Bonn City Theater . The ballet - played live at every performance for weeks - was a huge success, not just because of the sophisticated music, but also because of the imaginative modern choreography by Lothar Höfgen, a student of Maurice Béjart. Many parts of Butterflies were used in a television program filmed by SWF about Joy Unlimited and the singer a…
Risky
*200 copies limited edition* Toronto’s shape-shifting psych project Lammping continues its ambitious four-album series with the upcoming LP — a lush, immersive collaboration between Drew Smith (Dr. Ew, The Bicycles) and Chris Cummings (Marker Starling). The record follows Never Never, Lammping’s acclaimed joint effort with Bloodshot Bill, and finds producer Mikhail Galkin (a.k.a. DJ Alibi) and drummer Jay Anderson exploring a different corner of the project’s expanding sonic universe. Where Neve…
Eternal Almost
“Eternal Almost” is a collaborative album by Japanese musician Tomo Katsurada and Estonian composer Misha Panfilov. Born from the simple joy of songwriting and creative exchange, Tomo and Misha had long admired each other’s music from afar. When the opportunity to collaborate finally arrived, it felt completely natural, and by the time the album was finished, it almost seemed as though the two had known each other always.
United by a shared sense of humour and musical curiosity, Tomo and Misha p…
Embryo
This album is not merely a meeting of musicians—it is a ritual of wood, metal, skin, and breath. A quiet spell that grows into an ecstatic dance. Embryo on Kryptox: a new chapter in an endless journey—shimmering, borderless, and open as the horizon itself. For more than five decades, Embryo has been moving between worlds. Founded in Munich in 1969, the internationally connected collective is not a conventional band but a living organism: Kraut rock dissolves into jazz, free improvisation merges …
Slightly All The Time, Recordings 1970-1974
Between 1970 and 1973 Soft Machine recorded five albums for CBS, and across those five records the band changed almost beyond recognition. Third still had Robert Wyatt singing on one side of it; by Seven there were no vocals, no Wyatt, no Elton Dean and no Hugh Hopper, and the group was playing a dense, written, riff-driven music that had more to do with Miles Davis's electric bands than with anything else coming out of England. This box follows that arc in detail. All five albums are here, rema…
Exotic Moods
JJ Whitefield dives deep into the golden era of library music, drawing inspiration from KPM, De Wolfe, Bruton Music, CAM and the composers who shaped the genre. Slow Moods presents 14 original instrumentals packed with atmospheric grooves, exotic touches and meticulously layered overdubs. East Asian and East African influences meet locked-in rhythms and sharp arrangements.
The Lost Tapes
*100 copies limited edition* Without a shadow of a doubt, this release is surely the most astonishing and the strangest of Fractal Records' catalog, through the history of this band, and notably regarding the existence of this record, which seems to be one of the most enigmatic albums in the entire history of German rock from the end of the 60s to the present day! NB: The incredible story of Graograman is told in a 12-page booklet.
Absolutely no information is currently available on this group, …
In A Not C
More than 25 years after the start of collaboration with Acid Mothers Temple mastermind Makoto Kawabata (including the INUI series and the classic Kawabata/Youngs release) comes the first proper VHF LP by the prolific quintet. One of an occasional series of “minimalism” inspired LPs by the group, In A Not C is a not a barely changing drone, but a wild ride with the band in full flight, rushing along in a glorious swirl of psychedelic madness.
Like the band’s well-known 2001 version of Terry Rile…
Freedom North
Based in Montreal, and known as Freedom, Freedom of Choice (for the US release of their debut single on Wand) — and finally, Freedom North, the band had success with their first two singles, both released in 1970: ‘Doctor Tom’, which garnered radio airplay across Canada and attained the #2 spot on RPM’s Top 50 Canadian Chart; and 'Losing You’ which made it to #47 in the MAPL Top 50 Canadian Chart. Freedom North toured extensively, often with other Montreal bands such as Mashmakhan and April Wine…
Soft Power
*2026 repress!* Ezra Feinberg’s third album Soft Power sees the composer-guitarist enlist an impressive array of fellow musicians including Mary Lattimore, David Moore (Bing & Ruth), Jefre Cantu-Ledesma, Robbie Lee and share the life affirming lead single ‘Future Sand’.
Defined by its abundance of melodies, repeating figures and ecstatic improvisations, Soft Power exudes an enlightened and transformative spirit to empower the listener. Feinberg, a practising psychoanalyst and former founding me…
Fuera Del Cielo
‘La Balsa’ was the first Argentine massive rock hit. In 1967 Los Gatos became the most famous local rock band with this song. At the front, as composer and singer, was Litto Nebbia. Although this milestone has remained eternally linked to Nebbia's name, almost eclipsing the rest of his work, it is really his solo career that unveils the artist's overwhelming talent and his determination to create music freely, regardless ofcommercial considerations.
“Fuera del cielo” (1975) is an art rock/space …
Satori
Originally released in 1971, "Satori" is Flower Travellin’ Band’s groundbreaking masterpiece and one of the most visionary albums of the early heavy rock era. It fused hard rock, psychedelia, progressive music and traditional Eastern influences into a sound unlike anything heard before. Unlike many rock albums of the era, “Satori” is structured as a continuous musical journey, with its five tracks presented as interconnected movements rather than conventional songs. The band’s powerful rhythm se…
Music To Set Everything On Fire
After a brief period during which they recorded only a couple of 7-inch singles for the Orfeón label that had a very limited distribution, Mexican rockers Antorcha fully embraced a DIY approach to managing their own career. They had evolved into a heavy psychedelic rock group, with no metaphors and no compromises. Anarchists in a country that could barely utter the word without trembling. It was the final years of the 1960s. Their influences came from Iron Butterfly, Black Sabbath, Blue Cheer, V…
Explosion Of Bad Music
"Explosion of Bad Music” captures Simon Steensland at his most gloriously unhinged. Built around two expansive pieces of roughly 27 minutes each, the album dives headfirst into his signature avant-prog chaos (dense, theatrical, and wildly inventive), unfolding like a delirious, self-contained masterpiece. Every passage mutates with intent, transforming unease into narrative drive. Wild, intricate, and unexpectedly playful, it feels like a parallel universe where avant-garde rigor collides with d…
Fapardokly
*Warehouse find!* Fapardokly was an American band from the West Coast. They’re sole self-titled album was effectively a 12 tracks developed by leader Merrell Fankhauser accompanied by a rotation of musicians. Originally released in 1967 on the small imprint UIP, the album is a perfectly fitting lost nugget from the psychedelic era, collecting a series of lysergic pop numbers with solemn orchestration and strong choral vocal efforts. One of the leading tracks – ‘Gone To Pot’ – has an aurea simila…
Hush
*Warehouse find!* Little we know about this long lost gem coming from the outskirts of the Commonwealth. But as far as we know, beautiness lies inside. That is the case of the sole album of mysterious australian band Extradition. Released in a small run on local independent label Sweet Peach in 1971, the self titled album stands as one of the most accurate acid folk rendition outside the UK realm. Formerly a three piece Extradition struggle on their personal behavior forging a rural set up that …