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The 2nd chapter, yet a revelation. Released on Philips in 1968, right after their ’67 self titled album this iconic psych-folk masterpiece still detain a refreshing and revelatory approach. The Chicago band, named after American supernatural fiction writer, is on the verge of some weird songwriting experience, as suggested by some explicit titles as Mobius Trip or At The Mountains Of Madness. Celestial electro-acoustic harmonies and spacey keyboards gave way to mystical show, still entertaining …
Originally formed in 1968 under the name The Silencer, Nagoya, Japan progressive rock band Cosmos Factory didn't change their name until their 1983 debut on Nippon Columbia with "An Old Castle Of Transylvania". Loaded with heavy psychedelia and prog rock guitar moments, experimentally blended with the use of Hammond and Mellotron, the band lead by keyboardist / vocalist Tsutomu Izumi takes you on an adventure throughout the dark forests of Transylvania. Throughout the years, the album has become…
First ever reissue of this impossible to find private acid-folk album from France, 1972, related to Long Orme and originally released as a tiny pressing on cult Kiosque d’Orphée label (the French Deroy). Recorded by French musician Dominique Droin (later a Gipsy Kings backing musician!) and some friends/musicians at a basement studio, the album has a charming homemade vibe and melancholic atmosphere with a strong UK folk influence (think Donovan, John Renbourn, Bert Jansch or Nick Drake). Beauti…
Top notch hard progressive album with blues/jazz influences, originally released in 1972 on the collectable RCA-Neon label. Featuring the legendary Ray Russell (John Barry Seven, Graham Bond, Georgie Fame…) on devastating fuzz guitar plus Alan Greed (Harsh Reality) on bass, Alan Rushton (Mouse) on drums and Gary Windo (Centipede) on sax.
Bootlegged many times on vinyl, here’s an official reissue with fantastic remastered sound by Ray Russell, original artwork in gatefold sleeve plus color insert…
NEU!, the legendary Krautrock duo of Michael Rother and the late Klaus Dinger, celebrate the 50th anniversary of their self-titled debut album with the NEU! 50! box set, out September 23rd via Grönland. NEU! 50! includes albums NEU!, NEU! 2!, and NEU! 75, plus the brand new NEU! Tribute Album, a NEU! stencil and booklet. The Tribute Album features reworkings by The National, Idles, Man Man, Mogwai, Guerilla Toss, Alexis Taylor, and more.
*In process of stocking* Absinthe Records present a reissue of Flower Travellin' Band's Made in Japan - originally released in 1972. Following critical acclaim but meager record sales in their native Japan after their superb debut album, Satori (ASH 3002CD/LP), Yuya Uchida and his Flower Travellin' Band decamped to Canada following an invitation to open for local jazz-rock outfit Lighthouse. While there, Lighthouse leader and keyboard player Paul Hoffert offered to produce the band's next studio…
*2022 stock. In process of stocking* 180g vinyl reissue gatefold LP on Rhino. ‘The Madcap Laughs’ is the debut solo album by the English singer-songwriter recorded after Syd Barrett had left Pink Floyd. That appears to be the pre-release we were given. It is, intermittently, one of the finest albums of its era. Not slick by any stretch of the imagination but full of left-field ideas.
*2022 stock. In process of stocking* 180g vinyl reissue of this sought-after compilation of rare and unreleased material from the legendary Pink Floyd frontman. Compiled from recordings made between 1968 and 1970, including takes from 'The Madcap Laughs' and 'Barrett' and two unreleased tracks that the Floyd had previously vetoed.
*2022 stock. In process of stocking* 180g vinyl reissue LP. ‘Barrett’ was the eponymous Pink Floyd frontman's second and last solo record, produced by his fellow bandmembers Rick Wright and David Gilmour. It's a collection of blues jams and psych rock that recalls artists such as the Byrds.
CD edition. Ohr present a reissue of Amon Düül's Paradieswärts Düül, originally released in 1971. In 1968, the Münchner Kommune, formed in 1967, had applied to Rolf-Ulrich Kaiser, the organizer of the Essen Songtage, for a gig there. When the Düüls arrived in Essen, already two bands of this name in the meantime, since three members had split off and now called themselves Amon Düül II. Paradieswärts Düül was released in 1971, it's the third album of this outfit. Transferred from the original ana…
LP version. 2022 remastered edition. In 1975, the second album of the Berlin based electronic group Mythos was released. Mastermind Stephan Kaske and his band present the typical sound cascades and sequences of the Berlin school. Similar to the works of several other fellow artists on the same label, the album develops a science fiction concept around the story of an extraterrestrial visitor on a journey to Earth. Dreamlab is predominantly made up of peaceful and relaxed music. The meter is ofte…
One of the great lost albums of British psychedelia, original copies of Arzachel's 1969 self-titled debut fetch huge sums on the collectors' market and it is not difficult to understand why. Originally released in 1969 on the small Evolution label, this album quite simply contains some of the best psych to ever come out of the UK. However, like so many other great albums of the era, it soon dropped entirely from the radar due to bad promotion. In fact, it may not have ever been rediscovered at a…
*In process of stocking* Paul Roland teams again with legendary British psychedelic guru Mick Crossley (aka Flyte Reaction) for a new masterpiece. A double album on a single cd that will lead you trough a magic journey... through the spectral gates of your mind.
Welcomed re-issue of this sough after Japanese masterpiece, just released during the 1968 turmoil. The Mops are one of Japan's best known "group sounds" bands, particularly noted for their psychedelic period. The group was founded in 1966 by high school friends Mikiharu Suzuki (drums), Taro Miyuki (guitar), Masaru Hoshi (lead guitar) and Kaoru Murakami (bass), playing mostly instrumental rock. Their debut album is still considered a cornerstone of the so-called proto-garage revolution. Their flo…
'Asylum' has a striking cover artwork, very typical of the style of the day, and was Cressida's second album of eight extended rock workouts, with Peter Jennings' superb keyboard playing backed by John Culley on lead guitar, enhancing the lead vocals of Angus Cullen. With extra percussion and orchestral accompaniment, Cressida's sound has often been compared to their contemporaries, the Moody Blues.
Cressida's debut was issued in 1970 on the famed 'Spiral' label, the home of Progressive rock. The 12 tracks highlight this excellent British band's ambitious and attractive blend of vocals, guitar and keyboards. The band enjoyed critical acclaim back in their day and their music still sounds fresh today.
Picnic - A Breath of Fresh Air is a sampler issued originally by the Harvest Records label, originally released in 1970 and is remarkable for including the full-length version of the unreleased Pink Floyd song, "Embryo". EMI as a record label did not generally have a reputation for taking risks; however, having seen that progressive music had become popular, the niche Harvest label was launched in 1969 to take advantage of that market. As with many record labels at the time, a budget-priced show…
*Limited edition of 300 copies hand numbered.* Broc Recordz presents its new 7inch of the legendary Janko Nilovic with the Soul Surfers! Enter in this psychedelic and groovy record with a crazy artwork made by Fabricio Orellano from Argentina.
*100 copies limited edition. In process of stocking* First ever vinyl release of Squadra Omega debut album "Rennes-le-Château LP", originally released on digital only on Vuoto netlabel. Recorded on 8 track cassette in 2008, remixed in 2021 at Outside Inside Studio. B side is a previously unreleased track taken from the same 2008 session.
A little psych-dub masterpiece recorded in 1981 by the elusive Minus Group, a mysterious studio band led by multi-instrumentalist Enzo Minuti (aka Ezy Minus). The two tracks on this single are different arrangements of the same composition, the first, on Side A, being an afro-dub version with phrasings on sax and synth (both played by Minuti himself), weirdly processed choir vocals, and obsessively repetitive percussion. Side B, on the other hand, contains a tropical-downtempo mix, with claves a…