Sound Art / All styles

Three movements for layered acoustic flutes, played by Rai Tateishi with circular breathing and produced by Koshiro Hino. Fourth record in the MAO Torino series, made for Chiharu Shiota's The Soul Trembles. One-sided LP, 250 numbered copies.

We're absolutely thrilled to offer a small handful of freshly unearthed copies of long out of print volume, "Composer, Fluxist and Out of Order", arguably the most comprehensive monograph ever dedicated to the life and work of the Danish multi-disciplinary artist and composer Henning Christiansen. Issued in a heavyweight, hard-cover bilingual (English & Danish) edition, stretching to a stunning 578 pages, containing numerous texts and anecdotes by Christiansen and others, as well as extensive do…

The six compositions on Soundwalk Collective’s new album, It’s All Breaking Apart, are based on field recordings from Berlin clubs, particularly Berghain, blended with additional sounds processed through modular synthesizers, ambient noise, fragments of conversations, and new vocal performances, both sung and spoken. The album features collaborations with Anika, Gudrun Gut, Elvin Brandhi, and Nina Kraviz. The opening track, The Crowd, is a collaboration between Soundwalk Collective and legendary…

Three LPs of Hans van Koolwijk's Bambuso, the large organ of bamboo and air he built himself: mostly live, unreleased recordings from Amsterdam to Warsaw, moving from quiet acoustic drones to a dense, dissonant wind orchestra.

Music from Stan Douglas' two-channel installation ISDN (Venice Biennale 2022), where London grime MCs and Cairo mahraganat rappers trade verses. Two edits chosen by the artist, 180 g 12", 1,000 copies.

Lawrence Lek's soundtrack for Temple, the virtual karaoke club from his film AIDOL rebuilt at 180 The Strand in 2019, completed after a bereavement. Single LP on 180 g black vinyl, 500 copies.

Live recording of Theaster Gates and The Black Monks at White Cube Mason's Yard, London, on 24 May 2019, the opening of his exhibition Afro-Mingei. Single-sided 180-gram 12" with an etched B-side.

Live jam by Theaster Gates and The Black Monks, recorded at the Sprengel Museum, Hannover, in 2018 and issued in 2019 as the second Black Madonna Press release. 180-gram black vinyl, mask etching on one side, 1,000 copies.

Soundtrack to Theaster Gates's film Dance of Malaga (2019), shown in his exhibition Amalgam at the Palais de Tokyo: eleven songs by Gates and The Black Monks, produced by James William Blades. 2LP, 180 g, 750 copies.

Four-track 12" EP by Theaster Gates and The Black Monks of Mississippi, first issued in 2018 to launch Black Madonna Press alongside his Kunstmuseum Basel exhibition. 2024 repress on 180-gram black vinyl, 500 copies.

Direct-to-disc recording of Arthur Jafa's Listening Session at the Serpentine Sackler Gallery, 9 September 2017, with Jason Moran, Steve Coleman and others playing apart across London. Signed, numbered edition of 300.

Hisham Akira Bharoocha (Soft Circle) and patten recorded this EP on 30 June 2015 at the Barbican during Doug Aitken's Station to Station, drawing on sounds of the building and of The Vinyl Factory's on-site press; 300 copies in unique Åbäke sleeves.

Twelve coloured 10" records of locked grooves by Carsten Nicolai (noto), the sound material of his turntable installation bausatz-noto, boxed by The Vinyl Factory and noton in 2024 for the Reverb exhibition at 180 Studios.

Four-part piece with words by Amalia Ulman and music by Carles Santos, tracing an art commission from proposal to invoice; the sixth release of Anthem, The Vinyl Factory's 12" series for the 9th Berlin Biennale in 2016.

A 12" of crossing, stochastic grooves with no recorded music by Carsten Nicolai (noto), issued by The Vinyl Factory in 2015 for the European premiere of his unicolor installation at Brewer Street Car Park, London.

Soundtrack to Pipilotti Rist's 2016 video installation 4th Floor to Mildness: two pieces, Sleep and Spiracle, with music and words by Anja Plaschg as Soap&Skin, released by The Vinyl Factory for the 2018 London exhibition Strange Days.

Live duo of Christian Marclay on turntables and Mats Gustafsson on saxophones, recorded at Café Oto, London, on 13 March 2013, issued by The Vinyl Factory as a one-sided LP with a Marclay etching.

Ryoji Ikeda's first acoustic stage work, for handclaps, triangles, crotales and cymbals, commissioned by the Geneva percussion collective Eklekto, premiered at La Bâtie in 2016 and recorded live in Berlin and Geneva.

Solo performance by David Toop for strings, objects, water, paper, glass and electronics, recorded on 31 January 2015 and pressed on site during Christian Marclay's exhibition at White Cube Bermondsey, London.

The 17-minute soundtrack to Ryoji Ikeda's data-cosm [n°1], an audiovisual installation commissioned by 180 Studios in London and premiered there in October 2025, issued by The Vinyl Factory on a single-sided LP.

A nine-song cycle for voices and electronics by Doug Aitken, developed with Grant Gershon and the Los Angeles Master Chorale and produced by Austin Meredith and Rodaidh McDonald; the music behind his Lightscape film and installation.

A 12" by Ryoji Ikeda with ten locked grooves, each a sine wave tuned to a planet, issued by The Vinyl Factory in 2015 for the UK premiere of his supersymmetry installation at Brewer Street Car Park, London.

Gonçalo F. Cardoso as Tropic Brut: contact mics, geophones and piezos on the resort complexes of Tenerife, concrete, metal and machinery amplified into a brutalist, tongue-in-cheek record about mass tourism. Mastered by Rashad Becker.

Hermann Nitsch alone at grand piano and harmonium: a sonata performed in Düsseldorf and a night piece performed in Vienna in 1984, first issued on Yedermann that year. New pressing with his drawing on the cover, Tochnit Aleph, 250 copies.

This Embodiment consists of work stemming from exhibitions and performances by Hanne Lippard over the past number of years. Including texts from her most recent exhibition entitled ‘Flesh’, at Berlin’s KW, that saw the artist use ‘her body and words to counterfeit perimeters given by established standards in art production and create a universe where the audience is physically as well as mentally brought outside of their confinements.’ The works collected display the various areas to which Lippa…

Drawings, Collages, Paintings reveals Adam Bohman as a visual artist every bit as singular as his music, collecting five decades of creatures, cowboys, food‑packet detritus and biro‑scrawled ephemera into a thick, disarming portrait of an English visionary working at the kitchen‑table edge of art history.

In Sonic Boom, Spectrum & E.A.R. Vinyl, Danny Passarella turns Pete Kember’s solo history into a 300‑page artifact: every record from “Angel” to A ? Of When, unreleased audio, new interviews and ephemera mapped into a definitive, tactile chronicle.

Takehisa Kosugi and Akio Suzuki improvising at Tokyo's Aeolian Hall on 2 April 1979, Kosugi on voice, violin and radio transmitter, Suzuki on the Analapos and other instruments of his own invention. First released in 1980.

Soundtracks for Gérard Collin-Thiébaut's Audio-Visual Devices of 1981-1985: slide projectors on stools, tiny copied drawings and endless cassettes of radio, film and sermon fragments. Tochnit Aleph, 250 copies.

Four LPs, a CD and a 120-page book from the Zurich festival for Alvin Lucier's 85th birthday in 2016: Lucier performing I Am Sitting in a Room and Music for Solo Performer, plus premieres and late works with Curtis, La Barbara, Ambarchi and O'Malley.

The expanded edition of the scores of Emahoy Tsege Mariam Gebru's piano music: the 16 pieces of Éthiopiques 21, with photographs, drawings and handwritten letters from the Emahoy Music Foundation archive. 128 pages, 29 x 29 cm.

A zine on the ten years of Kaoru Abe in Tokyo's free jazz scene, 1968-1978, with excerpts from an unpublished 1973 conversation between Abe and Shinto recorded in a small Shinjuku coffee shop. English and Japanese.

Fourth issue of the Sound Series by Ningen Paper Press, on the musical world of Pierre Bastien and the mechanical instruments of his early years. A 24-page zine in English and Korean, edited and designed by Ganghyeon Paeg.

Third issue of the Sound Series by Ningen Paper Press: Ikue Mori from the drums of DNA in the New York No Wave scene to computer music, her move from Tokyo and the meeting with John Zorn. A 20-page zine, 2024.

Sister Irene O'Connor remembers her first years as a young nun at a kindergarten in Singapore and how she began making music. Made with Freedom to Spend after the Fire of God's Love micro museum in Seoul. English and Korean.

An 88-page A4 book on the DIY bootleg cassettes of the 1980s: Portastudio, Walkman and home Xerox, tapes copied in small numbers and shared like letters, and the lo-fi experimental, noise and improvised music they carried.

Transcript of a conversation between Mississippi Records and music scholar Thomas Feng for the 102nd anniversary of Emahoy's birth: the release of Church of Kidane Mehret, Portland and New York, her legacy. 20 pages, English and Korean.

Second issue of the Sound Series by Ningen Paper Press, on Emahoy Tsege Mariam Gebru, the Ethiopian nun and composer whose piano music offers solace and reflection. A 20-page zine edited and designed by Ganghyeon Paeg, 2023.

**Edition of 50** Described as 'the People's Vote Turner Prize winner', this release comprises the short film (DVD) documenting the word-for-word recreation of Princess Diana's funeral at Salford's The White Hotel, along with the full, unedited audio recording (CD) from the ceremony. Comes with myriad printed matter on riso plus a sticker featuring Stanley Schtinter's 'Purge Royal Standard Flag' (designed to drape over Diana's second coffin), and reviews from the London Review of Books and the D…

A detailed look at the elusive work of a French pioneer of musique concrète and electroacoustic composition Eliane Radigue