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Edition of 100, numbered. Reissue of a holy-grail double C45 boxset released on Hironari Iwata's Angakok label in 1988. It features H.n.a.s., Asmus Tietchens, Haiginsha (aka Hironari Iwata), Conrad Schnitzler, Toukaseibunshi (aka Hironari Iwata again), Roberta Settels, Human Flesh (aka Alain Neffe), Bene Gesserit, P16.D4, Swimming Behaviour Of The Human Infant (aka Achim Wollscheid), The Haters, Defict Des Annee Anterieures and a young upstart called Merzbow.
Edition of 100, signed and numbered. In the last 10 years Akira Matsuoka (aka Veltz) has established himself as a key figure in the next generation of Tokyo noise artists. His work covers a wide range: metal junk noise, erased tapes, field recording and audio dedications to analogue television. Analogue broadcasting in Japan was switched of in 2011, an event recorded by Matsuoka and presented at the end of this album. The collection of broken televisions he has since amassed have become his prim…
Restocked, reduced price - Limited 100 copies, signed and numbered. As a co-action by Norio Imai, Toru Kuranuki, and Saburo Muraoka, we inject the sound of our heartbeats into a street corner for 10 days from July 20th, 1972. The heatbeat sound is transmitted through three sets of equipment that respectively consists of a tape recorder inside this cafe, a speaker on its roof, and an oscillograph in its show window. In this co-action street noise and the rhythm of human as a living matter interpe…
Restocked, reduced price Limited 80 copies, numbered. Legendary 1973 recordings by the sound artist Morihiro Wada (1947-2007). When a transition from one articulated time and space to another begins, language is generated as a factor for the first time. When language needs a certain meaning, it means that a beautiful misunderstanding of communication has already begun.I can’t do anything but see a discrepancy between what is actually expressed and me. The greater the discrepancy is…, there is…
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“Abstinence” is the debut release of
visual collagist / sound explorer Kostas Kefalianos. It features a
selection of private tracks, recorded directly on tape between
2013-2014. Pro dubbed cassettes ltd to 100 copies.
"Promnesia" is a collection of four pieces, divided into pairs and composed between mid 2014 & late 2015. On these recordings, Alexiadis is using mainly electronics to create unearthly tonal worlds, absorbing the listener into the nebulous environment of his detailed, semi- abstract sonic structures. Panos Alexiadis (b. 1984) from Athens, Greece. He has studied the classical piano and sound engineering. Afterwards, he started research on sound, experimenting with software synthesis, electric gui…
“Orphne” (Όρφνη) consists of two electro-acoustic pieces, equal in the procedure of synthesis, using a pallet of processed voices and saxophone along with modular synthesizer and cymbals. Panos Alexiadis (b. 1984) from Athens, Greece. He has studied the classical piano and sound engineering. Afterwards, he started research on sound, experimenting with software synthesis, electric guitar, piano and even toy instruments.
In 2016, elnicho and Buró-Buró curated a panel as part of the "SOMA Wednesday" program in the context of the elnicho#5 festival. The theme revolved around the relevance of sound in art and the relationship between them. From a socio-cultural point of view, sound is around us and has historically been a vast territory of exploration. How have anthropological, folkloric and vernacular elements influenced our current listening experiences? Music not assimilated in the past is now revisited through …
This booklet is an attempt to employ incidental movements that are often overlooked or ignored, those winding conversations that inevitably occur between friends who share a passion for a common theme. Over the course of nearly a year, this conversation blossomed out of friendship among the participants. The three of us worked in different fields approaching avant-garde and experimental practice. Therefore, we believe that sharing aspects of these experiences and the conclusions they draw could …
Sound and music seem to have been underwhelmingly part of contemporary museums. However, they are shyly making their way in the area of contemporary art, often via visual artists keen on using sound in their work or inviting musicians or sound-focused artists to collaborate. But how are visual arts curators situated both within and outside the boundaries of institutions, and how do galleries and museums deal with the increasing importance of sound? Does its lack of tangible value make it a less …
Keith Rowe explores the nagging questions that the field of visual arts began to interrogate in the 20th century, bringing them to the musical universe under the counter. These inquiries are about the ways we experience modifications to the notion of space in music, the preponderance of the role of listening in the resignification of sonic events, and the timbric exploration translated to the whole world, beginning with everyday life. (...) Keith ignores the disciplinary boundaries that separate…
CD Edition. The first time Maryanne Amacher's music has ever been available on vinyl. Maryanne Amacher (1938-2009) was a composer of large-scale fixed-duration sound installations and a highly original thinker in the areas of perception, sound spatialization, creative intelligence, and aural architecture. She is frequently cited as a pioneer of what has come to be called "sound art", although her thought and creative practice consistently challenge key assumptions about the capacities and limita…
Electronic musicians Jean-Benoît Dunckel (of Air fame) and Jonathan Fitoussi have joined forces to release Mirages, a sonic exploration of analogue synthesis, released on The Vinyl Factory. Born inside the studio which Xavier Veilhan built as part of the 57th Venice Biennale in 2017, the album was finished in Dunckel’s Paris-based studio, and features synthesisers amassed over several years, including an Arp 2600, PPG Wave, Synthi A, Buchla, Yamaha CS60, Korg MS20. Moving from the minimal to the…
Edition of 300 copies. Soundwalk Collective was given unprecedented access to the halls of the emblematic nightclub Berghain, Berlin. A re-incarnation of the legendary Ostgut club, the focal point of Berlin’s techno subculture. The Berghain building is a former East German power plant that is remarkable for its enormous dimensions, 18m high dance floor and minimalist constitution of steel, glass and concrete. An architectural space that facilitates experiences of sacredness, collective oneness a…
Invited to explore the archive of the seminal French director Jean-Luc Godard, NYC and Berlin-based group Soundwalk Collective release their new album, What We Leave Behind. Drawing on Godard’s personal collection of shot film, reel-to-reels and historical ephemera, the recordings reveal the moments before and after the camera rolls, from stage directions and on-set asides to rehearsals, false stars and outtakes.“There are boxes filled with sounds, words, chaos, and also silence. For Godard soun…
The soundtrack to Hito Steyerl’s new film installation Power Plants features a new collaboration between UK star Kojey Radical and one of the world’s most influential and important visual artists and thinkers, and a beatific ambient classic by late Japanese producer Susumu Yokota.Exhibited at The Serpentine from April to May 2019, Power Plants features a new film work in an immersive installation that expands throughout the building, it revolves around anticipating the future in unpredictable wa…
Shawnee, Ohio, the first album by sonic ethnographer Brian Harnetty
on Karlrecords, is an intriguing blend of archive recordings of
interviews with residents of that small town and melancholic
chamber-folk, performed by his ensemble which features, amongst others, Anna Roberts-Gevalt (Anna And Elizabeth) and Paul De Jong (The Books).
Brian Harnetty (b. 1973) is an interdisciplinary artist working between
music composition, sound, and socially engaged art. Rooted in sound
archives and the c…
Talking About The Weather: Teacher and student. Past and present. Two drummers. Two men. Two fathers. Friends. A conversation. A dialogue of the drums. Following up on a drum/percussion duo Eric Thielemans and Billy Hart did in the Summer of 2016 at the Jazz Middelheim festival, these two drummers decided to dedicate time to continue and deepen their versatile dialogues on and around the drums. The meeting and recording of Talking About The Weather took place on January 7-9, 2018 at "Figure 8 Re…
*200 copies, LP, 180 gr. vinyl*. Olga Szymula is polish experimental sound maker and performer. She currently lives and creates her electro-acoustic worlds in Denmark. Her works take forms in concerts, records, film scores, installations and performances. She bends and plays around with music forms, combining playful melodies and songs with abstract forms and noises. Her debut LP is "like a toothpaste tube of psilocybin rainbows and juttering dislocations. A sizzle of torn circuitries and bright…
**sold out at source, few copies available** A new project by Ryoji Ikeda comprising 26 sonic frequencies which form an audio conversation derived from the US military use of morse code. Pressed on transparent 12" vinyl with 13 locked grooves each side, the title of each hand etched into the grooves. Released by The Vinyl Factory on the occasion of Elevation 2017, an arts festival in Gstaad produced by LUMA Foundation, where Ryoji is presenting a site-specific installation of Test Pattern.ALFA >…