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Last copies, regular edition, numbered to 97 + 3 AP copies in a woodenbox (20X20X3 cm) with 7"" records only (NO catalog and NO tapes). It contains 7 x 7" Eps by Albert M Fine, George Brecht, Joe Jones, Charles Amirkhanian, Ken Friedman, Adriano Spatola and Pauline Oliveros -
Deluxe edition is numbered to 27+ 3 AP copies in a wooden box (25x25x8cm ) with silkscreened sliding tops, containing seven 7" Eps by Albert M Fine, George Brecht, Joe Jones, Charles Amirkhanian, Ken Friedman, Adriano Spatola and Pauline Oliveros - also with clothbound 'Visual Vinyl' catalog and two audiocass by Dick Higgins & George Maciunas
Cassette only – limited edition of 100 copies – written and produced by David Burraston. Recorded at Noyzelab, 2014-2017. Random artwork, generated using seed number 0xAF30F0843192FC4, by Matthew Petty.
After a happy chance meeting at an event in the National Portrait Gallery in London, NYZ was invited to make a tape for The Tapeworm. On returning to Australia he went into the studio, digging up some recent-ish pieces from the last few years, and also making a handful of new ones. The musi…
In a 24/7 world, there is no greater challenge than "to be in command of one's own time". Is it true that the ability to download anything, at any moment, constitutes freedom? Has the '"value" of music, art and design been stripped bare? "I Google, therefore I am"... Touch Movements has been compiled over the course of three years. It is a response to many requests for Touch to publish a fuller account of Jon Wozencroft's photography for the cover art of the project. The book follows the music, …
We are happy to announce the first release in our new established ‘Sound Writings’ series: Drone Pilot by writer, sound artist, and programmer Ian Hatcher (*1983). His work explores cognition in the context of digital systems. While studying Digital Language Arts at Brown University, he came up with his own propositions in this field: the way he trained his own voice, prosody and word-flow to mimick the qualities and even glitches of speech-synthesis is extremely suitable for a realization in so…
Smells Like Teen Spirit is premised in a haptic interrogation of each of the label's previous editions. Berlin-based and Mexico City-born multi-disciplinary artist Mario de Vega occupied the gallery space of Rumpsti Pumsti (Musik) for three consecutive days in October 2016 with a hitherto complete Tochnit Aleph catalog, sanding machine, hammer, and recording equipment. Conflating acts of "playing" with destruction, de Vega took to the recorded works and assorted media with his Spartan too…
Aeolian Darts is a collection of playful minimal poetry by sound-thinker and garage-printer Michael Klausman. He has been an avid collector of small press chapbooks for many years, frequently posting his obscure finds on his Drifting Lament Instagram, a labyrinthine rabbit-hole of post-Fluxus poets, esoteric private press records & found art. This book is a culmination of his interests in the edges of culture, a space where mimeographed liners, mail art and handmade cassettes rub shoulder…
Numbered edition of 500 copies Comes with 8 page 12" booklet Thanks to Dan Wilson for the segues on side 2 Special thanks to Sandra Cross, Miles Champion and Ed Baxter. These recordings were collected by William English from the floor of Captain Seddon’s cottage shortly after he died and just before the building was demolished. Many other tapes were left behind. The only recordings he made were audio letters, diaries and most prolifically, his phone conversations. The 12 pieces on this LP were r…
"What is Normal Music?” That was the title I chose for an article some years ago and despite the fact that I was searching something else, it was difficult to find anything better to start these lines about “Horizon Capiton”; the new LP by French musician Olivier Brisson. Monsieur Brisson lives in Lille and has been involved not only with sound experimentation but also with psychiatry. The latter is not just a detail but an important fact here: this is a work about frames and boundaries. But who…
Never before released recordings from Logos Foundation live sessions with David Toop and Paul Burwell in Brussels, on May 7, 1977. David Toop on the recordings: "When Paul Burwell and I started playing together just after Christmas, 1969, we found ourselves wrestling with a new language of sound, listening, actions, objects and space. At first it was music. We studied in the improvisation classes given by John Stevens at Ealing College in 1971-2, and also took classes in African music at London'…
Sound Poetry is discipline which developed over the course of the 20th century. Firmly located between the worlds of fine-art and music, it places its emphasis on the sound and structure of words - the phonetic aspects of human speech, over explicit meaning. Of all the avant-garde and experimental creatives practices, it is unquestionably the most neglected. Its efforts remain almost entirely unknown beyond circles of devoted fans. Despite this, its has been remarkably influential. The Beat poet…
If perception and language objectivate the world, if imagination structures it, if knowledge orders it, then how can we describe, name, or even apprehend that which comes to pass when language is absent, when perception vacillates, and when knowledge eludes us? How can we say, show, or make known that which undermines and refutes the order of things, the supposedly immutable real, and the administration of the sensible? This book takes us on a quest that traverses philosophy and the human scienc…
Originally published between 1961 and 1965 by Tuli Kupferberg and Sylvia Topp’s Birth Press, this volume reproduces all ten issues of YEAH magazine as individual facsimile editions, housed in a single box. Kupferberg described the magazine as “a satyric excursion; a sardonic review; a sarcastic epitome; a chronical of the last days,” and throughout its pages he acts as both editor and artist, threading the needle of leftist politics with the sarcasm and sharp creative wit for which he became kno…
Title TK is an eponymous collection featuring ten performance transcripts from the conceptual band, Title TK. Band members Cory Arcangel, Howie Chen, and Alan Licht engage in unscripted conversations about music, the music industry, and popular culture, rather than perform music. Drawing inspiration from David Antin’s improvised “talk poems,” Title TK elevates on-stage banter to an art form, creating work that exists at the intersection of performance art, improvisation, and stand-up come…
**In stock this week** “In der Pause” (During the Pause) was the title of the last track on the b-side of “ “, the first album by Die Tödliche Doris. “In der Pause” was pause music, as well as the announcement of the interval between their debut album, released in 1982, and the box format project ”Chöre und Soli” that followed in 1983. The original sounds of “In der Pause” survived on a single audio tape dating from 1981. Now, about 35 years later, Chris Dreier and Wolfgang Müller have used the …
"DO’UN is an Architecture Sonore composed for the exhibition Intuition curated by Axel Vervoordt and Daniela Ferretti, at Palazzo Fortuny, in Venice, 2017. The world of Mireille Capelle is one of music and theatre. She has performed as a singer in numerous European opera houses, under the artistic direction of the foremost stage directors and conductors. Mireille Capelle is singing professor at the Ghent School of Arts and member of the artistic board of HERMESensemble. She has a particular …
Recorded in 1985, this long piece, unpublished until now, belongs to the Gamelan series, which Philip Corner has worked for years and counting dozens of pieces. In the word of the author, the piece, for two pianists "...represents one of the most “curious” manifestation in the Gamelan series. The increment-link, high-to-low, is maintained on the chromatic scale of the piano keyboard, giving durations from 1 to 88. However they are realized in both directions at the same time. And counted out lou…
Limpe Fuchs is a bit of legend in regards to experimental music making. Back in 1971, bare-chested and fancy-free, she and then husband Paul paraded this initiative approach to sound-making up and down Europe as Anima. At the beginning of the 1970s, Limpe began to develop her own instruments of wood, metal or stone. String Stone Weight contains a recording of her concert at Shiny Toys Festival 2016.On a sultry late summer afternoon I sit in the sun and wait for Limpe Fuchs. This very evening she…
First release by japanese artist Hideaki Shimada aka Agencement since 2001. "Six Juxtaposed Works“ presents new pieces for violin, viola, cello, electronics and tape. Performed and recorded between 2013 and 2017. Shimada (born 1962) plays violin improvisations since the late 1970’s and formed the Agencement project in the early 1980’s adding electronics and tape-techniques to his play and releasing the first self titled cassette in 1984. Between 1986 and 2001 he published four more Agencem…
A sublime addition to Sean McCann’s Recital Program, This Floating World is Roger Eno’s first solo LP in a decade, following on from Anatomy [2008] and a split LP with Plumbline in 2013. Mostly solo piano expressions, but with a few intriguing embellishments of electronics in Garden, vocals on Empty Room, and sonorous chimes in Riddle, saving the detuned pearl of Out of Tune, Out of Time, Out of Here for dessert. “This Floating World holds rustic and melancholic piano works, as grey and m…