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Music from the World Tomorrow, the second issue of Blank Forms' journal, brings together a combination of never-before published, lost, and newly translated materials. Featuring Marshall Allen and the Sun Ra Arkestra on the cover, this issue also includes John Corbett's writing on the enigmatic annotations found on Sun Ra's reel-to-reel tape archives. Visionary avant-garde jazz vocalist Patty Waters speaks with Larry J. Nai about the art and experiences that moved her from childhood to the then-…
When punk first broke in the UK in 1976, music journalist John Ingham was on hand to document the very heart of the scene. Struck by the music, fashion and sheer iconoclasm of a little-known outfit called the Sex Pistols, Ingham conducted the first interview with the band, partied with its members and even bailed Sid Vicious out of jail; he also witnessed and documented the group’s evolution at legendary gigs shared with other pioneering punk bands in their earliest days, including the Damned, t…
A Dance with Fred Astaire is an extraordinary collection of anecdotes and rare ephemera from the life of legendary artist, filmmaker and bon vivant Jonas Mekas, featuring a dizzying cast of cultural icons both underground and mainstream. Memories, diary entries, conversations, and insights into his work sit alongside collages of beautifully reproduced postcards, newspaper cuttings, film negatives, lists, posters and photographs, envelopes and letters, book covers, telegrams, cartoons and doodles…
Artist Peter Coffin began his work with the iconic designs of LA’s Colby Poster Printing Company in 2008. Over the years, he solicited friends to contribute their dream concerts—invented lineups for impossible gigs—and combined them with the print shop’s famously eye-popping poster backgrounds, resulting in Imaginary Concerts: a stirring, two-volume celebration of music’s vast conceptual universe. Featuring 160 concert lineups from a roster of artists, authors and daydreamers including Yoko Ono,…
250 hand numbered copies. Comes with Obi strip and printed inner sleeve. Side A recorded in 1964. Side B recorded in 1962. Liner notes by Colin Huizing. Translation by Ed Veenstra. Layout by Johnny van de Koolwijk. Restoration, mastering, photography by Kees van de Wiel.
Herman de Vries, born 1931 in Alkmaar, is a Dutch visual artist who has been living in Eschenau in the Steigerwald region (Franconia, Germany) since 1970. Having started out as an Art Informel painter in the 1950s, his interests…
** Limited edition of 150 copies ** Presented here as novel and CD audio work, The Happy Jug uses a combination of verbatim text, fiction, granular synthesis and speculative philosophy to interrelate these formally distinct events in a weird causal relationship, reflecting on the palpable emotional and physical suffering connected to austerity politics — in particular the UK 2015 general election and its aftermath.The audio CD, produced by Kepla, features this narrative spoken by the author, Nat…
** Limited edition of 200 copies ** On Sunday 3 October 2015, London-based choral ensemble Musarc spent the afternoon at Extra City Kunsthal in Antwerp to perform and record four pieces by artist/composer Neil Luck. These sessions were expertly captured, engineered and mixed by Bert Aerts.This record was launched on 11 May in London as part of Odradek, a three-day concert series of experimental music, performances and talks organised by Musarc.
1000 pictures and documents from the work and life of Charlemagne Palestine explode from the pages of the book, superimposed in ‘strumming’ layers, weaving the historical & present, works & performance, private & public into a tightly knit sschmmettrroobookk. Texts by Michel Baudson and Xavier Garcia Bardón.In 1974, the Belgian cartoonist Hergé, a great admirer of American avant-garde art, and Karel Geirlandt, the new director of the Centre for Fine Arts, invited Charlemagne Palestine to perform…
Edition of 200. New record from Darksmith years away from the previous ... well, it is not easy to talk about the records of Tom, even if this difficulty, on the borders with the impossibility, validates the complete success of his work.We are not dealing with an abstract thing, reality is omnipresent in these furrows ... yet it manages to escape any attempt at semantic classification and makes even impossible the definition of an emotional tonality; rather the listening leads back to places of …
Biblioteq Mdulair is an orchestra made of some 15 analogue function generators played by Swiss based artists Emma Souharce and Daniel Maszkowicz. In their concerts they often collaborate with the analogue modular video synthesizer SYNKIE creating a total audiovisual symbiosis with dozens of CTR televisions. This first release is a live performance recorded at Cinéma Nova in Brussels (Belgium): a hypnotic ambient noise evolving towards a magma of colliding frequencies growing in intensity with an…
A full length LP by the eminent Australian sound artist Matthew P Hopkins. The first side "The Gallery Rounds" consists of three pieces which were assembled from field recordings made at various art galleries, museums, and other institutional buildings. The raw materials captured at these sites was not focused on particular artists, or kinds of artwork, but rather, on various unintentional combinations: outside traffic and construction work blending with the sounds of videos and kinetic sculptur…
EnsemBle baBel has been collaborating with Christian Marclay since 2012. On this double LP we can hear three compositions: Screen Play, Shuffle and Graffiti Composition. Screen Play is a moving image musical score in which found film footage is combined with computer animation to create a visual projection to be interpreted by live musicians. One of the ways that performing a visual score differs from performing tradition musical notation is that the musician cannot read ahead to anticipate what…
Restocked, reduced price Signed and numbered box, limited to 80 copies. Comes with inserts and and a photo of exhibition in 1974. “Number of Sheep Who Jumped over the Fence” by Fumio Takamizawa was originally presented in 1974. Throughout the history of Japanese art, there has been artists that filled museums, galleries, studios and other public spaces with all sorts of sounds. In most cases, however, once the sound faded, it couldn't be heard again. Within Japanese art history, which has been …
Edition of 50 copies, Special Edition, Carboard box with 17 sheets Graphic Scores. This edition is published on the occasion of Alan Courtis’s exhibition, “Graphic Scores” on March 2-10, 2018.
Norbert Möslang had been playing in Voice Crack duo with Andy Guhl in 1972-2002, they’ve been working with “cracked everyday-electronics”, modifying and recontextualising the use of home electronics. After the split he continued working solo and in different musical combinations using “cracked everyday-electronics”, among them a duo with eRikm with whom he played in duo from time to time since 2002. He released numerous solo albums as well as collaborations with Günter Müller, Jason Kahn, Ralf W…
“Quiver” continues our subseries of cerebral abstract electronic minimalism after Triac’s “In A Room” and Hanno Leichtmann’s “Minimal Studies”.Yui Onodera is a musician and composer based in Tokyo, Japan. After studying music and architecture, he founded the Critical Path. In terms of environmental functions and spacial relationships of sound, he employs materials from various sources ranging from field recordings, electronics, and voices, to various musical instruments, for process-based, restr…
Fantôme Phonographique present a reissue of the only known recordings from the infamous occultist, mystic, magician, poet, novelist, sexual deviant, and all-around misfit, Aleister Crowley. Recorded onto wax cylinder in the early 1910s, and later transferred to 78 RPM discs. The tracks include Crowley's recitation of the first two Enochian Keys, original poetry, incantations, and songs. An absolutely essential piece of occult history. This collection was originally compiled and released on LP in…
Fantôme Phonographique present a reissue of Pur En Finir Avec Le Jugement De Dieu by Antonin Artaud. Antonin Artaud was a French poet, dramatist, and director and one of the most important figures in 20th century European theater, and especially the avant-garde. His piece "Pour En Finir Avec Le Jugement De Dieu" was recorded in 1947 to be aired on French radio. But the project was shelved not only for its scatological, anti-American, anti-religious content, but also for its avant-garde sound, wi…
Saltern presents Al Di Là, the first full-length collection of recordings by renowned dancer/choreographer, artist, and writer Simone Forti. Forti (born 1935, Florence, Italy) has influenced generations of artists through her innovative approaches to dance and movement. Forti is noted for her extensive work with musicians, including Charlemagne Palestine, La Monte Young, Jon Gibson, Peter Van Riper, and Z'EV, among others. With Al Di Là, we hear Forti musically in her own right through a diverse…
Postmodern artist, dancer, choreographer, and writer Simone Forti originally wrote the Hippie Gospel Songs in 1969/70, around the time of the Woodstock Festival. She explains: "before coming to California where I started working and performing with Charlemagne Palestine and studying Tai Chi at the California Institute of the Arts, I had spent a year in Woodstock, New York, stoned in the woods. Now with Charlemagne at the piano I ran in circles and figure eights." The seven songs on the record we…