Hans Rudolf Zeller
Hans Rudolf Zeller (b. 1934 in Berlin) is best-known for being a music theorist, essayist and writer on contemporary music. His essays on Dieter Schnebel, Iannis Xenakis, microtonality etc., often published in the German journal "Musik-Konzepte", are deemed being among the best ever written on new music. Apart from that, he has since the 1960s maintained his own artistic work, most of which has not been published or only seen the light of day in private micro-editions. Zeller's work often involv…
Sometimes we all disappear
A restrained electronic improvisation from the duo of Jamie Drouin on suitcase modular & portable radio, and Lance Austin Olsen on amplified objects and audio cassettes, utlitizing space, isolated and connected events, and the listener's own environment.
Witteveen+Bos Art+Technology Award 2014
Founder of Staalplaat and Staalplaat Soundsystem, Geert-Jan Hobijn is 'an open-minded, enthusiastic artist with a boundless curiosity. Fascinating by sound and space and making use of pedestrian materials, Geert-Jan is constantly devising new creations to use in his experiments.' This book shows some of his work through several photos, an introduction by Douglas Kahn, an essay by Jorinde Seijdel. Plus a single 7" with locked grooves that you can play manually or with a turntable, and a sma…
Back In No Time
Reissue of a tape originally released in the Staaltape Documentatie Serie. Brion Gysin (1916-1986) dabbled with surrealism in the 1930s, lived in the Interzone of Tangier in the 1950’s, traveled the Algerian Sahara and was resident in the Beat Hotel in Paris. He introduced William Burroughs to the cut-up method and invented the Dream Machine, a hypnotic light device with the power to induce hallucinations. This tape is an interview conducted by Harry Hoogstraten in the early 1980s. In 195…
Four Manifestations On Six Elements
**Edition limited to 120 copies in white vinyl** One of Charlemagne Palestine's most well-known works, Four Manifestations on Six Elements is presented here as 2LP record edition limited to 120 numbered copies pressed into white vinyl. The gatefold sleeve is silkscreened in one color and presents the original score from 1970. In 1973 Charlemagne Palestine was commissioned to make Four Manifestations on Six Elements by the Sonnabend Gallery in New York. As the gallery was well-known for its p…
The Long Hot Summer/Interview Oct. 1969 /Waiting for Commercials
This CD restores three documents from the Charlotte Moorman canon. One happy example is a choral work performed on the 3rd of September 1964, during the second New York Avant Garde Festival, a performance of Jackson Mac Low's composition "The Long Hot Summer." This very relevant concert, distinguished by a marked ethico-political intonation and valence, sees in an exceptional reunion the names of Charlotte Moorman, Nam June Paik, Benjamin Patterson, Philip Corner, and Malcolm Goldstein, as well …
TV cello
Of the famous "TV Cello," conceived by Nam June Paik for Charlotte Moorman as a "living sculpture," this CD offers an in-situ recording released on one of the three days inaugurating the Paik retrospective at the Museum of Contemporary Art in Chicago, on the 11th, 12th and 14th of September in 1982. This version contains, respectively, the "TV Cello Duets" with Paul Garrin and the "Concerto for TV Cello and Videotapes," largely improvised, "including a tape collage by Ornette Coleman prepare…
Aachen Konzert, July 25th, 1966
This CD presents a concert from July 25th, 1966 in the Theatersaal in Aachen, Germany. In addition to the New York concert on September 12th, 1964, the recordings of this European concert well represent the kind of performances that Charlotte Moorman and Nam June Paik presented in Europe in the second stage of their historical "duo" exhibitions. This Aachen event, in fact, is testimony to the progressive and always more pronounced emergence of meta-musical elements deliberately turned toward the…
WBAI Concert, New York, Sept. 12th 1964
This CD highlights an exceptional document, a performance recorded by radio station WBAI in New York on September 12th, 1964. This event superbly represents the type of repertoire that Charlotte Moorman and Nam June Paik cultivated and proposed in the U.S., in the years following their meeting, in their memorable "duo" exhibitions. The program of the concert presented several true war-horses of their exhibitions like "26'1.1499 for a String Player" by John Cage, "Duet II" by Toshi Ichiyana…
Wind For Mind
Nanao Sakaki (1923-2008) was one of the important counterculture poets/activists in Japan from the fifties onward. He has been described as “a walking collective call of the wild man, commune cofounder, scholar of languages and aboriginal culture and tribal traditions, troubadour to hang out with, lover of 'shrooms and the herbs, movement maker, The Tribes, homeless (except for the cabin in Shizuoka), green guru guy, activist, translator of haiku, mantra sutra rapper using the 5/7/5 sylla…
you coul(d) hear the snow dripping and falling into the deers mo
Underground filmmaker, publisher and poet Piero Heliczer (1937-1993) was one of the seminal figures in the New York magical scene of the sixties which also included Angus Maclise, Ira Cohen, Jack Smith, The Velvet Underground etc. His poetry is rich with images of visionary inner landscape journeys with traces of medievalism, surrealism, British 17th century metaphysical poets, the beats etc. Most of his books were self-published on his own the dead language press which he founded in the …
Van Doesburg: Repertoire De Stijl - Bauhaus - Dada
A full-length overview of the avant-garde piano repertoire of Nelly (aka Pétro) van Doesburg, performed at various De Stijl, Dada and Bauhaus events in Europe between 1920 and 1925.
Born in the Netherlands in 1899, Nelly met De Stijl founder Theo van Doesburg in 1920. Over the next decade the couple lived in Wiemar, where Theo was an associate of the influential Bauhaus art and architecture school, and then Paris. A conservatory-trained pianist, Nelly often accompanied her husband's lectures wit…
Surrealism Reviewed
Surrealism Reviewed is a collection of spoken word recordings by Surrealist artists, writers and poets. Made between 1929 and 1963, these historic audio recordings include poetry readings, interviews, lectures and manifestos. Most are in the English language, though some are in French (marked FR below). The remarkable contributions by Robert Desnos and Herbert Read were feared lost for several decades, unheard since they were cut onto acetate discs in the 1930s.
Running for 74 minutes, wit…
Festival Paris Dada
A unique anthology of piano music directly linked to the Dada avant-garde art movement in Paris between 1920 and 1923, Festival Dada Paris is based on the piano repertoire performed at two landmark Dada events in Paris, namely the Festival Dada on 26 May 1920, and the infamous Soirée du Coeur â Barbe on 6 July 1923, an event disrupted by violent confrontation between Tristan Tzara's Dada faction and the Surrealist vanguard lead by Andre Breton.
Music from the 1920 event includes two pieces by Ge…
Futurpiano
Futurpiano showcases three influential avant-garde composers associated with the Futurist movement, by way of piano music composed between 1913 and 1933.
Arthur-Vincent Lourie was the first Russian Futurist musician, and a signatory of the original St Petersburg Manifesto in 1914. The five Syntheses written that same year offer a form of dodecaphony, while Formes en l'air from 1915 is a Cubo-Futurist conception using an innovative form of notation, dedicated to Pablo Picasso.
Born in the Ukraine…
The American Avant-Garde in the 20th Century
Following on from our popular primer A Young Person's Guide to the Avant-Garde, LTM now offers a more comprehensive overview of American avant-garde music in the 20th century.Commencing with early pioneers Charles Ives and George Antheil (including the celebrated, Futuristic Ballet Mechanique of 1924), this chronological double disc collection also includes pieces by émigré arrivals in the New World such as Leo Ornstein, Dane Rudhyar and Edgard Varèse, as well homegrown composers including Henry…
Par Hasard: Chance Composition 1913-1951
Par Hasard is a unique collection of avant-garde music by Marcel Duchamp, Francis Picabia, Georges Ribemont-Dessaignes and John Cage, all composed during the first half of the 20th century using chance techniques and operations.All selections are performed on piano. Iconic French conceptual artist Marcel Duchamp conceived both of his Musical errata in 1913. One consists of notes drawn at random from a hat; for the second, balls are dropped through a funnel into wagons drawn by a toy train. "Exec…
John Perreault
Ultra limited LP release, comes with 6 pages booklet, featuring two tape works pieces by conceptual artist John Perreault (b. 1937). The first work, “A Recorded Message,” features a tape loop with what sounds like a mechanized recording of someone saying “this is a recorded message” mixed over a soundscape of ambient sounds of automobiles and city streets. The second piece, “Traffic,” is a fairly straightforward field recording of traffic sounds made on West 10th Street between Bleeker and…
Symphony Natura
Reissue on black vinyl, strictly limited to 90 copies, hand numbered, contains the original cover from the first edition plus the score, also numbered. Limited quantities available! "Symphony Natura op.170" (1985) is a long collage of electronic drones and animal sounds, recorded at the Zoo in Rome in 1985. "First of all, I think of Bruckner's great symphonies modelled after nature, from the days of flourishing orchestral culture, great feelings and gazing into the soundscape. Which was always t…
People's Opera aka Aerosol/or The Computer That Couldn't Hear
Liam O'Gallagher's audio work, People's Opera aka Aerosol/or the Computer That Couldn’t Hear: An Inter-Media Opera, features nine transistor radios (four tuned to FM stations and five to AM stations), a telephone system, and soloists on tambourine, flute, oboe, and French horn. Here are the notes on the presentation, by O'Gallagher's himself: “The ‘conductor’ signals the operators of the radios to approach the microphones or recede from them. Soloists play according to any predetermined plan. Tw…