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Massive discount on a large selection of items from the Superior Viaduct catalogue until stocks last!

Sound Art /

5 05 - 3 Renotations of 1 act of cleaning a piano
A project by the german artist Franziska Koch, edited by Fink Edition, Zurich. "The cleaning of the piano in the house Franziska Koch - Once a year - recurring as of spring cleaning . On this is both spontaneously and passionately played in their living environment for young and old . In the resulting recording is heard, like the piano cleaned, is rubbed and wiped. Knocking noises and random poking against the instruments body give the piece its own rhythm, so as to connect by wiping over the …
Running and Chanting and Falling and Ranting
Privately issued by the artist in collaboration with alga marghen, "Running and Chanting and Falling and Ranting" is quite a unique book presenting Charlemagne Palestine complete video production. “Body Music I” (1973) and “Body Music II” (1974) were Palestine’s first incursions into the video medium. They were followed, from 1974 until 1979, by a series of works that together form one of the seminal and most distintive bodies of conceptual, performance-driven video of that decade. As a co…
Dominik Steiger als Kind
A Film by Oswald Wiener, Vienna 1965. Austrian artist Domink Steiger (born 1940) as 'a child'. Dressed up in a sailor suit, playing with himself and toys on a roof-top and out in the streets and at a playground with other children under the suspicious eyes of mid 1960's Vienna inhabitants. This work could be seen as some sort of an (unintended) Steiger-esque version of the "Wiener Spaziergang" action by Günter Brus which coincidently happened the same year in the same city. But this film …
Always Sound
A 200 page book of photographs, texts and documents, including three CDs, drawn from the soundworks but recomposed as three related but internally coherent compositions. A contemporary of Richard Long and Andy Goldsworthy, Menter is one of a handful of sound artists with strong links to the land art movement. Now best known for installations that explore the untransformed sounds of natural materials, wood, slate, water, ceramics, stone and air, he also collaborates regularly on cross-platform pr…
Saitensack
First-ever release for Darmstadt-based composer Hans Essel who has been active in improvised music and Grundlagenmusik (foundational music) for more than 20 years. This LP showcases his project Saitensack (string-bag) in which he develops new ways of playing the violin and viola. Comparisons could be drawn to other experimental violinists like Tony Conrad and Takehisa Kosugi but Hans Essel uses a far more stripped-down approach: the instruments are neither modified nor amplified. Strings are not…
Figures without ground
200 copies Figures Without Ground is the third in a series of three releases, across three labels and three formats, representing a total of six compositions. The first two releases in this series were Music for Cinema (cassette, YDLMIER), and Mild Disappearances (CD-R, Songs From Under the Floorboards, a sub-label of Intransitive Recordings). The two sides of Figures Without Ground represent a major transition from one mode of composition to another. The cover of the album is a porcelain piece…
Karren
Olivia Block's Karren is a two-movement electroacoustic-orchestral composition. The first movement, Foramen Magnum, is an electroacoustic concrète piece created from heavily processed field recordings taken from orchestral rehearsals and various public locations, including museums and zoos. The second movement, Opening Night, is a layered orchestral score performed by the Chicago Composer's Orchestra, with whom I recorded and worked for several years in order to complete this project. Thematical…
Leest voor uit "Snoepert" van Ruud Beemsters (of was het omgekee
Warning: both audio and texts are written in Flemish and most probably not understandable for most people that live on planet earth!! If u do understand this confusing waste of vinyl and paper you will find poems (both written and audio) about a garage, a bra, a beach, a dad, a musical interferance, a mild irritation, a caesarsalad, and a duck.. this record and book was made in conjunction with the annual Bruismelk Festival at Scheldapen in Antwerp which happened on 26/07/2013 and was limited to…
Nouvelles Upanishads Du Yoga
The art of substraction. Baskaru is now up to 25 releases, and each one is unique, but none are as singular as Nouvelles Upanishads du yoga, a series of deep reflections on feedback, sound synthesis, and the art of substraction. Paris-based visual and sound artist Emmanuel Allard has been making electronic and digital music since the late 90s. Beside contributions to several compilation albums and despite live performances on three continents, he has been keeping a very quiet release schedule. …
Conservatory (San Sebastiano)
Referring to the soundtrack for Conservatory (San Sebastian), John Duncan speaks of 'ghost voices', emphasizing a line of research he's followed in the last several years beginning with Phantom Broadcast (2002), the audio work and live concert performances that utilize a shortwave radio transmission intercepted in the course of a single recording: a shadow play that assumes the form of bells resonating into infinity, where they merge and reverberate, morphing into choruses suspended in space. Du…
Musica per un giorno registrata in un mese
Spectacular edition! A silk-screened wooden box containing 24 tapes and a book (of art, texts and private photos collection from the artist), issued in a micro edition of 30 copies only. This composition of 24 hours recorded in one month, is a reflection on time. Ambient sounds, carpets of keyboard, pulsating electronic, moments of life gathered and where necessary assembled. All closely and soundly tied to what took place between January 4, 2012 and February 4, 2012. Sound reflections '…
Untitled
Penultimate Press is proud to release a unique vinyl of the only known recordings by Danish artist Poul Gernes.Poul Gernes only ever recorded just under 20 minutes of music. His entire musical production is therefore on this LP. The recording was done on a Tandberg Recorder at Poul Gernes’ house in the south of Sweden in 1969. He is playing an old harmonium salvaged from a local primary school. The result is an informal quasi­-drone work, which, along with the ambient sounds and domestic interfe…
Semikolon
Originally created as a 6-part radio series in 1965, and released in 1966 by Sveriges Radio. This is the first LP recording by either of these composers. Recorded at EMS (Elektron Musik Studion), the newly established studio facility at Swedish Radio. This pioneering work did not easily fit in any category that existed at the time. Inspired by the work of Öyvind Fahlström (who was a pioneer of concrete poetry along with the Lettrists and Futurists), a few young Swedish artists began exploring ne…
Incredible Familiar Music / Absolute Relative Music
** Edition of 150 numbered copies, includes large 60-page book ** Die Taubnessel presents Incredible Familiar Music and Absolute Relative Music, two LPs by ex-Faust drummer Arnulf Meifert & Family, issued in an edition of 150 copies which also includes a large 60-page book of drawings by the controversial artist Klaus Holzmann. "Silence and deliberateness are luxuries today. Most relevant music now is speedy and noisy, fuel and gas for the rot-machine called modern civilization. All has become a…
Battutosso / Bone Pulse (And Other Nature Musics)
Philip Corner's Battutosso / Bone Pulse (And Other Nature Musics) features recordings from 1989-97 of the US composer experimenting with bones, "the 100 most beautiful cows' bells", "breath, flute, and rubbing rock", and "Geoff Hendricks' xylophone sculpture". Compelling stuff, as always with Corner's work. Mastered by Silvia Kastel (Control Unit etc) and released on the Italy-based Ricerca Sonora imprint in an edition of 300 copies
Variations V
This is the first commerical release of John Cage’s Variations V, from the legendary studio production made by NDR German Television, Hamburg, in 1967. It marks an early pinnacle in recorded Cage/Cunningham collaborations, and is one of the few available films of a Cunningham Dance Company performance from the 1960s. With music for an orchestra of electronic soundproducers by John Cage performed by Cage with David Tudor and Gordon Mumma to choreography by Merce Cunningham performed by Cun…
Stapel. Efeu-Fahrten
*Edition of 500 copies with 12 page booklet.* After many years of self-published micro-edition cassette and cdr releases this is the long overdue first proper collection of pieces by German conceptual artist Michael Barthel recorded between 2009 and 2012. Barthel was born in Berlin in 1977 and has been working in the fields of musique concrete, noise compositions, concrete phonetic poetry and fine arts since the mid 1990's, first with his project The Nautilus Deconstruction, and since the early …
1965/1 (Spur Der Zeit)
Edition of 160 copies. Roman Opalka (1931-2011) was probably the most insisting conceptual artist of the last century. In 1965, in his studio in Warsaw, Opalka began painting numbers from one to infinity. Starting in the top left-hand corner of the canvas and finishing in the bottom right-hand corner, the tiny numbers were painted in horizontal rows. Each new canvas, which the artist called a 'detail', took up counting where the last left off. In 1968 Opalka introduced to the process a tape reco…
Here Is Always Somewhere Else
2008 release. You might not think that there would be much information available about a performance artist whose entire catalog of work lasts about 40 minutes, and who vanished at sea. This release will dispel that notion. Here is Always Somewhere Else is not only a moving tribute of artist Bas Jan Ader, but a celebration of the eye, that which notices the miraculous in the small, mundane details.Ader, in that sense, was one of the first micro-historians. He was obsessed with gravity, with…
Bitter Suites
Deluxe repress edition of this incredible masterpiece made out of two live performances of the U.S. Steel Cello Ensemble recorded in 1979 at The Showing Room in NYC and at Helen Shlien Gallery in Boston. The Ensemble performs playing large sheets of metal and producing amazingly droning sounds. These live recordings are the result of an evolutionary refinement of instrumental design and playing techniques which Robert Rutman explored and develped after a ten year period of practice. He inv…